Kobayashi Masahiro, Japanese Film Director of ‘Bashing,’ ‘The Rebirth,’ Dies at 68

Colombian filmmaker Laura Mora has clinched the Golden Shell in the main competition of the 70th San Sebastian Film Festival with her latest feature The Kings of the World (Los reyes del mundo).

Mark Schilling Japan Correspondent Japan’s film industry is Asia’s second-largest in terms of box office – revenues totaled $1.14 billion from 115 million admissions at the depths of the pandemic in 2021 – but as insiders have known for decades, it is hardly the healthiest by world or even regional standards. For many in the industry, particularly those in the indie sector, hours are horrendous, contracts are non-existent and sexual and power harassment are facts of professional life. And even directors whose work screens at major festivals abroad often struggle to raise money for their next project or earn a middle-class living from filmmaking alone.

Patrick Frater Asia Bureau Chief Iranian action drama “World War III,” which won two awards at the recent Venice festival, will feature among the main competition titles at next month’s Tokyo International Film Festival. The festival will operate as an in-person event with foreign filmmakers, media and other guests in attendance from Oct. 24-Nov. 2, 2022. “World War III” is joined in the competition section by the world premiere of Milcho Manchevski’s “Kaymak,” Spanish director Carlos Vermut’s “Manticore” and Roberta Torre’s “The Fabulous Ones,” Michale Boganim’s “Tel Aviv Beirut,” and Youssef Chebbi’s debut film “Ashkal.”

Anna Marie de la Fuente In a rare move, Barcelona-based Film Factory Entertainment has snapped up world sales rights to documentary “Mibu, The Moon in a Dish” (“Mibu, La Luna en un Plato”), which opened the Culinary Zinema sidebar of the San Sebastian Festival Sept. 19. The feature debut of Spanish filmmaker Roger Zanuy, the documentary transports audiences to members-only Tokyo restaurant Mibu, which has greatly influenced some of the most prominent chefs in the world, including Spain’s Ferran Adrià (El Bulli), Jose Andrés, also renowned for his humanitarian work, as well as Italy’s Massimo Bottura of Osteria Francescana, among several others.

Pan Nalin’s Last Film Show, produced by Siddharth Roy Kapur, Nalin, Dheer Momaya and Mark Duale, has been selected as India’s official entry for the Best International Feature Oscar race.

EXCLUSIVE: Filipino production company Daluyong Studios, which co-produced Plan 75, Japan’s Best International Feature submission for the Oscars, is partnering with Tan Si En’s Singapore-based Momo Film Co to co-produce a slate of features and documentaries.

The Daily Mail and said that an anonymous letter was sent to the film’s studio Skydance accusing him of 40 years ago having “touched someone outside their clothes and referring to the female athletes he coached by inappropriate nicknames. Kinder in his interview with The Daily Mail denied any misconduct and further said he was shocked at the news from earlier this week that the film will not move forward. Kinder said he was contacted by investigators hired by Skydance after the letter was received and that he and the other subjects of the film, now all adult women, had informed him there was “nothing there” in terms of the investigations.

Patrick Frater Asia Bureau Chief Veteran film, theater and opera director Julie Taymor has been set as the president of the competition jury at next month’s Tokyo International Film Festival. Taymor (“The Lion King”) will head a small group that selects the winners from the 15 competition titles that unspool in Tokyo between Oct. 24 and Nov. 2, 2022. The other four members of the jury will be announced later. Taymor is the second woman to head the jury in as many years and follows Isabelle Huppert in 2021. There was no competition in 2020 due to COVID. And in 2019, the jury was headed by China’s Zhang Ziyi.

Naman Ramachandran “Vikram Vedha,” starring Hrithik Roshan, Saif Ali Khan and Radhika Apte, is releasing worldwide in over 100 countries, making it one of the widest openings for a Bollywood film. Besides India, the film is releasing in territories where Bollywood films normally release day-and-date, including North America, U.K., the Middle East and Australia and New Zealand, on Sept. 30. What is remarkable is that the film is also releasing day-and-date in countries where Bollywood fare releases after it has had its initial run in the traditional territories. “Vikram Vedha” is opening across 22 countries in Europe and 27 countries in Africa and Latin America, including Japan, Russia, Panama and Peru, all non-traditional territories for Bollywood.

Naman Ramachandran After world premiering at Tribeca and travelling the world since, Pan Nalin’s “Last Film Show” (“Chhello Show”) is coming home to India, with Siddharth Roy Kapur’s Roy Kapur Films set to distribute it across the country. The partly autobiographical drama takes Nalin back to his roots in Saurashtra, Gujarat, western India, where “Last Film Show” was filmed. The story is set against the backdrop of Indian cinemas witnessing a massive transition from celluloid to digital where hundreds of single-screen cinemas are either in ruins or have disappeared altogether. The film follows nine-year-old boy Samay, whose life turns upside down after watching his first movie. He passionately falls in love with films against his father’s wish. Samay strikes a deal with Fazal, the projectionist, who will let him watch movies for free in exchange for eating the contents of his lunchbox. Their food-for-films deal turns into an endearing friendship, but heartbreaking choices lie ahead.

Global anime destination Crunchyroll will release the anticipated One Piece Film Red in the U.S. and Canada on Nov. 4.

Leo Barraclough International Features Editor The Exchange has acquired the sales rights for North America, Europe, Latin America, Australia, New Zealand and other remaining territories for superhero movie “Shin Ultraman,” a blockbuster hit in Japan when it was released on May 13. The Exchange is introducing the movie to buyers at the Toronto Film Festival. The release of the movie, produced by Tsuburaya Productions, Toho and Khara, marked the 55th anniversary of the original “Ultraman” TV series. It grossed $31.2 million in Japan. The movie was directed by Shinji Higuchi (“The Floating Castle,” “Attack on Titan”) and was written by director and screenwriter Hideaki Anno (“Shin Godzilla,” “Neon Genesis Evangelion”), who also acted as producer alongside Takayuki Tsukagoshi and Minami Ichikawa.

Patrick Frater Asia Bureau Chief “Fragments of the Last Will,” a post-WWII prisoner of war drama, has been set as the opening title of next month’s Tokyo International Film Festival. It is directed by Zeze Takahisa. The festival, which runs Oct. 24-Nov. 2, 2022, will close with “Living,” directed by Oliver Hermanus and starring Bill Nighy. The film is a reworking of Kurosawa Akira’s 1952 classic “Ikiru,” with a revised screenplay by Ishiguro Kazuo. “Fragments” is based on the true story of Yamamoto Hatao, a Japanese prisoner of war detained in a Siberian gulag. He believed that he would be able to reunite with his wife and children in Japan and for eleven years fought to keep the light of hope alive for his fellow POWs.

Netflix has greenlit a Japanese drama series about the last ninjas to remain in modern times.

Korea’s Busan International Film Festival (October 5-14) has announced its full line-up, including opening film Scent Of Wind, directed by Iran’s Hadi Mohaghegh, while Hong Kong actor Tony Leung Chiu-Wai will be honoured as Asian Filmmaker Of The Year.

The tragedy at the center of “Love Life,” the new film from Japanese director Kōji Fukada which premieres in Competition at this year’s Venice Film Festival, does not come to disrupt a perfectly happy family. Cracks are visible in the facade of the life shared by Taeko (Fumino Kimura) and Jiro (Kento Nagayama) even before the fatal accident that claims the life of Keita (Tetta Shimada), her young son from a previous marriage.

Elsa Keslassy International Correspondent MK2 Films has scored key territory deals on Japanese director Koji Fukada’s “Love Life,” which makes its world premiere in competition at the Venice Film Festival. Set in contemporary Japan, “Love Life” is a character-driven film revolving around Taeko and her husband, Jiro, who are living a peaceful existence with her young son, Keita. When a tragic accident brings the boy’s long-lost father, Park, back into her life, Taeko throws herself into helping this deaf and homeless man to cope with the pain and guilt. Popular Japanese actress Fumino Kimura (“The Fable: The Killer Who Doesn’t Kill”) headlines the film. MK2 Films has now sold the movie to Teodora (Italy), Imagine (Benelux), Leopardo (Portugal), Demiurg (Ex Yugoslavia), New Cinema (Israel), Swallow Wings (Taiwan), Edko (Hong Kong), Impact Films (India) and Encore Inflight (Airlines).