Macau’s Festival of Young Cinema Kicks Off Debut Edition With Appeal for Cultural Exchange

Ukraine is not happy with HBO for hiring Serbian actor Miloš Biković for season three of The White Lotus.

Patrick Frater Asia Bureau Chief Indie distributor Bitters End has finally set a theatrical release date in Japan for Christopher Nolan’s lauded “Oppenheimer” – after the Oscars. The film will arrive in Japanese cinemas on March 29, the company said on Thursday. That date is some two and a half weeks after the Oscars ceremony (March 10 in Los Angeles, March 11 in Japan), at which “Oppenheimer” has a strong chance of winning multiple awards. At the Oscars nomination event, earlier this week, “Oppenheimer” became the front-runner, collecting 13 nods, including best picture, best director and a trio of acting nominations.A post shared by 映画会社ビターズ・エンド (@bitters_end) Despite its critical and commercial success in cinemas around the world last year – it earned $952 million – the film is controversial in Japan.

Patrick Frater Asia Bureau Chief Six projects have been announced as participating in the inaugural edition of the HKIFF Industry – CAA China Genre Initiative, a project incubator in Hong Kong for Chinese-language genre films. The HCG platform will run March 11-13, 2024, alongside the 22nd Hong Kong – Asia Film Financing Forum (HAF) and the Hong Kong International Film & TV Market (FilMart), Asia’s largest film and TV rights market. From the six, two winning projects will each receive a cash prize of $20,000 for development funding.

Patrick Frater Asia Bureau Chief Three Japanese films enjoying their world premieres, along with festival favorites “City of Wind” and “Solids by the Seashore,” are set to appear in the 13-title competition section of the Osaka Asian Film Festival in March. The event will be held March 1-10 at venues including ABC Hall, Cine Libre Umeda, T-Joy Umeda and the Nakanoshima Museum of Art. The opening and closing films will be announced in early February. The 19th edition of the festival, which will eventually contain 55 feature and short films, is set to also include three special programs – a “Thai Cinema Kaleidoscope,” “Taiwan: Movies on the Move,” and “Special Focus on Hong Kong” – as well as its regular Spotlight Section on underrated Asian films and the Indie Forum of more challenging and innovative works. The competition titles are: “City of Wind,” by Mongolia’s Lkhagvadulam Purev-Ochir; “Fire on Water,” by Malaysia’s Sun-J Perumal; “Hyphen,” by The Philippines Joy Arnaldo; “The Lyricist Wannabe,” by Hong Kong’s Norris Wong; “The Missing,” by The Philippines’ Carl Joseph E.

Nick Holdsworth There is a certain inevitability about a film inspired by Hermann Hesse’s novel “Steppenwolf,” first published in German in 1927, and two famous Westerns of the 1950s — John Ford’s “The Searchers,” and Howard Hawks’ “Red River.” In acclaimed Kazakh director Adilkhan Yerzhanov’s latest film — also called “Steppenwolf” — two characters who are essentially loners existing outside of the usual moral boundaries of the world come together united in a common task: to save a small boy who has gone missing. The world premiere of “Steppenwolf” is slated for International Film Festival Rotterdam’s Big Screen Competition.

open letter from the Strike Germany movement, which called for a boycott of state-funded cultural events, claiming that the “use of McCarthyist policies” suppressed “freedom of expression” in relation to displays of solidarity with Palestine and criticism of the Israeli state.The International Holocaust Remembrance Alliance’s (IHRA) definition of anti-Semitism cites examples including “drawing comparisons of contemporary Israeli policy to that of the Nazis” and “denying the Jewish people their right to self-determination, e.g., by claiming that the existence of a State of Israel is a racist endeavor”.Strike Germany claimed that the IHRA definition was “increasingly becoming official state policy, effectively censoring criticism of the state of Israel and anti-Zionist perspectives from the German cultural sphere, furthering a dangerous false equivalency that ultimately harms the fight against anti-Semitism”.A post shared by STRIKE GERMANY (@strikegermany)As of Monday (January 22), however, the clause has been dropped. “I must take the legal and critical voices that saw this clause as a restriction on the freedom of art seriously,” said Joe Chialo, Berlin’s culture senator, in a statement (via The Art Newspaper).

Patrick Frater Asia Bureau Chief Iconic Hollywood musical film “La La Land” is to re-release (again) in South Korean theaters from Wednesday. Distributed by Pancinema, it will play at the country’s Imax cinemas for a one-week limited run with tickets costing upwards of KRW15,000 ($11.25) for adults. The film was directed by Damien Chazelle and stars Ryan Gosling (newly Oscar-nominated for his role as Ken in “Barbie”) and Emma Stone, and holds the box office record for movie musicals with global box office of $470 million. It recently re-released in cinemas in China in time for the Christmas peak season.

Patrick Frater Asia Bureau Chief Webtoons, the digital comics that have been the source material for scores of Korean films and TV series, are to receive a major boost from the South Korean government. Yu In-chon, minister for culture, sports and tourism, on Tuesday said that the government will foster webtoon platform development, launch a major webtoon festival in the autumn of this year and by 2027 open a school dedicated to the emerging genre. Webtoons emerged in the early years of the 21st century shortly after the mass market a acceptance of smart phones – a technology sector where Korea’s Samsung Electronics is a major manufacturer – and are vertically-scrolling comics designed for consumption on a small screen. As a relatively new medium webtoons have escaped some of the strictures of Japan’s manga business or the cartoon industry in other countries. Instead, they have diverse story genres, are cheap to produce, which allows creators from non-professional backgrounds to participate, and have been quickly internationalized through multi-lingual translations and overseas platforms.

Leo Barraclough International Features Editor Chinese filmmaker Lin Jianjie‘s debut feature “Brief History of a Family,” which is being sold by Films Boutique, has debuted its trailer (below), following its world premiere in the World Cinema Dramatic Competition section of the Sundance Film Festival. The film, which will make its European premiere in the Panorama program of the Berlin Film Festival, was received warmly by Variety critic Carlos Aguilar. In the review, Aguilar says the suspenseful drama was “elevated by its consistent visual inventiveness.” He adds that although at first it seems to be the story of a “cunning infiltrator wreaking havoc in an unsuspecting household,” it then “reveals itself as a tale of wish fulfillment for everyone involved.” Aguilar says that it is this approach which “turns Lin’s debut into an engrossing brain-tickler.” The drama is put in motion by an incident at the high school attended by Wei, an outgoing only son from a middle-class family, and Shuo, his quiet, perceptive classmate.

Ghostpoet has described the new German culture strike as “misdirected”, while also declaring his support for Gaza.In recent weeks figures from the arts and entertainment industry have voiced their support for the Strike Germany movement in response to the government’s “use of McCarthyist policies that suppress freedom of expression” related to showing solidarity with Palestinians in Gaza.An open letter from the movement claims that Palestine solidarity protests have been “mislabeled as anti-Semitic and banned” while activist spaces are “raided by police, and violent arrests are frequent”.It adds that Strike Germany is a “call for international cultural workers to strike from German cultural institutions”.However, British artist Ghostpoet – real name Obaro Ejimiwe – has expressed scepticism over the strike’s “wave of blanket cancellations”.In an Instagram post shared last week, the Mercury Prize-nominated singer-songwriter wrote that while he shares the anger over “Germany’s unforgivable support of Israel’s genocidal campaign against Palestinians”, it will not “achieve the desired results”.A post shared by Ghostpoet (@ghostpoet)He added that the strike is “misdirected”, because many of the affected institutions are “spaces for dissent against these genocidal policies” but are the ones “paying the price for the government’s position”.Other shortcomings he claimed to be hindering the strike included that there was “no mutual aid plan” that would help provide financial, political, legal and logistical support to strikers, while also noting that arts and culture workers in Germany were “not a cohesive category”.He said most were freelancers whose income depended on exhibitions, gigs and events.“Ultimately, instead of bearing

Patrick Frater Asia Bureau Chief The CinemAsia Film Festival in Amsterdam has unveiled titles from seven different Asian countries for its competition section. The festival will play at the Studio/K, Rialto De Pijp and Rialto VU venues March 5-10, 2024. The event will close with the out-of-competition screening of “Gaga,” a drama about indigenous communities in Taiwan, directed by Laha Mebow. “Gaga” documents the challenges faced by a commune after the death of a respected tribal elder who, while alive, had held things together.

Brian Brobbey has addressed reports linking him with a move to Manchester United - but the 21-year-old says he will be staying in the Eredivisie with Ajax.

So, here we are in mid-January, and though we’re staring down the barrel of a tough year ahead, it’s not all wintry doom and gloom on an international box office (and combined global) level. 

Patrick Frater Asia Bureau Chief First-time mainland Chinese director Lin Jianjie (aka JJ Lin) makes a splash this weekend with the premiere of his “Brief History of a Family.” Asking questions about family in the era since the end of China’s ‘One Child Policy,’ while also borrowing genre tropes such as the idea of the intruder and blood, it is a polished and ultra-modern fable that sees a teenage schoolboy ingratiate himself into another boy’s family.Variety spoke to biologist-turned-filmmaker Lin on the eve of his Sundance debut.How did you get from zero to making your first feature?[After graduating in biology] I did two short films at film school. I went to Tisch Asia, which had a campus in Singapore. We also had an exchange program with Tisch in New York.

Patrick Frater Asia Bureau Chief Leading Asian film directors including Josh Kim, Fukada Koji and Patiparn Boontarig line up to pitch their in-development projects at the March edition of the Hong Kong – Asia Film Financing Forum (HAF). Leading directors Wang Xiaoshuai and Zhang Lu will also be on the ground at HAF, operating as producers. So too will established producers Yamamoto Teruhisa (“Drive My Car”) and Michael J.

Leo Barraclough International Features Editor Be For Films, an independent film sales company based in Brussels, has acquired international rights to German filmmaker Michael Fetter Nathansky‘s “Every You Every Me,” which has been selected in the Panorama section of the Berlinale. “Every You Every Me” won two Work-in-Progress Awards, under its previous title “Mannequins,” at the San Sebastian Film Festival.

Ben Croll Capping a growth year that saw Gallic productions draw 37. 4 million global theatrical admissions for a total of $254 million in international receipts, producers and sales agents indicated that geopolitical tensions and eco-responsible transformation would be two of the major stressors on France’s film export business in the months to come.

Cinema export agency Unifrance’s annual international box office report for 2023 revealed on Tuesday that Russia was the top market in terms of admissions for French cinema last year.

Rebecca Rubin Film and Media Reporter “Treasure,” a father-daughter road trip drama starring Lena Dunham and Stephen Fry, has sold worldwide rights to Bleecker Street and FilmNation Entertainment. The movie, formerly titled “Iron Box,” will have its world premiere at the Berlin Film Festival. Bleecker Street and FilmNation Entertainment, which recently teamed on “Waitress: The Musical,” will co-distribute the movie theatrically later this year in the U.S.

Patrick Frater Asia Bureau Chief As Russia’s war in Ukraine approaches its second anniversary, leading Russian director Aleksey German Jr. (“House Arrest,” “Under Electric Clouds”), is currently giving “Air,” his state-funded WWII thriller, a commercial release in Russian cinemas. With ferocious action and cruel detail, “Air” has been called out for being a patriotic film.