Jodie Comer Gets Rave Reviews for 'Prima Facie' on Broadway!

Tony Award-winning actress Cynthia Erivo will topline a film adaptation of the hit play “Prima Facie,” which she will also executive produce.Participant and Bunya Productions are producing the film, in association with Erivo’s Edith’s Daughter. The film will be directed by BAFTA Award-winning filmmaker Susanna White.

Matt Donnelly Senior Film Writer Cynthia Erivo will star in a film adaptation of the theater sensation “Prime Facie,” Variety can report exclusively. Participant and Bunya Productions announced Monday that Oscar nominee Erivo will take on the role originated on the West End (and, currently, on Broadway) by actor Jodie Comer. Erivo will also executive produce the project through her banner Edith’s Daughter. BAFTA winner and Emmy nominee Susanna White (“Woman Walks Ahead,” “Star Wars: Andor”) will direct. Suzie Miller will adapt her own critically-acclaimed stage play for the screen.

Jennifer Lopez seems to be an unlikely action star. The actress is mostly known for her rom-com turns in movies like Maid in Manhattan, The Wedding Planner and more recently Marry Me. However, over the last few years, the 53-year-old has been joining more physically demanding movies, and her latest Netflix movie, The Mother, is no exception.

Scarlett Johansson is one of the most famous people on the planet and one of the most in-demand actors around. But in the mid-to-late-2000s, that was far from the truth.

RAVE UKraine.Rave UKraine took place at Liverpool’s Hangar 34 and at Kyiv’s HVLV. Each rave was live-streamed to one another making it possible for attendees in both cities to party alongside each other in a night of unity and solidarity with Ukraine.

The stars of Broadway’s Tony-nominated plays stepped out for the Meet the Nominees press event!

British actress Jodie Comer has earned her first Tony Award nomination for Broadway debut Prima Facie.The Killing Eve star, 30, is nominated for best performance by an actress in a leading role in a play for her role as Tessa in the one-person production by playwright Suzie Miller.The production, about a British defence lawyer who ends up in the witness box, secured four Tony Award nominations in total, including for best scenic design, best lighting design and best sound in a play. After receiving critical acclaim for her West End debut at the Harold Pinter Theatre in London, which included winning best actress at the 2023 Olivier Awards, Comer took the play to the John Golden Theatre on Broadway in April which will run until July.

Variety Awards Circuit section is the home for all awards news and related content throughout the year, featuring the following: the official predictions for the upcoming Oscars, Emmys, Grammys and Tony Awards ceremonies, curated by Variety senior awards editor Clayton Davis. The prediction pages reflect the current standings in the race and do not reflect personal preferences for any individual contender. As other formal (and informal) polls suggest, competitions are fluid and subject to change based on buzz and events. Predictions are updated every Thursday. Visit the prediction pages for the respective ceremonies via the links below:

Stars have been getting ready for fashion’s biggest night of the year as they gear up for tonight’s Met Gala. Each year, the event attracts the biggest names in the fashion industry as well as a whole host of A-List actors, musicians and reality stars.

Netflix has set June 9 for the Season 2 premiere of Big Mouth spinoff Human Resources. An impressive list of guest stars will join the show for its upcoming final season including Florence Pugh, Miley Cyrus, Eugene Levy, Sam Richardson, Niecy Nash-Betts, Jason Mantzoukas, and Isabella Rossellini.

At 20 years old, Gaten Matarazzo is already something of a Broadway veteran. The New Jersey native was only 9 when he made his debut in Priscilla Queen of the Desert, a few years older when he appeared in Les Misérables and then, just last year, took over the role of “Jared Kleinman” in the final Broadway cast of the hit musical Dear Evan Hansen.

Prima Facie, the well-reviewed solo drama starring Killing Eve‘s Jodie Comer, has extended its Broadway run by two weeks, producers announced today.

Rebecca Rubin Film and Media Reporter Each night at Broadway’s new musical-comedy “Shucked,” audiences are treated to the sweet (and pun-filled) story of Cobb County residents Maizy and Beau, who are forced to postpone their wedding when the corn stalks that fuel their small rural town are ravaged. But the show’s undeniable breakout is Maizy’s cousin Lulu, a local whiskey distiller who convinces her too-innocent relative to travel to Florida to find a way to save their crops. Alex Newell, who plays Lulu, brings down the house in the middle of Act I with the show-stopper “Independently Owned,” an anthem to warn to Maizy’s new friend Gordy, a conman pretending to help Cobb County, that she don’t need no man. On most nights, the rafter-shaking performance concludes with the rare mid-show standing ovation.

A Phantom-less Broadway took a hit at the box office last week, dropping about 18% in total receipts (to $31,558,171) from the previous week when Andrew Lloyd Webber’s masked singer had contributed $3.7 million in its final week.

Over the past few years we've all become more aware of our well-being and our mental health, and a change of scenery is often all it takes to get us back on track. And a week on the inland waterways certainly helps you change scenery. Constantly, in fact.

Paramount’s MTV has been found in breach of British broadcasting rules after it showed an expletive-laden episode of MTV Cribs US before the 9PM watershed.

Trish Deitch Here is my favorite thing about Suzie Miller’s Olivier Award-winning one-woman play “Prima Facie,” opening at Broadway’s Golden Theater tonight: About halfway through, it begins to rain, hard, from one end of the stage to the other—real water pouring from overhead—and continues raining long enough for audience members to begin to worry that Jodie Comer, the beloved co-star of “Killing Eve” who commands the stage for 100 minutes in “Prima Facie,” will catch a cold. Comer plays a young barrister who, out of blissful ignorance, used to feel fine about defending sexual predators, and now is the miserable, powerless victim of rape herself. The rain is not a baptism—it’s a device used to further humiliate her in her time of greatest humiliation. So here is my least favorite thing about the play: that I have to recommend it, even though I don’t love it—it’s not fun or entertaining or inspiringly good in the way theater can be. But this show, starring a popular television actress, will do its part in chipping away at the injustice that is women remaining voiceless and powerless after they’ve been sexually assaulted. And for that, “Prima Facie” deserves high praise—even adulation.

Prima Facie,” which opened Sunday night on Broadway, the audience is hit by two wildly different sensations.First, as we become fully absorbed by the harrowing story of Tessa, a brilliant young barrister whose life is horribly upended, there is great pain and sadness in watching her go through a trauma nobody should ever have to experience. Some viewers will be understandably overwhelmed by it all.One hour and 40 minutes with no intermission.

Killing Eve star Jodie Comer claims Broadway as her own in her tour de force performance of Prima Facie, a scalding indictment of the law and its limits opening tonight at the Golden Theatre.

A.D. Amorosi The only thing America loves more than watching work imported from Great Britain is when that same British work goes wildly off the rails. What is “The Great British Bake Off” without toppling cakes, or romantic Ed Sheeran without goofy relationship misadventures, or “Dr. Who” without a confoundedly sputtering David Tennant? Targeting the dippier side of American Anglophilia are Henry Lewis, Jonathan Sayer and Henry Shields — the co-founders and playwrights of Great Britain’s Mischief Theatre Company — and their imaginary Cornley Polytechnic Drama Society (Cornley U for the Yanks). Theirs is a team manically adept at creating adroitly bumbling, screwball comic twists on Anglo theatrical tropes. First they lampooned the Agatha Christie whodunnit with “The Play That Goes Wrong,” which was mounted in London in 2012 and has played Broadway and beyond.