Latvian Producers Take Their Top Projects to the European Film Market

Elsa Keslassy International Correspondent Cannes’ Marché du Film has named Spain its Country of Honor for the upcoming 2023 edition which will take place May 16-24 during the 76th edition of the Festival de Cannes. The Marché du Film will work with ICEX Spain Trade & Investment and ICAA – Institute of Cinematography & Audiovisual Arts to showcase Spanish talent and content, ranging from cinema to documentary, animation and extended reality. Spain follows India which became Cannes’ first official Country of Honor in 2022. The industry event launched the initiative last year to spotlight and celebrate different nations at each market edition. Spain’s cinema sector has been having a banner 2023. Last month, Estibaliz Urresola Solaguren’s debut feature “20,000 Species of Bees” won three awards at the Berlinale, while Albert Serra’s “Pacifiction” won two Cesar awards, and Rodrigo Sorogoyen’s “The Beasts” won the Cesar award for best foreign film. Recent successes last year also include Carla Simón’s “Alcarràs” which won last year’s Golden Bear at the Berlin Film Festival and Alberto Mielgo’s “The Windshield Wiper” which won best animated short film at The Academy Awards).

EXCLUSIVE: Sony Pictures International Productions has optioned remake rights to Latvian Christmas comedy Accidental Santa in eight territories: North America, the UK, Germany, France, Spain, Italy, Mexico and Brazil.

Top Gun: Maverick, Elvis and Guillermo del Toro’s Pinocchio were among the big film winners at the Motion Picture Sound Editors’ 70th Golden Reel Awards, which were handed out Sunday night at the Wilshire Ebell Theatre in Los Angeles. See the full list below.

can be found here.MAIN COMPETITIONGolden Bear for Best Film: “On the Adamant” (“Sur l’Adamant”), Nicolas PhilibertSilver Bear Grand Jury Prize: “Afire” (“Roter Himmel”), Christian PetzoldSilver Bear Jury Prize: “Bad Living” (“Mal Viver”), Joao CanijoSilver Bear for Best Director: Philippe Garrel, “The Plough”Silver Bear for Best Leading Performance: Sofia Otero, “20,000 Species of Bees”Silver Bear for Best Supporting Performance: Thea Ehre, “Till the End of the Night”Silver Bear for Best Screenplay: Angela Schanelec, “Music”Silver Bear for Outstanding Artistic Contribution: Hélène Louvart for the cinematography of “Disco Boy”ENCOUNTERSBest Film: “Here,” Bas DevosBest Director: “The Echo,” Tatiana HuezoSpecial Jury Award: “Samsara,” Lois PatiñoSpecial Jury Award: “Orlando, My Political Biography,” Paul B. PreciadoGWFF Best First Feature Award: “The Klezmer Project,” Leandro Koch, Paloma SchachmannSpecial Mention: “The Bride,” Myriam U.

Slowthai has announced the UK and European legs of his ‘UGLY’ 2023 world tour – see the dates below and buy tickets here.The Northampton rapper’s forthcoming third album, also titled ‘UGLY’, is due out on March 3 via Method Records. So far, it’s been previewed by the singles ‘I Know Nothing’, ‘Selfish’ and ‘Feel Good’.This September, he will bring the new album on his biggest UK and European tour to date, featuring a full band for the first time and support slots from Nia Archives and Sainté.The dates begin in Glasgow at the Barrowland Ballroom on September 20, before other UK dates in Manchester, Birmingham and at London’s Alexandra Palace.He’ll then head to the continent for gigs in Paris, Amsterdam, Berlin and Brussels.Tickets for the ‘UGLY’ UK and European tour will go on sale on Friday, March 3 at 10am GMT.

Nick Vivarelli International Correspondent Global indie streamer distributor and producer MUBI has acquired all rights in several key European territories to “Passages,” the erotic drama by Ira Sachs that bowed with a splash at Sundance and just had its European premiere at the Berlin Film Festival. Following the world premiere of “Passages” at Sundance MUBI last month snapped up all rights for the U.S., U.K., Ireland and Latin America to the U.S. indie darling director’s first film shot in France. Now MUBI has acquired additional European territories on “Passages” including for Germany, Austria, Italy, Turkey and Benelux. The Benelux pickup is in partnership with Belgium’s Imagine Film Distribution.

European Film Market which at one and the same time has underscored the challenges still facing the international independent film business.  Following by way of an industry wrap, a dozen takeaways on the 2023 Berlin market, including its Berlinale Series Market, an ever more building proposition at the Festival.  The Verdict If the European Film Market is anything to go by, broadly, the international movie market is in some ways making a international comeback, despite still vastly challenging circumstances. On Thursday, the EFM reported “record results” of a total of over 11,500 market participants from 132 countries. “It was a rather busy market, with no single must-have, but much mid-sized product,” recognizesConstantin’s Martin Moszkowicz of this year’s Berlin European Film Market, noting that Constantin received about 90 project submissions prior to market, “which is a lot.” “There’s been more deals happening at the EFM than at Sundance and we sense a new vibrancy in the international markets,” says Nick Shumaker, at Anonymous Content’s AC Independent.

Marta Balaga If you want to attract a younger audience, you have to watch what they watch. Not what you think they are watching, says producer Dean Devlin, best known for “Independence Day” and “Stargate.” But he never designs his shows for one market. “It’s no longer all about gender or age demographic. If you go to a sci-fi convention, they are not just kids, they are not just older people. It’s everybody!” At Berlinale Series Market Selects, which runs as part of the European Film Market in Berlin, with his latest show, sci-fi series “The Ark,” Devlin continues to pay homage to the kind of stories he loved as a child, from Douglas Trumbull’s “Silent Running” to “The Omega Man.”

Ed Meza @edmezavar Spanish producers taking part in a Spanish content showcase at the Berlinale Series Market on Monday debated what was jokingly referred to as the “devil’s bargain” offered by major streaming platforms that are propelling Spanish shows around the globe often at the cost of IP ownership.    Álex de la Iglesia of Madrid-based production powerhouse Pokeepsie Films said the company for years retained the IP of films that played in local cinemas. “We assumed there was no other model. Now, maybe we lose our IP, but suddenly our movies are in the houses of the whole planet. Maybe you have to sell your soul to these ‘diabolical’ platforms,” he joked. “But I can only say that working with the devil is worth it.,” he added.

Ed Meza @edmezavar “Snow,” an Austrian-German co-production and one of 16 titles presented in the Berlinale Series Market Selects showcase, weaves the timely issue of climate change and local folklore into a suspenseful mystery drama set in the picturesque Austrian Alps. Brigitte Hobmeier stars as Lucia, a physician who with her husband and children moves to the village, where she is replacing the local doctor, who is retiring. Things take a troubling turn when her daughter is visited by a strange woman at night. The series presentation at the EFM event brings the title back to Berlin, where it came together in 2020 at the Berlinale Co-Production Market’s Co-Pro Series event.

Ed Meza @edmezavar Political assassinations, war, espionage, royal scandals, teen angst and magic: new German series are setting the bar ever higher in terms of challenging and risky subject matter. The Berlinale Series Market’s Up Next: Germany showcase on Monday presented four forthcoming series projects that look set to entice international buyers: Presenting “Herrhausen,” creator Christer von Lindequist and actor Oliver Masucci discussed the impact of the 1989 assassination, which continues to reverberate in Germany. It was also the subject of Andres Veiel’s acclaimed 2001 documentary “Black Box BRD.”

Elsa Keslassy International Correspondent Elsa Zylberstein, one of the most famous – and bankable — faces of French cinema, known for her Cesar-winning performance in “I’ve Loved You For So Long,” is preparing to emerge as a major film producer. Having recently set up banners in France and the U.S., Zylberstein is actively developing a raft of films and series, working with the likes of Oscar-winning Syrian filmmaker Feras Fayyad (“The Cave”), Ted Braun (Darfur Now”) and Oscar-winning screenwriter Christopher Hampton (“The Father”), among others. These include “Kingdom of Hope,” a movie about Elise Boghossian, a French acupuncturist and humanitarian worker in a war zone who has healed children victims of ISIS . The movie will be directed by Fayyad, who is based in Berlin, and is being penned by Braun, based on Boghossian’s autobiographical book “Au royaume de l’espoir, il n’y a pas d’hiver.”

Shades of Blue creator Adi Hasak didn’t mince his words when discussing the state of U.S. television at the EFM’s Berlinale Series Market today.

Israeli film producer Yoav Roeh spoke passionately at the Berlin Film Festival on Sunday about the threat to freedom of speech in Israel under a proposed overhaul of the country’s judiciary by Benjamin Netanyahu’s hard-right government.

EXCLUSIVE: Pig and Manodrome producer Ben Giladi is formally launching his production banner Liminal Content at this year’s Berlin Film Festival where Manodrome debuted in Competition.

Nick Holdsworth Csaba Káel, head of Hungary’s National Film Institute (NFI), hopes to emulate an 18th century Magyar hussar hero at this year’s Berlinale European Film Market. Swashbuckling Count Andras Hadik occupied Berlin for one day in 1757 — in return for 300,000 silver thalers, left without destroying the city. Hadik’s adventure is the subject of one of the films the NFI will be marketing at the EFM. Káel plans to spend more than a day in Berlin, but also hopes Hungarian producers will leave with handsome sales ledgers after the market — without having to raise a ransom, like the handsome hussar. It is the first EFM for the NFI, since it was established in 2020, just as the pandemic hit, closing down the Berlinale’s market until this year.

Naman Ramachandran Singapore-based film production outfit Potocol, whose “Tomorrow is a Long Time,” by Jow Zhi Wei bowed at the Berlin Film Festival’s Generation 14plus competition, has revealed a diverse Asian slate. Potocol’s recent triumphs include Bangladeshi filmmaker Abdullah Mohammad Saad’s Cannes selection “Rehana Maryam Noor” and Indonesian director Makbul Mubarak’s Venice winner “Autobiography.” The company, led by Jeremy Chua who is currently at the Berlinale, has a growing reputation for championing the rise of young filmmakers from across Asia. Potocol has four films in post-production and several more in development. Nicole Midori Woodford’s debut feature “Last Shadow at First Light” is a supernatural road trip drama that follows a Singaporean teenager tracing the footsteps of her missing mother in Japan and explores the ripple effects of a traumatic event subconsciously buried within the family unit.

Naman Ramachandran India’s Platoon One Films, co-producers of Berlin Film Festival Panorama strand title “Ghaath” (“Ambush”), has seven films in the works. Four films are in advanced development. Police procedural “Bayan” by Bikas Mishra (“Chauranga”) was developed at Film Independent’s Global Media Makers program in Los Angeles and the film is supported by the International Film Festival Rotterdam’s Hubert Bals Fund. Drama “Kadminche,” the feature directorial debut of Tushar Paranjape, writer of Berlin Crystal Bear winner “Killa,” has Rinku Rajguru (“Sairat”) attached to star. Action fantasy film “Don’t Sleep” will mark the Hindi-language debut of Arun Bose (Malayalam-language “Luca”). And Agrim Joshi and Debojit Das Purkayastha, creators of series “Candy” for Viacom18 streamer Voot Select, will make their feature directorial debut with psychological thriller “Influenzaa.”

Manori Ravindran Executive Editor of International The U.K.’s British Film Commission and Film in Austria, the national film commission for Austria, have struck a Memorandum of Understanding (MoU) paving the way for more film and high-end TV production between the two territories. New film and TV production incentives were introduced in Austria last month, including Europe’s first “green” filming bonus. Meanwhile, in the U.K., statistics released in February revealed that investment into film and high-end television during 2022 reached a record height of £6.27 billion ($7.72 billion). Through the MoU, which will be signed in Berlin on Sunday, the BFC and Film in Austria say they seeks to “encourage greater cultural, commercial and creative exchange between the U.K. and Austria whilst actively working together to foster opportunities to support inward investment film and high-end TV production in both countries.”

Elsa Keslassy International Correspondent LevelK has unveiled the trailer for “Dancing Queen,” Aurora Gossé’s coming-of-age film world premiering in the Generation section at the Berlin Film Festival. Penned by Silje Holtet, the dance-filled movie is produced by Thomas Robsahm, whose credits include the Oscar-nominated Norwegian romantic comedy “The Worst Person in the World.” Newcomer Liv Elvira Kippersund Larsson stars as Mina, a slightly overweight underdog who falls head over heels in love and sets off to become at hip hop dancer to win his heart. The movie also stars Anders Baasmo (“In Order of Disappearance”) and Andrea Bræin Hovig (“An Affair), among others.