‘Megalopolis’ Star Nathalie Emmanuel Talks Working With Francis Ford Coppola on His Mysterious Magnum Opus: Like ‘Being Part of an Orchestra, and He’s the Conductor’

Jazz Tangcay Artisans Editor “13-foot tall Black Man in Oakland.” That’s how “I’m a Virgo” creator Boots Riley pitched his latest show to actor Jharrel Jerome. “This is the wildest title to an email I’ve seen. I don’t know what he’s talking about,” Jerome tells Variety‘s Awards Circuit Podcast.

Camila Cabello opened up about getting Drake on her new album C,XOXO.

Ellise Shafer George Lucas and Francis Ford Coppola reflected on their lifelong bond as the “Megalopolis” director presented the “Star Wars” auteur with Cannes Film Festival‘s honorary Palme d’Or on Saturday night. In his speech, Coppola recalled his first meeting with Lucas, who shadowed him on the set of his first studio film, “Finian’s Rainbow,” in 1968.

Star Wars creator George Lucas was fêted with an Honorary Palme d’Or at this evening’s Cannes Film Festival closing ceremony.

EXCLUSIVE: Francis Ford Coppola‘s $120 million passion project Megalopolis has closed a fresh raft of deals following its buzzy world premiere in Competition at the Cannes Film Festival last week. 

Angelique Jackson Nathalie Emmanuel‘s first trip to the Cannes Film Festival was certainly a memorable one. The “Fast and Furious” franchise star and “Game of Thrones” alum knows what it’s like to be in the spotlight, but Cannes is unique. First, consider the fact that she’s the leading lady in legendary filmmaker Francis Ford Coppola‘s longtime passion project “Megalopolis,” which made its world premiere at the festival.

Francis Ford Coppola has lamented the state of modern cinema, claiming some major studios no longer focus on making high quality films.Speaking at a press conference at Cannes Film Festival following the world premiere of his new dystopian drama Megalopolis, Coppola expressed his view that studios are mostly focused on making money due to their high levels of debt.“I fear that the film industry has become more of a matter of people being hired to meet their debt obligations because the studios are in great, great debt. And the job is not so much to make good movies, the job is to make sure they pay their debt obligations,” Coppola told Variety.However, The Godfather director believes streaming services could interrupt the old system and potentially have a positive impact on the industry.

Aubrey Plaza has addressed the negative speculation surrounding Francis Ford Coppola’s forthcoming dystopian drama, Megalopolis.The Godfather director struggled to get funding for the film, which has cost $120m (£96m), taken decades to make, and still not found a distributor. There have also been numerous speculative reports regarding Coppola’s behaviour on the set of the film.The film itself received a mixed reaction at is Cannes Film Festival premiere on Thursday (May 16), even drawing boos from some members of the audience.Of the noise surrounding the film and its production, Plaza, who plays journalist Wow Platinum in the movie alongside Adam Driver and Shia LaBeouf, told Deadline: “I thought it was kind of funny.“I would defend Francis all day long, but he doesn’t need my defence,” she said.

Francis Ford Coppola shared his thoughts on the current studio system during the Cannes Film Festival press conference for his self-financed epic “Megalopolis,” saying that they might not be around much longer. “I fear that the film industry has become more of a matter of people being hired to meet their debt obligations because the studios are in great, great debt.

As Megalopolis looks to seek a U.S. distribution deal, pic’s filmmaker Francis Ford Coppola was asked to comment on the state of the film industry and whether the movie’s best destination is on streaming.

Francis Ford Coppola’s 140-minute dystopian drama Megalopolis received a mixed reaction at its Cannes Film Festival premiere on Thursday (May 16), with some members of the audience initially booing.The Godfather director’s new, self-financed film stars Adam Driver as Cesar Catilina, an architect-scientist who wants to improve a fictional version of New York City called New Rome.Audience members reportedly started booing after the film ended. However, according to World of Reel‘s Jordan Ruimy, the boos soon turned to cheers when an “In Memoriam” segment proceeded to play for Coppola’s late wife Eleanor. The director and cast then received a seven-minute standing ovation.“Thank you all so much.

SPOILER ALERT: This story contains spoilers for Francis Ford Coppola‘s “Megalopolis,” which premiered at Cannes Film Festival May 16. The wait is over: “Megalopolis,” Francis Ford Coppola’s sci-fi drama has finally premiered at Cannes Film Festival, shocking and dividing critics. The film, a $120 million epic starring Adam Driver, Aubrey Plaza, Giancarlo Esposito and Shia LaBeouf, was financed by Coppola himself — and has yet to secure a distributor in the United States. Regardless, the movie earned a 7-minute standing ovation from Cannes, as Coppola hugged Driver and Esposito and delivered an emotional speech dedicating the film to hope and family.

When news first began circulating that distributors found Francis Ford Coppola’s long-awaited passion project “Megalopolis” tough to market, people were quick to shrug their shoulders in response.

“When we leap into the unknown, we prove that we are free,” says Cesar Catalina, the futuristic architect at the beating heart of Francis Ford Coppola’s Megalopolis (to give it its full title), a mad eco-sci-fi blockbuster some 40 years in the making. Catalina says it several times, and it’s one of the more succinct aphorisms that he spouts in a script that is stuffed with seemingly random literary allusions from the likes of Petrarch, Crassus and Marcus Aurelius to Goethe, Shakespeare, H.G. Wells and Ralph Waldo Emerson. Watching Anthony Mann’s The Fall of the Roman Empire and eating cheese afterwards would be the only way to replicate its fever-dream grandeur, a series of stunning images, carried along by the loosest of plots, that pontificate on the self-destructive nature of humankind, the only species capable of civilizing itself to death.

Many questions abound as Francis Ford Coppola‘s self-budgeted epic “Megalopolis” heads into its Cannes debut. Will the film be received more generously than its LA industry screening in March? Will Coppola find a distributor for it on the Croisette? And will “Megalopolis” survive controversy and be a smash success at the festival much like Coppola’s 1979 masterwork “Apocalypse Now“? READ MORE: ‘Megalopolis’ Teaser: One Man Wants To Create A Utopia In Francis Ford Coppola’s Passion Project IMAX is banking on “Megalopolis” no matter what happens after its premiere.

Imax has committed screens around the world to show Francis Ford Coppola‘s magnum opus “Megalopolis,” the company’s CEO Richard Gelfond confirmed at a Cannes Film Festival event on Thursday. The film’s trailer, which debuted on Tuesday, said that “Megalopolis” would be coming to Imax theaters this year — but it was not specified that the release would be global. The run-up to the premiere of Francis Ford Coppola’s self-financed epic at Cannes on Friday has been filled with anticipation and controversy, partly because “Megalopolis” has yet to secure a U.S.

Megalopolis, without ever getting round to filming any scenes.The Godfather and Apocalypse Now director is preparing for the world premiere of the film at the Cannes Film Festival this week (May 17), but a new report suggests that many on the film’s crew were left frustrated and confused by his unconventional filmmaking techniques.Speaking anonymously to the Guardian, one crew member explained: “He would often show up in the mornings before these big sequences and because no plan had been put in place, and because he wouldn’t allow his collaborators to put a plan in place, he would often just sit in his trailer for hours on end, wouldn’t talk to anybody, was often smoking marijuana … And hours and hours would go by without anything being filmed.”“And the crew and the cast would all stand around and wait. And then he’d come out and whip up something that didn’t make sense, and that didn’t follow anything anybody had spoken about or anything that was on the page, and we’d all just go along with it, trying to make the best out of it.

For years, the idea of “Megalopolis” has been enough to fuel speculation. How could this film possibly be so important that Francis Ford Coppola was willing to stake his career on it? Not only that, this passion project means so much to the director that he felt compelled to put up his own money to finance the $120 million epic.

Patrick Frater Asia Bureau Chief “Our new film ‘Megalopolis’ is the best work I’ve ever had the privilege to preside over,” reads a quote attributed to iconic director Francis Ford Coppola attached to the official trailer for his new epic film. The picture, which will premiere in competition on Thursday at the Cannes Film Festival, has been a project many years in the making for the director, who first began work on the screenplay in the 1980s. The legendary filmmaker behind “The Godfather” and “Apocalypse Now” has invested $120 million of his own money into the film.

EXCLUSIVE: Francis Ford Coppola‘s Megalopolis has sold to key independent buyers in Europe’s top five territories, we can reveal.