Paul Feig, director of such mega-hits as Bridesmaids, Spy, The Heat, Ghostbusters and A Simple Favor, has branched out into the fairytale genre with The School for Good and Evil, which hit Netflix this week.
02.10.2022 - 23:39 / variety.com
Addie Morfoot Contributor Two MTV Documentary films vying for Academy Awards attention — Ondi Timoner’s “Last Flight Home” and Tanaz Eshaghian’s short “As Far as They Can Run” — garnered the top nonfiction honors at the 23rd annual Woodstock Film Festival. “Last Flight Home,” about Timoner and her family’s last days with her father, won the best documentary prize, while “As Far as They Can Run,” about disabled children in rural Pakistan who have been deemed “useless” by their communities, took home the fest’s best short documentary award. “Last Flight Home” premiered at Sundance earlier this year before opening the Telluride Film Festival in September. This year marked Timoner’s first time at the Woodstock fest.
“The greatest joy I have is sharing my work in person,” Timoner told Variety. “The reason I make films is to impact people and this film is doing that more than any other film I’ve made.” The five-day festival, which runs from Sept. 28 to Oct. 2 in New York’s Hudson Valley, about 100 miles north of Manhattan, also awarded narrative films, including Michael Goorjian’s “Amerikatsi,” Signe Baumane’s “My Love Affair With Marriage” and Nuhash Humayun’s “Moshari.” In addition to “Last Flight Home” and “As Far As They Can Run,” MTV Documentaries, run by Sheila Nevins, had several other nonfiction films at the festival, including two features, David Greenwald’s “Afghan Dreams” and Patricia E. Gillespie’s “The Fire That Took Her,” as well as two doc shorts in Amy Bench’s “More Than I Want to Remember” and Cinque Northern’s “Angola Do You Hear Us?: Voices From a Plantation Prison.” “The Fire That Took Her” producer Julie Goldman was in town for the film’s world premiere. The documentary details the landmark case around
Paul Feig, director of such mega-hits as Bridesmaids, Spy, The Heat, Ghostbusters and A Simple Favor, has branched out into the fairytale genre with The School for Good and Evil, which hit Netflix this week.
Towards the end of his life, when Eli Timoner’s weakened body was failing him, he called his daughter, the filmmaker Ondi Timoner, and told her he was ready to go.
Variety’s Legends and Groundbreakers Award on Ron Howard, the festival will recognize several creatives at their 2022 Festival Honors on Oct. 16 and Eddie Redmayne on Oct. 15. Eddie RedmayneIcon Award When Oscar winner Redmayne sat down in his first production meeting for “The Good Nurse,” his daughter had just been born. His daughter is 6 now as the feature is finally seeing its Netflix debut on Oct. 26. “It’s been a passion project, and it’s been one of those projects that each step of the way has been massively enjoyable, despite the intensity of the subject matter,” Redmayne says. The feature, directed by Tobias Lindholm, is inspired by the true crimes of nurse Charlie Cullen who was investigated by nurse Amy Loughren, played by Jessica Chastain.
Steven Spielberg’s semi-autobiographical, coming-of-age drama The Fabelmans has been announced as the opening film of 44th Cairo International Film Festival, running from November 13 to 22.
Keke Palmer hits the blue carpet for the 2022 Newport Beach Film Festival honors program held at The Balboa Bay Club and Resort on Sunday (October 16) in Newport Beach, Calif.
Lise Pedersen U.S. film writer and director James Gray (“Little Odessa”, “Two Lovers”, “The Immigrant”, “Armageddon Time”) drew several laugh-out-loud moments from a packed theatre during a masterclass at the Lumiere Film Festival in Lyon. In a disarmingly honest conversation laced with humorous self-deprecation, the Venice Silver Lion Winner (“Little Odessa”, 1994) opened up about his love of cinema and the ups and downs of his career. Speaking about the highly autobiographical nature of his new film, “Armageddon Time”, a deeply personal look at his Queens childhood in 1980s America, Gray explained that it was a natural evolution after his two previous films, “The Lost City of Z”, which is partly set in the Amazon and left him physically exhausted, and “Ad Astra.”
The mammoth cast of Rian Johnson’s murder mystery sequel, Glass Onion: A Knives Out Mystery, sidestepped spoilers and jumped over plot lines as they presented their film Sunday morning at a London Film Festival press conference.
Emma Corrin showcased her edgy sense of style as she stepped out to the My Policeman premiere during 66th BFI London Film Festival at the Royal Festival Hall on Saturday. The actress, 26, wore a multicoloured one-shoulder mini dress with an abstract spray paint design. Screen star Emma's ensemble finished high above her knee, with the garment tied on her shoulder with a crimped length of material fanning out to the side.
Olivia Colman is gracing the red carpet at the 2022 BFI London Film Festival!
While your future planning probably only extends to Thanksgiving, the Sundance Film Festival is already thinking ahead to January, the 2023 edition of their festival. Today, the nonprofit Sundance Institute announced today the first two films in the lineup for the 2023 Sundance Film Festival and they are the 25th Anniversary and digital restoration screening of “SLAM” and the uncensored director’s cut and restoration of “The Doom Generation.” Directed by Marc Levin and written by Levin, Saul Williams, Sonja Sohn, and Richard Stratton, “SLAM” was first introduced to audiences at the 1998 Sundance Film Festival, where it premiered in the U.S.
Japanese director Naomi Kawase will preside over the international jury of the 44th edition of the Cairo International Film Festival, running November 13 to 22.
The Banshees of Inisherin and the bawdy Weird Al Yankovic biopic Weird will open the fest on Saturday, Oct. 22.
Naman Ramachandran Oscar and Venice-winning filmmaker Laura Poitras (“Citizenfour,” “All the Beauty and the Bloodshed”) and fellow filmmakers Georgia Oakley (“Blue Jean”), Roberto Minervini (“What You Gonna Do When the World’s on Fire?”) and Ondi Timoner (“Last Flight Home”) were among those who protested against the imprisonment of Iranian filmmakers and other incarcerated artists around the world, and to demonstrate support for the tenacious women of Iran who are challenging for their freedom at the BFI London Film Festival on Monday. They joined festival director Tricia Tuttle, producer Madeleine Molyneaux (“Gospel Hill”); actors Aurélia Petit (“Saint Omer”) and Taki Mumladze (“A Room of My Own”); actor and writer Mariam Khundadze (“To Batumi and every single memory”); writer Morgan M. Page (“Framing Agnes”); industry leaders Tabitha Jackson, Clare Binns and Jason Wood; and other festival delegates in a moment of solidarity and reflection.
Italian producer Lorenzo Mieli gave a spirited and often humorous rundown of his career as a producer working with directors such as Luca Guadagnino and Paolo Sorrentino during a keynote talk at the London Film Festival Monday.
The strengths and possibilities of cinematic language were heavy on Alejandro G. Iñárritu’s mind as he sat down for a keynote ‘screen talk’ at the London Film Festival on Sunday afternoon.
K.J. Yossman “White Noise” director Noah Baumbach spoke about his career highlights – and low points – as well as his creative partnership with Greta Gerwig during the BFI London Film Festival on Friday afternoon (Oct. 7). Asked about the eight-year gap between making “Mr. Jealousy” and “The Squid and the Whale,” Baumbach quipped: “I thought, you know what? I really needed about eight years off.” “No, it wasn’t by design, it was by accident,” he quickly clarified. “I sort of had two careers in a way. I had this early career very quickly and I was really figuring it all out as I was doing it. I had never really been on a movie set before I made ‘Kicking and Screaming.’ But I had this sense of how a movie should be and what I wanted a movie to be. And then after ‘Mr. Jealousy’ [the way] I experienced it at the time is that I was having trouble getting things made. I think, also, I didn’t really know what I wanted to make. And I think maybe, in some ways, my ambitions sort of exceeded my ability.”
Michaela Zee editor President Joe Biden’s turbulent first year in office is the focus of HBO’s forthcoming documentary, “Year One: A Political Odyssey.” In the trailer, which Variety can exclusively reveal, the documentary chronicles Biden’s first year as president, from his inauguration in 2021 to the State of the Union speech in March. Directed by Emmy-winning filmmaker John Maggio, “Year One” explores the dynamics of the President’s inner circle, featuring archival news footage and insider interviews with secretary of state Antony Blinken, national security advisor Jake Sullivan, secretary of defense Lloyd Austin, CIA director William Burns and White House chief of staff Ron Klain, among other members of Biden’s cabinet.