You can usually count on bond disclosure documents–assuming good eyesight and infinite patience–for fresh tidbits about the inner workings of the Academy of Motion Picture Arts and Sciences, and the latest round is no exception.
14.08.2023 - 15:47 / variety.com
Zack Sharf Digital News Director Michael Imperioli was recently asked by The Guardian to name the most brutal scene he’s ever had to film in his acting career, and his answer was any time his character on “The Sopranos,” Christopher Moltisanti, abused his fiancée, Adriana La Cerva (Drea de Matteo). “The most brutal, difficult stuff for me is when Christopher had to be physically abusive with Adriana, for obvious reasons,” Imperioli said. “On a technical level, you’re trying to be really careful so you don’t hurt the person.
But having to get to that point of violence towards a woman, you have to go to some nasty places to get there. Sometimes it’s very immediate. Sometimes it’s something present in your life that you can tap into.
Sometimes you have to go someplace from the past. And sometimes you have to go to someplace imaginary.” “It’s much easier shooting a mobster or shooting heroin,” he continued. “That stuff to me is not difficult.
But that stuff with her was. Sometimes you’ll use stunt doubles, sometimes not. And even then, it’s one thing to choreograph and rehearse it, then when you act it full-tilt with all the emotion, it’s easy to not have as much control as in the rehearsal.
So you really have to be quite careful.” Imperioli was a series regular on “The Sopranos” for all six seasons. He reprised Christopher in a voice role capacity as the narrator of “The Many Saints of Newark,” the prequel movie that was released in 2021. Imperioli told The Guardian that his “Sopranos” co-star James Gandolfini was one of the best screen partners he’s ever had.
“He’s probably the actor I’ve acted the most with,” Imperioli said. “He always put in 110%. He managed to find the intensity and the reality in every moment.
You can usually count on bond disclosure documents–assuming good eyesight and infinite patience–for fresh tidbits about the inner workings of the Academy of Motion Picture Arts and Sciences, and the latest round is no exception.
Few characters in Oliver Stone’s “JFK” leave as indelible an impression than Donald Sutherland’s mysterious Capitol Hill informant. In just one short scene, Sutherland masterfully provides Kevin Costner’s Jim Garrison with intel about the assassination that makes Garrison realize exactly what he’s up against.
Watching Michael Mann’s “Ferrari,” one may wonder whether it’s even possible to make a film about an Italian figure and have it not be at least 80% about style. An admittedly rather inane thought, but one made a little more legitimate by the central presence of Adam Driver as the titular Enzo Ferrari.
When Stacey Solomon needed a decluttering expert to stand in for Dilly Carter on her BBC series Sort Your Life Out, she called on close pal Mrs Hinch. Mrs Hinch, real name Sophie Hinchcliffe, appears in series three of the hit show alongside Stacey but had a hairy encounter with a cow which started to eat Mrs Hinch’s hair during filming. “Her hair must have looked like hay,” laughs Stacey.
Angelique Jackson On the 60th anniversary of the March on Washington, Netflix released the trailer for “Rustin,” which explains how civil rights leader Bayard Rustin defied the odds to plan the historic event. “On Aug. 28, Black, white, young, old, rich, working-class, poor will descend on Washington D.C.,” Rustin, portrayed by Emmy winner Colman Domingo, says early in the clip, which chronicles the lead-up to the monumental march.
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While many intriguing films will vie for the Golden Lion at this year’s Venice Film Festival, Michael Mann‘s “Ferrari” may be at the top of the list. It’s Mann’s first film since 2015’s “Blackhat,” the first outright flop of Mann’s career since 1983’s “The Keep.” That’s a strange lapse for a director among today’s most esteemed American filmmakers.
Michael Oher is making new claims against the Tuohy family in recent court documents obtained by ET. The 37-year-old former NFL player and subject of the Oscar-nominated film,, filed a new request to the courts for 19-years-worth of accounting from the Tuohy family, claiming that Leigh Anne Tuohy and her husband, Sean Tuohy, used him for their business and marketing ventures.Oher, who previously played for Old Miss and the Baltimore Ravens while under a conservatorship with the Tuohy family, has filed a motion alleging he hasn't seen any money for the past 19 years from the use of his name, image, and likeness, and “never permitted [the Tuohys] to use his name, likeness, and image in any way.”Oher, who previously accused the Tuohy family of tricking him into signing paperwork to make them his conservators and told him it was a part of the adoption process, alleges that the Tuohys have falsely claimed that he is their adopted son and used him in their marketing and business ventures.
Michael Cera has reflected on the moment Rihanna slapped him in the face for a film role.The actor featured in Seth Rogen and Evan Goldberg’s 2013 disaster comedy This Is The End, about a group of celebrities who get stuck in James Franco‘s house after a series of catastrophic events destroy Los Angeles.In the film, Cera plays a fictionalised version of himself and ends up on the receiving end of a hard slap from Rihanna after he smacks her in the butt.Speaking in a recent interview with GQ, Cera reflected on his most iconic film and TV roles when he explained what went into the slap sequence.“She definitely hit me,” he recalled. “But really, I wanted that.
Michael Lewis, the author of The Blind Side: Evolution of a Game, the book that inspired the Oscar-winning film The Blind Side, is blaming Hollywood for the rift over money between ex-NFL lineman Michael Oher and his former guardians, Sean and Leigh Anne Tuohy.
Legendary UK broadcaster and chat show host Michael Parkinson has died aged 88, according to his family.
The Sopranos he found the “most brutal” and “difficult” to shoot.The actor, who played Christopher Moltisanti in the HBO series, recalled filming his death scene at the hands of Tony Soprano (James Gandolfini) in the show’s final season.“That wasn’t really brutal at all, I’ll be honest with you,” Imperioli told the Guardian. “When we shot it, it wasn’t my last day either because we shot out of sequence.”The actor went onto explain that the scenes where his character had to be physically abusive to Adriana (Drea de Matteo) were the most challenging.“The most brutal, difficult stuff for me is when Christopher had to be physically abusive with Adriana, for obvious reasons,” he added.“On a technical level, you’re trying to be really careful so you don’t hurt the person. But having to get to that point of violence towards a woman, you have to go to some nasty places to get there.
***NOTE: THIS INTERVIEW WAS RECORDED PRIOR TO THE WGA AND SAG-AFTRA STRIKE*** In today’s episode of The Discourse, host Mike DeAngelo talks about siblinghood with actors Michael Cera (“Superbad,” “Barbie”)& Sophia Lillis (“IT,” “Dungeons & Dragons: Honor Among Thieves”). The duo is promoting their latest film, “The Adults,” which follows three siblings coming together after being estranged for some time and the awkward dance of reconnection that follows.
Michael Imperioli is opening about his time on The Sopranos and the scenes he found the most difficult to film.
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Michael Imperioli is opening up about his experience as an actor.
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