‘Luxembourg, Luxembourg’ Review: A Fast-Paced, Funny Ukrainian Dramedy About Frayed Family Ties
08.10.2022 - 07:35
/ variety.com
Jessica Kiang In a time of war, laughter — even of the wryest kind — can feel like an unpardonable luxury. And if Ukrainian director Antonio Lukich’s delightfully droll “Luxembourg Luxembourg” were even a little more flippant, and didn’t cut its comedic antics with an equal dose of melancholic wisdom, perhaps there would be some guilt attached to enjoying it so much. But with his second feature, an expansion of ambition after his wonkily wistful debut, “My Thoughts Are Silent,” Lukich hasn’t just made a slice of much-needed escapism. In the sincerity of its sentimentality and its humane, universal observations around absent fathers, errant sons and estranged brothers, the movie not only earns us the right to laugh during a period of suffering and conflict, it makes sharing in the warmth of its sweet-natured humor seem like a vital, revivifying act of resistance.
There’s a scuzzy-Scorsese vibe to the film’s propulsive, boisterous ’90s-set opening as Kolya and Vasya (Adrian and Damian Suleiman), identical twin boys getting into trouble the way boys do, scramble around the train yards of Lubny, the central Ukrainian city they call home. As nostalgically narrated by an older if little wiser Kolya, the events of this particular day are instructive as to the boys’ relationship. When the freight train they’re kicking about in unexpectedly begins to move, Vasya jumps off just in time, while the more fearful Kolya clings to the boxcar helplessly, watching his brother recede to a forlorn far-off figure on the tracks. Kolya will be rescued in amusingly OTT style by his gangster father stopping the train at gunpoint while Boney M’s “Daddy Cool” blasts over the soundtrack. But the differences in the boys’ natures is set. Vasya is
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