Marat Sargsyan to Follow Venice’s ‘The Flood Won’t Come’ With ‘The Grand Inquisitor,’ Centering on a Malevolent AI Protagonist
02.11.2023 - 08:53
/ variety.com
Savina Petkova What if a new Messiah appeared today, but his supernatural power was to release people’s intimate videos unprompted? Such a beguiling premise shapes Armenian Vilnius-based director Marat Sargsyan’s sophomore feature, “The Grand Inquisitor.” In it, the omnipotent creature is an AI that looks like a human being and has a human name, Vermis. Soon, his crimes pile up, the authorities are helpless, and any investigation thwarted. The film will be presented next week at Thessaloniki Film Festival’s Agora Crossroads Co-production Forum.
As a Lithuanian project, it is also part of Agora’s newest initiative, Bridge to the North, linking the European North and South for potential creative partnerships. Sargyas’s debut fiction feature—the labyrinthian war drama “The Flood Won’t Come”—premiered in 2020 as part of the selection at Venice’s Critics’ Week. The film explored themes such as war, peace and religion, without the need to reach for any particular solutions.
The Armenian director knows the world is much more complicated than that and allows a shift from stark reality to magical realism. “The Grand Inquisitor” brings humans face to face with AI, on their own turf. The film is produced by Klementina Remeikaite for Lithuania’s Afterschool, the company behind Laurynas Bareisa’s “Pilgrims” (winner of the 2021 Horizons best film award in Venice), with the support of the Lithuanian Film Centre.
In an attempt to show the world as it is today through the role of social media in human interactions, Sargsyan came up with the idea of a central figure that embodies ambivalence.
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