Malaga’s Spanish Screenings: ‘Lullaby,’ Utama’ Win as Spain Consolidates as International Sales Force

Montserrat Caballe, one of the greats of 20th-century opera, is being remembered on what would have been her 89th birthday. Nicknamed “La Superba”, the Catalan singer began her career in Switzerland, Germany and Austria before becoming a superstar on the world stage. She made her American debut in Donizetti’s Lucrezia Borgia at Carnegie Hall in New York City on 20 April 1965, replacing the pregnant Marilyn Horne and earning a 25-minute standing ovation.

EXCLUSIVE: Los Angeles-based Synepic Entertainment is launching Sakka, a streaming service specializing in Japanese cinema. The platform will debut in North America and select further territories in early May, the company said. At launch, it will feature five movies: Happy Hour, the 2015 movie from recent Oscar nominee Ryusuke Hamaguchi; Shô Miyake’s 2018 feature And Your Bird Can Sing; Seiji Tanaka’s 2018 film Melancholic; Chihiro Amano’s 2019 pic Mrs Noisy; and Hajime Tsuda’s 2020 drama Daughters. Synepic said it was focusing on independent films and would be acquiring two further titles later in the summer. The company is also looking to host in-person screenings of films it acquires. “We are beyond proud to create this unique platform for Japanese films of new generations,” commented Chiaki Yanagimoto, the president of Synepic Entertainment and the founder of the platform. “There are many Japanese films that unfortunately don’t see their full potential outside of Japan because of the traditional distribution system there. After the win of Drive My Car, several critics pointed out that the Japanese system is outdated and indifferent to the international market. It is time to change that narrative and find new ways to share these inspiring works coming from Japan, and create a platform that truly cares about the films and the filmmakers.”

Emiliano De Pablos Spain’s The Mediapro Studio has secured local adaptation rights to Belgian TV primetime hit “The Musical of Your Life,” which won the award for best factual entertainment format at this year’s MipTV International Format Awards.The deal has been negotiated with Belgian international distribution company Be-Entertainment, which represents the format’s rights globally.Created and produced by indie company Dedsit, the first season of the show recently aired on Belgium’s Play4 channel, scoring a spectacular 35.7% average market share. Dedsit is already working on a second season.Set in a theatre, each episode of “The Musical of Your Life” pays tribute to a celebrity, someone beloved and admired by the entire country.  The celebrity is invited to the theater to join the host for a unique up-close and personal interview about all the key moments of his life.

EXCLUSIVE: Dave Logan, creator of Acorn TV’s Harry Wild and writer on Roald Dahl film To Olivia, is developing a crime drama TV series set in Malta with his Harry Wild co-writer Jo Spain.

Will Smith once pretended to raise his hand to a Spanish TV host over wife Jada.

Claire Sweeney has revealed she earned £5,000 last year forcing her to live off of the savings from her sold Spanish villa.The actress was hit hard financially due to the pandemic after her industry was “decimated” she said as she discussed the difficult decisions she had to make in order to save up. Speaking on her period of money woes, Claire confirmed that during that time she had received “under £5,000” worth of pay and resorted to using the money from her sold villa for her and her family to live on.

Emilio Mayorga “Son,” “Cosas de chicos,” “Votamos” and “36” are among eight shorts at this year’s Madrid en Corto, an increasingly key Spanish platform for new talent now in huge demand in a platform age.Recent past editions have included Carlota Pereda’s original “Cerdita,” whose feature version dazzled at January’s Sundance, and shorts from Alauda Ruiz de Azúa, director of Berlin Panorama player “Lullaby,” which swept the Málaga Film Festival on Saturday night, and Javier Marco whose “Josephine” proved a prominent feature debut at September’s San Sebastián. In all, over its 18 editions, titles in Madrid en Corto’s distribution catalog have earned 32 nominations for Spanish Academy Goya Awards. This year, the Goya fiction short winner (Verónica Echegui’s “Totem Loba”) doc short laureate (“Mama”) and “The Monkey,” which snagged best animated short, all feature in Madrid en Corto’s catalog.  Women look likely to make much of the running at this year’s edition, organised by ECAM Distribución, the distribution arm of the enterprising Madrid Film School (ECAM), whose Screen-Incubator has fast become one of the key industry development labs in Spain.

 Briefly, five first takeaways from this year’s edition: Spain’s On Fire“Spain’s audiovisual sectors are on fire,” said Luis Cueto, at Spain’s Department of Commerce, at a Malaga round table on Thursday. Just one generation ago, Spanish cinema was regarded with suspicion in Spain’s august financial circles. No more.

Ed Meza @edmezavarSpanish distributors, who have enjoyed a strong track record selling remake rights to local pics, have received a major boost this year with the Malaga Festival Industry Zone’s (MAFIZ) inaugural Remake Day event on Thursday.Leading film sales companies, among them Cinema Republic, Latido Films, Filmax and Feel Content, presented showcases of films considered particularly adaptable to foreign markets. Not surprisingly, comedies and genre pics made up most of the selections.David Castellanos’ Cinema Republic offered one strong example with Borja Cobeaga’s  hit 2009 romantic comedy “Pagafantas,” which has over the years sold to Germany, Italy and Mexico.Cinema Republic also touted Icíar Bollaín’s “Rosa’s Wedding” (“La Boda de Rosa”), about a woman in her mid-40s who decides to finally take charge of her life and fulfill her dream of starting a business.

Manori Ravindran International EditorAmazon Prime Video is continuing its mission of commissioning “local for local” shows as its European operation becomes more entrenched.Georgia Brown, head of Amazon Studios for Europe, told a packed Series Mania session in Lille on Thursday that her regional staff across the continent aren’t looking for international ideas, but rather location-specific conceits.“If we’re commissioning a big show in Spain, I need it to be a hit in Spain,” said Brown. “Lots of people come to us saying, ‘We have a great international show,’ and that doesn’t really work for us.

Anna Marie de la Fuente At a time when journalists are under attack in many parts of the world and the odious term “fake news” has become part of the global lexicon, Spain’s Mediacrest presents the topical drama series “Fake” at a key event in France-based Series Mania, the invitation-only Spain Pitching Breakfast, on Thursday.Leading the charge is industry vet-producer Gustavo Ferrada (“Klaus,” “Nobody Knows Anybody”), Mediacrest’s executive director of fiction, who joined the fast-rising Spanish production company in January.“Fake” is one of five selected projects from leading Spanish production companies seeking European partners, comprising Fedent España, Friki Films, Onza, Vertice 360 and Mediacrest. Created in-house by Mediacrest’s deputy head of fiction, Carlos Molinero and senior scriptwriter Nicolás Romero, the Strasbourg-based series of six 52-minute episodes follows a high-powered couple as their once idyllic relationship turns toxic.

A Place in the Sun’s Laura Hamilton was caught on video pole dancing in a Spanish bar on Tuesday while away on location for the Channel 4 show. The 39 year old was filmed enjoying a wild night out after flying to Valencia on work duty in a clip posted to Instagram Story to be watched by the presenter’s 153,000 followers.

 Current ceilings are €18 million ($19.8 million) for the Canary Islands, €10 million ($11 million) for the rest of Spain.The call for a muscular rise in incentives was made at Spain’s Málaga Film Festival, as industry figures including Fernando Victoria de Lecea, line producer on Wes Anderson’s 2021 Spanish shoot “Asteroid City,” sketched a possible roadmap to take full advantage of the country’s extraordinary $1.8 billion Spain AVS Hub state funding which has begun to flow into events such as Málaga’s Spanish Screenings and the bullush promotion of Spanish series at Series Mania. Other panelists took in Carlos Rosado, president of the Spain Film Commission, Roberto Sacristán, head of Alianza Industria Audiovisual (ALIA) and Rosa García, president of RedCau, a network grouping five of Spain’s biggest film-TV clusters.In contrast to so many Spanish industry panels at festivals down the decades, the panel’s mood was upbeat. Rosado recalled how the Spain Film Commission aided in the creation of Spain’s first international shoot tax rebate on local spend, instituted in 2015, As first-phase COVID-19 still raged, at the instance of Rosado and former U.S.

when the Oscar nominations were announced this year. Spanish cinema, long lagging behind other European rivals like Italy and France, has finally begun to catch up. Carla Simón’s win in Berlin for ‘Alcarràs’ is proof of that. According to Variety, Cruz is currently in the mix to be the president of the Cannes festival jury, a distinction already granted in 2017 to Pedro Almodóvar, by far the most appreciated Iberian director abroad.