‘Last Light’ Is a Matthew Fox Disaster Story That Doesn’t Generate Heat: TV Review

streaming, the action-thriller (which Fox also produces) is a dystopian story set in a world where a disruption to the petroleum supply chain sparks a global crisis.Fox, 56, stars as Andy Yeats, an American chemist who lives in London with his wife Elena (Joanne Froggatt, “Downton Abbey”), their 8- year-old son Sam (Taylor Fay) — who’s losing his vision — and college-aged climate activist daughter Laura (Alyth Ross), who’s scornful of her dad’s work (since it involves the fossil fuel industry).When the family is about to go to Paris for Sam’s experimental eye surgery, Andy’s work calls him away him to deal with an oil-related emergency in Luzrah (a fictional place in the Middle East). This angers Elena — who thinks he’s prioritizing work over family — and Laura (because of her principles).As power grids shut down all over Europe and social unrest breaks out, the family scatters to the wind, with Andy in Luzrah, his wife and son in France and his daughter still in England.

Leonardo DiCaprio and Gigi Hadid are together in Italy! A source tells ET that the actor is in Milan with the model for Milan Fashion Week.

Leonardo DiCaprio and Gigi Hadid are together in Italy! A source tells ET that the actor is in Milan with the model for Milan Fashion Week.«They are fully seeing each other,» the source adds of the couple, who was first linked earlier this month.The news of the pair's getaway comes the day after Hadid was spotted solo in Milan. Wearing a dark jumpsuit, white crop top and sunglasses, the model smiled, waved and signed autographs for fans as she was photographed in Italy.Then, on Friday, Hadid stunned in an all-black look during the Versace Fashion Show.DiCaprio, 47, and Hadid, 27, were first spotted in Casa Cipriani in New York City earlier this month. «They were sitting in the dining room area and were canoodling and having a fun night out with each other,» a source previously told ET.

Daniel D'Addario Chief TV Critic “Reasonable Doubt” has a healthy amount of “Scandal” in its DNA. The series was created by former “Scandal” writer and producer Raamla Mohamed; Kerry Washington directs the first episode. And the swirling intrigue around a self-styled do-gooder protagonist — who’s unconventional in her methods, and irresistibly drawn to drama — will recall Olivia Pope, the character Washington played on the ABC drama. Back then, Olivia unwound with a glass of red wine; as if to flex the looser, loucher possibilities of streaming, Emayatzy Corinealdi’s Jax Stewart ends her day with a cigarette. That seems an apt distillation of a series that’s charged with a nervy energy; “Reasonable Doubt” places Corinealdi’s very flawed protagonist at its center and watches as she generates smoke, and steam. Jax is a former public defender who now works in high-profile criminal defense in Los Angeles; her attention is divided between her caseload and her attraction to a man she once defended, incarcerated for many, years but still a vivid part of her life.

Brad Pitt is revealing all the details on the movie that he and Sandra Bullock almost got made.

Brad Pitt is opening up about a movie he had planned to do with Sandra Bullock that never materialized. The actor revealed that he and Bullock would be playing a divorced couple that are hosts on QVC.

Zack Sharf Brad Pitt and Sandra Bullock swapped cameos this year when Pitt showed up in Bullock’s $105 million-grossing romantic-comedy “The Lost City” and Bullock showed up in Pitt’s late summer action tentpole “Bullet Train.” But would the two ever headline a movie together? It turns out they planned to years ago by developing a comedy in which they were going to play warring ex-spouses on QVC. The Pitt-Bullock comedy never made it past early development. “Actually, Sandy [Sandra Bullock] and I did once try to develop a whole idea of a husband and wife team, who were QVC’s most successful salespeople, but we’re getting a divorce, we hate each other, and we’re taking it out on air as we sell things,” Pitt recently told Vogue UK. “That’s as far as we got.”

Daniel D'Addario Chief TV Critic The rescue, in summer 2018, of a youth soccer team and their coach from a flooded cave system in Thailand remains one of the most outright inspiring stories of recent years. Amidst intense interest and scrutiny, an international team came up with a plan to anesthetize the boys and maneuver them out of the flooded caves before monsoon rains intensified. It’s a tense story, and one with an outcome that isn’t just upbeat but is genuinely astounding. Little wonder that it’s lent itself to repeated retellings, including last year’s documentary “The Cave” and this year’s quietly released Ron Howard drama “Thirteen Lives,” starring Viggo Mortensen and Colin Farrell as the heroic British cave divers.

Daniel D'Addario Chief TV Critic It’s easy to root for “Abbott Elementary.” In its first season, Quinta Brunson’s series established itself as both a big-hearted and sweet-natured half-hour and as a sign of life for the network comedy. Rooted both in the office-comedy genre that’s as old as the medium (with the office, in this case, being a Philadelphia public school) and in the 21st-century custom of the mockumentary, “Abbott” has been a sharp and strong argument for traditional forms. Brunson’s Emmy win for writing the show’s pilot came both as the welcome celebration of a new talent and as no surprise. And the first two episodes of the show’s second season continue its strong trajectory. The school came into a windfall in the previous season, and the decision of how to disburse it hangs over the proceedings. This is an elegant way to deploy both halves of “Abbott’s” emotional equation: The show’s teachers know that they are underfunded and that even a bonus will go too quickly, and yet they keep on going with a smile, because what’s the alternative? A scene in which the teachers visit a richly resourced charter school before returning home to scruffy deprivation plays fascinatingly, with barely concealed envy ricocheting from face to face.

Daniel D'Addario Chief TV Critic The story of Alexis Haines’ entanglement with a circle of Los Angeles-area home invaders has been told multiple times over: In the reporting of Nancy Jo Sales, who profiled her for Vanity Fair in 2010; on her own reality show, “Pretty Wild,” which aired on E! in 2010; and in Sofia Coppola’s 2013 film “The Bling Ring,” based on Sales’ work. Now, Haines (formerly Alexis Neiers), along with former associate Nick Norgo (formerly Nick Prugo), attempts to set the record straight in the Netflix documentary series “The Real Bling Ring: Hollywood Heist.” The three-episode series sheds little light, and bulks out its running time with idle musings on fame that feel warmed over from the early 2010s. It’s not that Haines’ and Norgo’s stories, told with both respective parties’ permission in this doc, don’t have inherent interest: Both of them became entranced by the concept of celebrity and, as part of the “bling ring” cabal, stole cash and belongings from the homes of famous people, including Paris Hilton, Lindsay Lohan, and Orlando Bloom. (One of their victims, “The Hills” personality Audrina Patridge, speaks to the camera for “The Real Bling Ring.”)

Daniel D'Addario Chief TV Critic On the first episode of Jennifer Hudson’s new talk show, guest Simon Cowell was very gently criticizing the series “American Idol,” on which he had been a judge and Hudson had been a contestant. Remarking how he found the producers’ assignment for her to sing a Barry Manilow song (which she did the week she was sent home) to be unfair to her and outdated, Cowell generated the first semblance of real heat on the episode. Here was something, perhaps, with the frisson and excitement of real conversation. Hudson let it sit there, allowing a couple moments of silence before remarking “Simon being Simon,” then trailing off. This first episode began with a run-through of Hudson’s career achievements: From the sorrow of her “Idol” elimination during Barry Manilow Week to her casting in “Dreamgirls,” for which she would win an acting Oscar, to her successful recording career. Hudson has won all four major entertainment awards — an EGOT, which speaks to the somewhat mythic place she occupies in the celebrity landscape: The recipient of a second chance whose unabashedly showy voice couldn’t be constrained by a reality-show loss.

Ken Starr, the prosecutor who led the relentless Whitewater investigation into then-President Bill Clinton and whose report on the case revealed intimate details of Clinton’s extramarital sexual relations, died Tuesday in Houston following complications from surgery. He was 76.

Every Tuesday, discriminating viewers are confronted with a flurry of choices: new releases on disc and on demand, vintage and original movies on any number of streaming platforms, catalogue titles making a splash on Blu-ray or 4K. This twice-monthly column sifts through all of those choices to pluck out the movies most worth your time, no matter how you’re watching.

Daniel D'Addario Chief TV Critic Back as a full-scale production for the first time since 2019, the Emmys moved, in moments, with a refreshing fleetness. But much of the production seemed strangely stuck in a hazy past. Why, for instance, did host Kenan Thompson only uncork his best material after the first commercial break, after an opening during which he staggered through choreographed routines to TV theme songs? And why were those songs generally for series not honored at this year’s Emmys? We began with “Friends,” moved into “The Brady Bunch” — with a brief shoutout to the cast of that classic sitcom sitting in the audience, not to be mentioned again — and ended on “Game of Thrones,” the big winner at the last pre-COVID Emmys.

in a new interview promoting her new knitwear line, .In a clip from chat with Willie Geist for , the model gave a few rare quotes about her daughter. "I think she's a genius," Hadid said of Khai, who turns two years old this month. "But I think that's what everyone says about their kid.

The Queen was described as “very happy” earlier this week when she met with new Prime Minister Liz Truss at Balmoral according to the photographer who has shared the story of the last picture of the late monarch. Her Majesty Queen Elizabeth II died at the age of 96 on Thursday at her Scottish home of Balmoral but she was said to have been in good spirits just two days earlier when she greeted the new Prime Minister.

The Story of Film: A New Generation opens at two dozen theaters this weekend — Laemmle Royal in LA, Museum of the Moving Image in NY, Music Box Theatre in Chicago and Brattle in Cambridge. It’s a mix of arthouses, cinematheques, museums and even a few multiplexes for Mark Cousins’ follow-up to his 15-hour, 2011 opus The Story Of Film: An Odyssey. (This one clocks a relatively brief three hours.)

Matthew Fox is acting again!

Daniel D'Addario Chief TV Critic Deep into its run, “The Handmaid’s Tale” has found itself — or a version of itself, at once leaner and stranger — again. In the past, I’ve written that this show, which boasts a strong ensemble cast supporting probably the most agile performer on television, has been frustratingly unable to emerge from the potency of its set-up. Season after season was spent re-litigating the harms done to Elisabeth Moss’ June, all while reducing her from a recognizable human into a character history. The show made the point that June had been altered by trauma too well. Now, though, June feels liberated; in the wake of Season 4’s conclusion, in which our heroine led a mob killing of her tormentor (Joseph Fiennes), Moss’ performance feels opened up, and so does the series’ creative universe.

Daniel D'Addario Chief TV Critic The prospect of Susan Sarandon leading an “Empire”-style music drama set in the world of country music is an instantly alluring one. Not merely is Sarandon a compelling screen presence (one who FX’s “Feud” proved works well on TV), but the particular contours of her public image as a stalwart leftist activist would seem to rub up intriguingly against her character, a survivor in the culturally conservative world of Nashville. Bad luck for viewers, then, that Sarandon, largely at a remove from the story for plot reasons, is such a minimally used part of Fox’s new drama “Monarch,” and that the elements that supersede her hold such little interest. Dottie Cantrell Roman and Albie Roman, played by Sarandon and Trace Adkins, are the parents to three children, two of them rival vocalists (Anna Friel and Beth Ditto); Dottie and Albie’s son (Joshua Sasse) must try to hold the clan together despite his sisters’ egos and need for validation.