Esmé von Hoffman's reimagining of the ancient Roman poet as a Detroit lothario has plenty of ideas, but no clear audience in mind for them.
04.05.2020 - 04:17 / hollywoodreporter.com
[In the wake of the Tribeca festival's postponement this year,The Hollywood Reporteris reviewing select fest entries that elected to premiere digitally for critics.] There's plenty of wild and intimate beauty and not a little blood in Kokoloko, the first feature from Gerardo Naranjo since his 2011 international breakout, Miss Bala.
The film reteams the writer-helmer with two actors from that crime thriller, and like the earlier work, this one finds a woman caught in the crosshairs of swaggering,
.Esmé von Hoffman's reimagining of the ancient Roman poet as a Detroit lothario has plenty of ideas, but no clear audience in mind for them.
If armed criminals invade your home and take you hostage, don't despair. Instead, make the most of it.
Bruce Willis’ grizzled granddad may help save the day, but the star will be hard pressed to rescue this action drama
An ex-con finds the criminal life won't leave him alone in firsttime director Philip Barantini's solid Brit gangster entry.
As we all know from watching TV and movies (and from reading history books and newspapers), the super-rich are different from you and me. The endless pursuit and maintenance of wealth, status and power isn't your usual 9-to-5, and along the way it's not unusual to accrue one or two skeletons in the closet — or, in the case of the Monroe family in the would-be thrillerInheritance, a prisoner in the dungeon.
Lily Collins "inherits" her tycoon father's terrible secret — a captive Simon Pegg — in this overlong, implausible thriller.
Stop me if you've heard this before. Someone who's always been on the wrong side of the law is determined to go straight and start a new life.
A shaky narrative is given ballast by two vivid and well-matched leads in Sabrina Doyle’s exasperating, sporadically touching feature debut, the blue-collar melodrama Lorelei. As former high school sweethearts reconnecting amid dire socioeconomic circumstances, Pablo Schreiber and Jena Malone hustle to overcome movie-ish dialogue and clichéd story dynamics, investing their life-bruised characters with authentic feeling.
A documentary built around previously unheard audiotaped interviews with Stanley Kubrick captures a director who didn't like to talk about his films...talking about his films.
Befitting a documentary executive produced by Errol Morris, Enemies of the State is polished, assured and chilling. But as director Sonia Kennebeck traces a tale of hacker culture, government surveillance and extreme family loyalty, the smooth surface buckles.
[Note: In the wake ofthe Tribeca festival's postponement this year,The Hollywood Reporteris reviewing select fest entries that elected to premiere digitally for critics.] In the hard-hitting and heartbreaking documentary Jacinta, a young mother suffers the effects of heroin addiction that plagued her own mother as well, prolonging a cycle of abuse and incarceration that repeats itself across a generation. Stories of drugs, jail and recidivism are, alas, nothing new in America.
[In the wake of the Tribeca festival's postponement this year,The Hollywood Reporteris reviewing select fest entries that elected to premiere digitally for critics.] If nothing else (and there is plenty else) Bo McGuire strikes a campily confident pose. Hirsute of face and loud of shirts, a Virginia Slim always dangling from his lips or fingers, this Alabama-born artist swans his way through his feature debut, Socks on Fire.
For his lucid and perceptive look at Stanley Kubrick's unparalleled body of work, Gregory Monro excerpts a number of archival clips. It's not the filmmaker who's at the center of most of them but his collaborators, testifying to his exacting methods.
[In the wake of the Tribeca festival's postponement this year,The Hollywood Reporter is reviewing select fest entries that elected to premiere digitally for critics.] What a pleasure to see the underrated Steve Zahn in a leading role that fully capitalizes on the contradictory currents coursing through his screen persona — of mellowness and wired energy, grounded warmth and off-kilter unpredictability.
An unhealthily close bond between mother-and-daughter addicts forms the dark heart of Jessica Earnshaw's gripping, characterful doc debut.
[In the wake of the Tribeca festival's postponement this year, The Hollywood Reporter is reviewing select fest entries that elected to premiere digitally for critics.] For those of us whose memory of Hurricane Maria boils down to footage of President Donald Trump scornfully tossing out paper towels to a crowd at a disaster relief center, Cecilia Aldarondo’s documentary Landfall offers up a welcome flipside: images of Puerto Ricans proudly and painfully trying to rebuild their island amid a
Producer-director Maria Finitzo’s feature documentary The Dilemma of Desire was robbed, like so many other works, by the coronavirus pandemic of its moment in the spotlight when its premiere at SXSW was cancelled in March. That fate seems extra cruel given that the movie is all about celebrating female sexual pleasure and especially the much-misunderstood clitoris in defiance of patriarchal efforts to silence, stifle and suppress female desire.
[Note: In the wake ofthe Tribeca festival's postponement this year,The Hollywood Reporteris reviewing select fest entries that elected to premiere digitally for critics.] The Brazilian government's efforts in the run-up to the 2016 Summer Olympics to clean up crime in the favelas of Rio de Janeiro, a program dubbed "pacification," were part of a widely reported broader sweep to hide the city's poor from international visitors.
[Note: In the wake ofthe Tribeca festival's postponement this year,The Hollywood Reporteris reviewing select fest entries that elected to premiere digitally for critics.] Whether the Storage Wars crew would have recognized the value of a box of letters discovered in a Los Angeles storage unit in 2014 is open to debate. But it's a good thing that directors Michael Seligman and Jennifer Tiexiera did.