Mati Diop Merges Fact With Fantasy In Berlin Doc ‘Dahomey’

Bob Dylan appeared to respond to a heckler who shouted “play something we know!” at one of his recent live shows – check out the footage below.The legendary singer-songwriter performed at the Broward Center For The Performing Arts in Fort Lauderdale, Florida last Friday (March 1) as part of his current ‘Rough And Rowdy Ways’ tour.Early on in the 16-song set, however, Dylan was interrupted by a dissatisfied audience member. In a fan-shot video, a woman can be heard shouting at the musician to “play something we know!” during the introduction to a live rendition of his 1971 song ‘When I Paint My Masterpiece’.A fan on X/Twitter later shared the clip, writing: “This is WILD.

Babylon Berlin has landed a new U.S. home on a newly-merged streaming service created as Kino Lorber’s MHz Choice and Topic combine.

Jennifer Maas TV Business Writer Kino Lorber’s MHz Choice and Topic will merge into one streaming service, parent company Kino Lorber announced Thursday. The combined product will become the exclusive U.S. streaming home of hit German series “Babylon Berlin” in April.

The Match Factory has locked multi-territory deals on Berlinale titles Architecton by Victor Kossakovsky and Dying by Matthias Glasner, which picked up the festival’s Silver Bear for Best Screenplay.

Christopher Vourlias Following on the heels of a successful post-pandemic reboot one year ago, the Joburg Film Festival kicks off its sixth edition on Feb. 27, with the glitzy capital of South Africa’s media and entertainment industry showcasing a selection of top talents from the host country and across the African continent.

Dahomey. The Golden Bear, the first to be awarded to a black filmmaker in the festival’s history, is about the return of 26 royal treasures of the Kingdom of Dahomey from Paris to their country of origin, the present-day Republic of Benin.MUBI has acquired the rights to the film for both the UK and the United States, among other territories.On the night Diop had the following to say when she collected her award:Kenyan-Mexican actor Lupita Nyong’o was president of this year’s jury.Elsewhere, the runner-up prize, the Silver Bear Grand Jury went to Korean filmmaker Hong Sansoo’s Yeohaengjaui pilyo (A Traveler’s Needs), while the Silver Bear Jury Prize was awarded to Bruno Dumont’s L’Empire.Nelson Carlos De Los Santos Arias scooped the Best Director award for Pepe, while the two main acting awards went to two performances in the English language.

Guy Lodge Film Critic The Berlin Film Festival drew to a close with tonight’s awards ceremony, with French-Senegalese director Mati Diop taking the Golden Bear for her documentary “Dahomey.” Full report to come; full list of winners below.

Winners have been announced at the 74th Berlin Film Festival, with Dahomey by French-Senegalese filmmaker Mati Diop scooping the coveted Golden Bear prize as the best film of the festival’s International Competition. Scroll down for the full list of winners, which were revealed Saturday evening at the Berlinale Palast.

It’s very easy to misread the title of Victor Kossakovsky’s latest documentary as “Architection,” since it is, in some ways, a detective story about the world we live in, albeit one in which it is very easy to figure out whodunit (spoiler: we did it to ourselves). The actual title, Architecton, is a Greek word that means “master builder,” and the film plays with the irony of what that may mean — pitting the “master builders” of yesteryear against the “master builders“ of today — from the very beginning, using a cryptic line from “L’aquilone,” a rumination on bygone times by Italian poet Giovanni Pascoli (1855-1912). “There is something new within the sun today, or rather ancient,” he writes. This fascinating, engrossing film interrogates the subtext of this seemingly paradoxical statement.

Dahomey,” a highlight of this year’s Berlinale competition and directed by Cannes prizewinner Mati Diop (“Atlantics”), for North America, Latin America, U.K., Ireland, Germany, Austria, Switzerland, Italy, Turkey and India. The feature film is represented in international markets by Films du Losange, which negotiated the deal with Mubi. “Dahomey” marks the sophomore outing of Diop, a French-Senegalese talent who is considered one of the leading figures in international arthouse cinema and of a new wave in African and diasporic cinema.

Patrick Frater Asia Bureau Chief Two Taiwan-based production companies with features in this week’s Berlin Film Festival have joined forces to launch new venture, Long Hu Bao × An Attitude. Taiwan’s Yi Tiao Long Hu Bao International Entertainment, is one of eight co-producers on main competition film “Shambhala,” from Nepal’s Min Bahadur Bham.

Russian Pussy Riot Dissident Nadya Tolokonnikova has welcomed a pledge by Alexei Navalny’s widow Yulia Navalnaya to carry on his fight for democracy, following his death in an Arctic penal colony last week.

Mubi has snapped up rights across multiple territories on Made In England: The Films Of Powell And Pressburger, the Martin Scorsese-narrated doc set to debut this week at the Berlin Film Festival. 

Alex Ritman ‘Made in England: The Films of Powell and Pressburger,’ the documentary produced and narrated by Matin Scorsese, has been acquired by Mubi ahead of the film’s world premiere at the Berlin Film Festival. The arthouse streamer, distributor and production company has bought all rights for Germany, Austria, Switzerland, Italy, France, Belgium, Netherlands, Luxembourg, Latin America, Turkey and India.

Leo Barraclough International Features Editor “From Hilde, With Love,” which world premiered Saturday in competition at the Berlinale, has debuted its trailer (below). The film, directed by Andreas Dresen, centers on a group of young anti-Nazi activists in Berlin during World War II. (Read Variety‘s review here.) The film, which is being sold by Beta Cinema and is produced by Claudia Steffen and Christoph Friedel for Pandora Film, stars “Babylon Berlin” breakout Liv Lisa Fries and Johannes Hegemann.

A youthful crowd of industry professionals filed into a bustling room at the Gropius Bau Saturday afternoon for the inaugural AfroBerlin symposium here at the Berlin Film Festival. 

Somebody — or something — is speaking from inside a timber crate. “It’s so dark in here… a night so deep and opaque” read the subtitles; the voice is speaking in Fon, the local language of the West African country that was once called Dahomey and is now Benin. As the slats are nailed down, the voice is increasingly muffled; we are outside, but we are inside too, watching the light disappear.

Jessica Kiang In November 2021, 61 years after Benin gained independence from the French empire, 26 of the many thousands of plundered national antiquities were returned by France to their African home. Inserting an inquisitive, imaginative intelligence into this key moment in the troubled timeline of post-imperial cultural politics, French-Senegalese director Mati Diop fashions her superb, short but potent hybrid doc “Dahomey” as a slim lever that cracks open the sealed crate of colonial history, sending a hundred of its associated erasures and injustices tumbling into the light.

“The first shape I had in mind for this film was fiction,” filmmaker Mati Diop told a Berlin Film Festival presser this morning when quizzed on the structure of her inventive documentary Dahomey. 

Christopher Vourlias Africa’s growing screen industries are making their mark on the global stage, with three titles in the main competition at this year’s Berlin Film Festival, but how to unlock the continent’s still-untapped potential was a question on the minds of many at a conference hosted on Saturday by the European Film Market. A partnership between EFM and Prudence Kolong’s Stockholm-based consulting firm Yanibes, AfroBerlin was launched to give a platform to filmmakers from Africa and the diaspora and “to find a place where they can share stories and experiences and be heard,” said Kolong, who also organizes the Cannes Film Festival’s AfroCannes industry showcase.