‘Luoyang VR Project’ Showcased in Shanghai by Chinese Streamer iQiyi

Nick Vivarelli International Correspondent Dubai-based pay-TV and streamer OSN launched its rebranded OSN+ streaming service in March 2022 — and then lost some momentum when Disney+, the following June, pulled out its premium content and started a standalone platform in the Middle East. However, OSN remains a leading small-screen outlet for prime Hollywood scripted fare in 22 territories across the Middle East and North Africa. In March 2023, they extended their relationship with Warner Bros. Discovery, forging a new multi-year licensing deal that makes them the exclusive home for HBO content such as “Succession” in the region. And, they’ve retained exclusive rights to Paramount+ shows, plus a slate of Sky Studios and Peacock Originals produced by NBC Universal — among other Hollywood deals firmly in place — as well as recently expanding their exclusive partnership with ITV Studios in the U.K.

EXCLUSIVE: Hulu is joining the latest round of programming purges.

Some time ago, comedian Tom Segura teased on his YMH Studios podcasts that he’d decided to self-finance and shoot a mystery video project, with further details to be disclosed at a later date. And at long last, they’re beginning to emerge, as Segura has disclosed to Deadline his sale to a streaming service of a pilot in which he’ll star.

Patrick Frater Asia Bureau Chief The 28th edition of the Shanghai TV Festival wrapped up on Friday with its Magnolia Awards presented to a range of TV drama series, documentaries and animation programs. The drama awards were dominated by two shows “A Lifelong Journey” and “Bright Future.” “A Lifelong Journey,” adapted from a novel of the same name by Liang Xiaosheng, tells the story of three generations of one family in China’s Northeast as time moves from the late Cultural Revolution period through to the country’s reform and opening up. With a starry cast and broadcasters including CCTV-1 and Jiangsu Satellite TV, the show is reported to have attracted 310 million viewers at the beginning of 2022. In mainland China, it ran for 58 episodes, while in Hong Kong it played in 35 parts.

Joe Otterson TV Reporter “The Game,” “Grease: Rise of the Pink Ladies,” “Star Trek: Prodigy,” and “Queen of the Universe” have all been canceled at Paramount+. In addition, all four shows are set to be removed from the streaming service in the coming days. “The Paramount+ series ‘Grease: Rise of the Pink Ladies,’ ‘Star Trek: Prodigy,’ ‘Queen of the Universe’ and ‘The Game’ have completed their runs on Paramount+ and will not be returning to the service,” a Paramount+ spokesperson said. “We want to extend our thanks to our tremendously talented cast and crew and our producing partners for their passionate work and dedication on these programs, and we wish them all the best on their future endeavors.”

Paramount+ has canceled a slew of its originals including Grease: Rise of the Pink Ladies, Star Trek: Prodigy, Queen of the Universe and The Game and is taking the shows off its platform as it becomes the latest media company to take a content write-down.

Patrick Frater Asia Bureau Chief The technical aspects of China’s embrace of smart broadcasting were given a thorough workout this week as part of the ongoing Shanghai Television Festival. Topics covered by keynote speakers included: future broadcasting planning; AI content generation’ big data construction; and the development of ultra-high definition broadcasting. Sun Suchuan, deputy Director-General of the Science and Technology Department of the National Radio & Television Authority explained that the national government has iterated a strategic development plan for the TV sector running until 2035 as well as medium- and long-term technological strategies.

Patrick Frater Asia Bureau Chief The members of the international juries that will decide the Magnolia prizes at the ongoing Shanghai Television Festival were Thursday made to do double duty as speakers in public masterclasses that were open to a generation of aspiring documentary and animation makers. David Stephan, jury president in the animation category, along with fellow judges Spencer Ooi and Jia Fou, spoke at length about getting their starts in the business and finding inspiration. “When I studied animation, I didn’t have a textbook available. I saw extremely limited things, so I did further research to make myself understand what I was doing in such a career,” said Jia.

EXCLUSIVE: Disney has raised serious concerns about new UK laws that will require it to send contract renewal notices to Disney+ users and allow customers to “game” the streaming service without paying.

PCCW and Canal+ have announced a strategic partnership through which the French media giant will become a significant minority shareholder in PCCW’s Asian streaming service Viu. 

Patrick Frater Asia Bureau Chief French pay-TV giant Canal+ is to take a significant minority stake in successful Asian streaming firm Viu. It could end up becoming its majority owner.

Callum McLennan Underscoring its growing ambitions in features, MoreThan Films has secured the international sales rights for “Muyeres,” a Spanish film directed by Marta Lallana, which won over the  weekend at the Shanghai International Film Festival its jury Grand Prix and best cinematography plaudit for Toni Vidal.  MoreThan Films has shared “Muyeres”’ international trailer in exclusivity with Variety.  “Muyeres” is a hybrid documentary telling a story of Carmina and Irene, the last guardians of an oral folk tradition on the brink of extinction, set in the northern Spanish region of Asturias. 

Patrick Frater Asia Bureau Chief Asia Satellite Telecommunications (AsiaSat), a leading operator of satellites, has moved into content distribution with the acquisition of Hong Kong- and U.K.-based TV distributor Lightning International. The diversification was described by AsiaSat as “a strategic move to expand the company’s services and extend its clients’ reach to global audiences through traditional and new distribution platforms including OTT and FAST.” AsiaSat is known to be acquiring 100% of Lightning International, but other deal terms were not disclosed.

EXCLUSIVE: Yu-Gi-Oh!, the classic anime series, is headed to Web3 streaming service Rewarded.tv.

Patrick Frater Asia Bureau Chief “Barbarian Invasion” director Tan Chi Mui from Malaysia scored a top result from the SIFF Project Market. The market is a component event of the Shanghai International Film Festival, which wrapped up over the weekend. Tan’s “All About Yuyu” was named as the “recommended project for creativity” at the project market’s closing event. The project, which is already being structured as a Malaysia-China coproduction, is a story that combines contemporary wuxia (heroic martial arts) with youth elements. “I want to make a modern wuxia film to recapture the magical feeling I had when watching films during my childhood,” she told local media.

Patrick Frater Asia Bureau Chief After a golden age in the 1980s, Chinese filmmakers were quietly discouraged from dabbling in the sci-fi genre – it isn’t real science and authorities did not want youngsters to get confused. That stance changed during the last decade and the Shanghai International Film Festival has just hosted its first sci-fi week, comprising nearly a dozen film screenings and a trio of panel discussions featuring the new luminaries in the sector. Reasons for the revised position of China’s authorities are not hard to understand. Not only was Hollywood getting away with dominating a genre that was popular with Chinese audiences, China in the 21st century has become a global technology powerhouse. Its space program, in particular, is now among the most advanced, capable of a normalized rocket launch schedule, international co-operation and lunar and interplanetary missions.

Patrick Frater Asia Bureau Chief Japanese drama feature “Yoko” won the Golden Goblet best picture award at the Shanghai International Film Festival. The jury Grand Prix was awarded to Spain’s “Muyeres” with China’s Liu Jin winning the best director prize.The trio also collected additional prizes making them the only multiple winners in a ceremony that sprinkled its awards widely. “Yoko,” directed by Kumakiri Kazuyoshi, who earlier this year saw melodramatic “#Manhole” play in Berlin, takes the structure of a road-movie and is a journey of self-discovery of a woman who had been socially isolated in her apartment for many years. Portrayed by global star Rinko Kikuchi (”Babel,” “47 Ronin”), the woman is forced to confront the real world, and herself, when she takes a 658 kilometre cross-country journey to her father’s funeral. Without a cell phone or the money for public transport, she finds herself having to hitch hike. Kikuchi also earned the best actress award.

Patrick Frater Asia Bureau Chief Eastern Grace Film, a new production company that teased its debut production “The Sand Murmurs” earlier this month, has gone one step further. It used the Shanghai International Film Festival to unveil a slate of nine new film productions. The company is an indirect subsidiary of Baination Pictures, a Beijing-based film and TV group that is listed on the Shenzhen stock exchange. Eastern Grace is headed by president Wilson Jiang, a veteran film distributor in China.

Patrick Frater Asia Bureau Chief “Sunday,” by Uzbekistan-based director Shokir Kholikov, was Thursday named best film in the Asian New Talent section of the 25th Shanghai International Film Festival. The Asian New Talent Awards are called Golden Goblet Awards, but are separate from the festival’s official competition section, and favor new and emerging talent. The main competition jury will hand out its Golden Goblets on Sunday. The best director prize in the Asian New Talent section was shared by two helmers: China’s Luo Dong won for “May.” So too did Kazakhstan’s Aisultan Seit for “Qash.” Luo previously attended the Shanghai festival’s project market ten years ago and has since completed one other film.

“Pitching in Hollywood is like your head against a brick wall right now.”