Long Hair Is Now the Go-To Style For the Over 50s

The trailer for Julia Louis-Dreyfus‘ new movie has been released.

Daði Freyr, Iceland’s 2021 representative in the Eurovision Song Contestant, has announced his debut album and shared four songs from it.‘I Made An Album’ will be released in late summer, and today (March 17) Freyr has released the tracks ‘I’m Fine’, ‘Limit To Love’, ‘Shut Up’ and ‘Thank You’.Of the upcoming release, he said: “Good vibes only. Love who you are, unless you’re a horrible person, then change! I’m making an album. I started making it in 2021 and I’m almost done with it.

Tunisian Murder Mystery ‘Ashkal’ Triumphs At FESPACOTunisian director Youssef Chebbi’s investigative thriller Ashkal has won the top prize at the Panafrican Film and Television Festival of Ouagadougou (FESPACO). The festival, which ran from February 25 to March 4, unfolds every two years in Burkina Faso’s capital of Ouagadougou and is regarded as Africa’s equivalent of Cannes. Chebbi’s murder mystery revolves around a series of killings at a construction site on the outskirts of the Tunisian capital of Tunis. The film world premiered at Cannes Directors’ Fortnight and then played a raft of other festivals including Toronto and London. The FESPACO jury head, producer Dora Bouchoucha, praised the film’s pairing of a strong aesthetic with a politically tuned-in storyline. Burkinabe filmmaker Apolline Traore won the Silver Stallion for Sira, about a woman kidnapped by Jihadists, and Kenyan director Angela Wamai took home the Bronze Stallion for Shimoni, about a schoolteacher rebuilding his life in his remote village after a harsh stint in jail.

Ed Meza @edmezavar The new genre-focused Fantastic Pavilion at the Cannes Film Festival’s Marché du Film has unveiled plans for a series of six yet-to-be-announced special market screenings as well as an original logo that promises to unlock the imagination. Due to the strong response and interest from independent producers, sales agents and distributors – seen again at Berlin’s European Film Market — Fantastic Pavilion organizers are presenting the Fantastic Pavilion Galas. Offering a prime example of what participating sales companies will be offering to worldwide buyers at the Marché du Film, the six special market screenings will serve “as a magnifying glass, giving them a wide promotion to stand out among the crop of content available at the market,” organizers said. The Galas’ six films will be announced prior the Cannes market. Interested parties may contact Fantastic Pavilion organizers via their website.

Sparks have shared the title track for their new album ‘The Girl Is Crying In Her Latte’.The Los Angeles duo – comprising brothers Ron and Russell Mael – also announced that the song, which you can listen to below, will come with a video featuring actress Cate Blanchett at 5pm GMT tomorrow (March 3) here.They said via press release: “We met Cate Blanchett in Paris at the César Awards last year, little knowing that a year later, one of the great actors of our time (and a splendid person!) would graciously consent to lending her bootie-shaking skills to the first video from our new album, ‘The Girl Is Crying In Her Latte’. Dreams really do come true.

Patrick Frater Asia Bureau Chief Sculptor turned director Wu Lang made a splash at the Berlin Film Festival with his debut feature “Absence” playing in the festival’s showcase Encounters section. With a high-profile cast headed by Lee Kang-sheng (“What Time Is It There?” “The Wayward Cloud”) and Li Meng (“The Bad Kids,” “The Guillotines”) “Absence” is an art-house romance that uses skyscapes and urban landscapes as metaphors for inner feelings. The seduction starts with a man’s return to Hainan Island after ten years in jail and ends with a flock of sheep in an abandoned construction site. Wu: Shooting the first short film for me had two purposes. First, making a film is not easy in terms of financing and finding coproducers. So, first I wanted to make a short in order to get myself started.

Christopher Vourlias The Thessaloniki Documentary Festival kicks off its 25th edition Thursday at a time when the nonfiction genre has arguably reached unprecedented heights. This year’s festival, which takes place March 2 – 12 in the seaside Mediterranean city, unfolds just days after veteran French docmaker Nicolas Philibert won the Golden Bear in Berlin for his documentary about a Paris mental health care facility, “On the Adamant.” The award capped a fortnight in which Sean Penn’s gonzo doc about Ukrainian president Volodymyr Zelenskyy, “Superpower,” also generated plenty of buzz (albeit lukewarm reviews). Meanwhile, Cameroon’s Cyrielle Raingou took home Rotterdam’s Tiger Award just a few weeks earlier for “Le Spectre de Boko Haram,” a riveting view of terrorism seen through children’s eyes. And one summer ago, Laura Poitras triumphed on the Lido with “All the Beauty and the Bloodshed,” her docu-portrait of the photographer and activist Nan Goldin, which won the Venice Film Festival’s Golden Lion award.

Cassyette has debuted a new song, ‘BOOM’ – listen below.The song melds pop and nu metal in characteristic Cassyette style and is the first song the artist has released since November’s ‘Sad Girl’ mixtape.Speaking about the track, the artist revealed: “I made ‘BOOM’ whilst I was having a manic episode. I had gone into mania that morning and wanted to write about what it feels like for me.

Patrick Frater Asia Bureau Chief “Ant-Man and the Wasp: Quantumania” held on to top spot at the South Korean box office. But the overall market continued to soften despite a slew of new release titles. Nationwide theatrical grosses totaled just $7.26 million. That made it the slowest box office weekend in over three months. “Quantumania” collected $2.0 million between Friday and Sunday, according to data from Kobis, the tracking service operated by the Korean Film Council (Kofic), and enjoyed a 27% market share. The second weekend increment lifted its 12-day total to $10.6 million. Long-running Japanese animation title, “The First Slam Dunk” earned $1.36 million in its eighth weekend on release. Since Jan. 4 it has accumulated $28.0 million.

European Film Market which at one and the same time has underscored the challenges still facing the international independent film business.  Following by way of an industry wrap, a dozen takeaways on the 2023 Berlin market, including its Berlinale Series Market, an ever more building proposition at the Festival.  The Verdict If the European Film Market is anything to go by, broadly, the international movie market is in some ways making a international comeback, despite still vastly challenging circumstances. On Thursday, the EFM reported “record results” of a total of over 11,500 market participants from 132 countries. “It was a rather busy market, with no single must-have, but much mid-sized product,” recognizesConstantin’s Martin Moszkowicz of this year’s Berlin European Film Market, noting that Constantin received about 90 project submissions prior to market, “which is a lot.” “There’s been more deals happening at the EFM than at Sundance and we sense a new vibrancy in the international markets,” says Nick Shumaker, at Anonymous Content’s AC Independent.

Prime Video has secured the return of Dave Bautista (Knock at the Cabin), Chloe Coleman (Avatar: The Way of Water), Kristen Schaal (What We Do in the Shadows), Ken Jeong (The Afterparty) and others for their My Spy sequel, My Spy: The Eternal City. Among the new additions to the ensemble in the second installment are Anna Faris (Mom), Craig Robinson (The Office) and Flula Borg (Pitch Perfect: Bumper in Berlin).

Cillea Houghton Italian auteur Vittorio De Sica triumphed at the Berlin Film Festival when his 1971 masterpiece “The Garden of the Finzi-Continis” claimed the Golden Bear, on its way to the best foreign-language Oscar in 1972. “Finzi” also earned Italian film and TV star Fabio Testi an Italian Golden Globe for best breakthrough actor. A half-century later, with over 100 credits on his resume, Testi remains active and game for parts that utilize his still stunning looks and hearty appetite for performing. He’s also game for the role he seems destined to play in the Italian tabloids. A quick Google search of Testi’s current film and TV projects is dominated by stories – which Testi playfully plays along with – of current and past romantic adventures with women all over the globe.

Dame Helen Mirren ditched her signature bob for ageless platinum waves as she attended the Berlin premiere of Golda.The actress, who last year admitted to still loving her former boyfriend, Liam Neeson, stunned as she attended the 73rd Berlin International Film Festival in Germany on Monday and was pictured with long flowing hair extensions. Helen, 77, sported an off-the-shoulder floor-length black dress that featured a low-cut ruffled neckline, which she paired with gold chandelier earrings as she walked the red carpet.

Jesse Eisenberg and Adrien Brody suit up for the premiere of their new movie, Manodrome, during the 2023 Berlinale International Film Festival held at Berlinale Palast over the weekend in Germany.

Elsa Keslassy International Correspondent While Sweden’s Ruben Östlund grabbed some Oscar nominations and took home Cannes’ Palmed’Or last year, two other Scandinavian filmmakers basked in the international spotlight following their Cannes competition premieres: Ali Abbasi with “Holy Spider” and Tarik Saleh with “Cairo Conspiracy” (previously titled “Boy From Heaven”). Abbasi, an Iranian-born Danish helmer, and Saleh, a Swedish director whose father is Egyptian, are part of an exciting new generation of Nordic helmers who are shaking up traditional Scandinavian cinema. These filmmakers are delivering singular and timely movies shot abroad or in different languages, weaving together genres and political elements.

Berlinale Series Market kicks off Monday as Spanish series “The Snow Girl,” a missing girl suspense thriller produced by Spain’s Atípica Films, has attracted huge heat for Netflix, punching 101.7 million hours watched in its first three weeks. Doing so, it ranked as the streamer’s No. 1 non-English show in the world over Jan. 30 – Feb. 5.  In all, Spain has more shows and movies in Netflix’s all time non-English Top 10s than any other country in the world, seven to France’s two, for example.  Spain, it could be argued, has cracked online. But its drama series industry wants to ring more options. 

Nick Vivarelli International Correspondent Paris-based Italian director Giacomo Abbruzzese says making the Berlin Film Festival competition cut with his first feature, “Disco Boy,” which toplines German star Franz Rogowski (“Passages,” ”Undine”), is “certainly a dream come true.” But he also points out that his remarkable debut was a long time coming.  A graduate of several film schools, including France’s prestigious Le Fresnoy, Abbruzzese started developing “Disco Boy” in 2013 following an encounter in a French disco with a classical dancer who had been a soldier.  

EXCLUSIVE: Millennium Media has revealed plot and production details about its upcoming Hellboy reboot at the EFM in Berlin.

Naman Ramachandran Singapore-based film production outfit Potocol, whose “Tomorrow is a Long Time,” by Jow Zhi Wei bowed at the Berlin Film Festival’s Generation 14plus competition, has revealed a diverse Asian slate. Potocol’s recent triumphs include Bangladeshi filmmaker Abdullah Mohammad Saad’s Cannes selection “Rehana Maryam Noor” and Indonesian director Makbul Mubarak’s Venice winner “Autobiography.” The company, led by Jeremy Chua who is currently at the Berlinale, has a growing reputation for championing the rise of young filmmakers from across Asia. Potocol has four films in post-production and several more in development. Nicole Midori Woodford’s debut feature “Last Shadow at First Light” is a supernatural road trip drama that follows a Singaporean teenager tracing the footsteps of her missing mother in Japan and explores the ripple effects of a traumatic event subconsciously buried within the family unit.

Christopher Vourlias Belarusian filmmakers and industry professionals gathered in Berlin on Friday to announce the launch of the Belarusian Film Academy (BIFA), an organization formed to give a platform to independent filmmakers in the repressive former Soviet republic and staunch Kremlin ally. Born in the wake of the Russian invasion of Ukraine, when more than 130 Belarusian filmmakers signed a collective statement condemning the unprovoked act of aggression, the academy was created to “solidify, unite and support” their voices, according to co-founder Volia Chajkouskaya. “Living under state censorship and control, we have been searching for ways to unite for a long time,” said Chajkouskaya, a producer, director and founder of the Northern Lights Film Festival. “Since [the start of the Ukraine war], we all continued to face challenges individually and felt that we should unite in solidarity to form a unified front.”