Netflix’s fantasy drama Sweet Tooth will end with the upcoming third season.
14.04.2023 - 13:39 / deadline.com
Jeff Kleeman has stepped in as CEO for Bold Films, taking over for Gary Michael Walters, whose March departure from the company after nearly 20 years was just announced.
The studio executive-turned-producer, screenwriter and showrunner comes to the company from Ellen DeGeneres’ A Very Good Production, where he’s served as President since 2012, overseeing work on 26 series, specials and movies amounting to over 1,615 hours of live-action and animated content.
Kleeman will report to Bold Chairman David Litvak, overseeing the company’s current operations, as well as its plans for expansion. He’ll now focus on building strategic partnerships, with a particular eye on international, while looking to leverage both existing Bold IP and new IP to generate multiple revenue streams.
Kleeman’s appointment comes at a time when Bold Films is looking to take on a more global footprint in development and production, as it continues to develop feature-length projects for both theatrical and streaming, as well as episodic content and live theater.
Working alongside Kleeman will be EVP of Development and Productions Jon Oakes, who has been with the studio for over a decade, and Creative Executive Sophia Kalin. Oakes has played an instrumental role in the development and production of Bold Films’ slate including such previously released titles as The Guilty, Oslo, Colette, Whiplash, Nightcrawler and Drive. The creative team is supported by Director of Productions, Licensing and Operations, Erich Ebner, who is responsible for relationships with buyers and distributors with respect to Bold’s catalogue and establishing preferred relationships with partners around the world.
Said Bold Films’ Chairman, Litvak: “I am excited to welcome Jeff
Netflix’s fantasy drama Sweet Tooth will end with the upcoming third season.
Human Resources,” the show that follows Netflix’s equally raunchy adult animation series “Big Mouth.” The new season has 10 episodes and is set to premiere on June 9. “Human Resources” follows the creatures that help people through the awkward journey of puberty and the hard life of parenthood. Even as they assist their human clients, the hormone monsters, depression kitties, shame wizards and other creatures lead hilarious lives of their own, both in and out of the office.
Naveen Kumar If there is a megawatt star in “New York, New York,” the new musical from Broadway titans John Kander and the late Fred Ebb (with additional lyrics by Lin-Manuel Miranda), it’s right there in the title. Aside from the occasional f-bomb and pantomimed scurry of rats, the show that opened at Broadway’s St. James Theatre is a love letter to Manhattan so unabashed that its vibe might be best expressed in cityscape and heart-eye emojis. Cynical? These New Yorkers? Fuhgeddaboudit! Though inspired by the 1977 film directed by Martin Scorsese and starring Robert De Niro and Liza Minnelli, “New York, New York” is more accurately described as a musical-length rhapsody on the dreams crooned out in its title song, made famous by Frank Sinatra and naturally performed here as a big-band finale turned audience singalong. A crowded cast of characters has come to chase their dreams, and most of them want to be musicians.
Jeff Shell looked more like a snowy-haired roadie than a VIP as he milled about in the wings of the Sahara Tent ahead of Blink-182’s set at Coachella on April 14. The NBCUniversal CEO had spent the day at the festival with his wife, Laura, in anticipation of the band’s first show in nearly a decade. Later, he took a seat alongside a leather-clad Kourtney Kardashian, whose long-running “Keeping Up With the Kardashians” holds a significant presence in the NBCUniversal spread, with all 20 seasons of the reality show having recently moved from Hulu to Peacock. But Shell wasn’t there on business. He enjoys close ties with the band’s bassist and co-lead vocalist, Mark Hoppus, a friendship forged thanks to their kids attending the same school in L.A.
New York, New York,” opening Wednesday at the St. James Theatre, ends with the iconic title number that kicks off with the lyric “Start spreadin’ the news!”It’s an ear-worm everybody knows.
Patrick Frater Asia Bureau Chief Malaysia-based content group Vision New Media has promoted Min Lim to the newly created role of group CEO. She reports to founder and chairman Beng Teck Lim. Poh Lin Ho, who had been with Vision Plus Entertainment for nearly 40 years, latterly as its CEO, is stepping down from the business. Lim, who is currently head of production at group production business Double Vision, will now take responsibility for all content creation and distribution activities, plus the group’s extensive post-production, dubbing and subtitling services. She will also oversee Square Box Pictures, the group’s theatrical distribution arm, as well as long-standing television distributor Vision Plus Entertainment.
Netflix has given a series order to a new supernatural mystery from executive producers Matt and Ross Duffer titled The Boroughs, created by Jeffrey Addiss and Will Matthews.
vastly overpaid) $44 billion purchase of the site. But at least when it comes to some of Twitter’s most notable celebrity users, he’s sadly (or, if you prefer, hilariously) mistaken.
Hans Zimmer has announced a European and UK/Ireland tour for next year – find all the details below.The Oscar-winning film score composer and music producer is due to hit the road next March for a run of dates dubbed ‘The World Of Hans Zimmer: A New Dimension’.The trek takes in 30 dates in 13 countries, with the UK and Ireland leg set to begin at the OVO Hydro in Glasgow on April 6.Further gigs will take place at the AO Arena in Manchester (April 7), the Resorts World Arena in Birmingham (9), The O2 in London (10) and the 3Arena in Dublin (12).The European stop-offs include Lille, Prague, Berlin, Amsterdam, Paris, Barcelona, Lisbon, Madrid and Oslo.Tickets for the UK/Ireland dates go on general sale at 9am BST this Friday (April 21) – you’ll be able to purchase yours here.A post shared by The World Of Hans Zimmer (@worldofhanszimmer)Per a press release, Zimmer is “arranging a brand-new selection from his tremendously diverse collection of scores” for the upcoming concerts.“The audience will be taken on a unique musical journey that will immerse them in completely new dimensions,” it adds.Zimmer himself will not appear live on stage in ‘A New Dimension’, and is instead serving as the show’s curator and musical director.“My aspiration with this new show is to preserve the culture of the orchestra and allow audiences to rediscover the unique facets of orchestral music,” he explained in a statement.“There are many background stories I would love to tell and long-time companions and friends I would like to introduce.”Soundtrack conductor Gavin Greenaway – a long-time and trusted friend of Zimmer – will “continue to conjure the magic of the composer’s works for the audience, along with some of the most outstanding, renowned
reunion on Tuesday as stars of the beloved zombie drama reunited at the AMC Upfront presentation in New York City. Norman Reedus, Jeffrey Dean Morgan, Lauren Cohan, Danai Gurira and Andrew Lincoln joined forces on the red carpet, appearing to color coordinate their looks with an array of black-and-white ensembles. The actors were on-hand to promote the network's upcoming spin-off shows, which are set to premiere in 2023 and 2024. Reedus, Morgan and Cohan each spoke with ET about what to expect when their fan favorite characters return to the screen this summer.«It's kind of a reset for me,» Reedus said of his Daryl Dixon-focused series,, which is slated for a June premiere.
Fremantle UK has named departing Thames boss Amelia Brown as its new CEO.
Rebecca Rubin Film and Media Reporter Tribeca Festival has announced the lineup of its 2023 festival, which includes new films from actors Chelsea Peretti and David Duchovny and documentaries about Rock Hudson and news anchor Dan Rather. This year’s event, which takes place from June 7-18, will feature 109 feature films from 127 filmmakers across 36 countries. There will be 93 world premieres, one international premiere, eight North American premieres, one U.S. premiere and six New York premieres. Among the lineup, there are offerings from 43 first-time directors and 29 directors returning to Tribeca with their latest projects. For the first time, more than half of feature films in competition (68%) are directed by women, while 41% (45) of all feature films are directed by women. Additionally, 36% (39) of feature films are directed by BIPOC filmmakers, including two indigenous filmmakers.
The 22nd edition of the Tribeca Festival unveiled a 2023 lineup with a record number of female helmers and heavy on films directed by actors like Chelsea Peretti’s First Time Female Director, John Slattery thriller Maggie Moore(s) with Tina Fey and Jon Hamm, David Duchovny’s Bucky F*cking Dent and Steve Buscemi’s The Listener.
Academy CEO Bill Kramer, said in a statement. “Her vast knowledge of the film industry and Academy membership, along with her commitment to building and nurturing a diverse and equitable global film community makes her a perfect professional for this new role.”“I have a deep connection to the Academy and its membership,” Shea said in a statement.
Brian Steinberg Senior TV Editor Kate Bolduan’s next shift on CNN hasn’t started quite yet, but she’s acting as If it has. A group of cameras is flocking around the news anchor in a New York studio that has recently been updated, and she presses producers to let her rehearse a story she needs to have mastered by the time she gets on air. “We don’t want to get this half right,” she tells those listening to her. Neither does the news network. Bolduan and five of her on-air colleagues, along with dozens of crew members and producers working in New York, Washington, D.C. and Atlanta, are taking part in a major TV-news experiment that is going to play out each weekday for the foreseeable future at CNN. The question the Warner Bros. Discovery network is trying to solve: How to keep viewers watching TV news when they have video alternatives that are often faster paced, less formal and fueled by social media?
Owen Gleiberman Chief Film Critic If Lars von Trier hadn’t grown top-heavy with the mythology of his self-importance (I’d say that happened around the time of “Antichrist,” in 2009), he might have tossed off a movie like “Sick of Myself” — a social satire in the form of a queasy drama of body horror, and a movie whose disturbing bad-boy tastelessness recalls Von Trier’s “The Idiots,” with a touch of David Cronenberg. This is the second feature by Kristoffer Borgli, the Norwegian writer-director whose first film, “Drib” (2017), was a send-up of the marketing industry, and in a way the new movie is about marketing too. This one, though, takes a viscerally upsetting look at just how far an individual will go to gain attention in the new era of social-media addiction.
Leo Barraclough International Features Editor Season 6 of Canadian cop show “Hudson & Rex,” one of the world’s most successful television brands, has been given the greenlight. The new season has been added to the sales slate of Beta Film at next week’s MipTV television conference and market in Cannes. The canine star of the police procedural, German Shepherd Diesel, who plays Rex, will walk the pink carpet on Sunday at TV series festival Canneseries, which runs in parallel with MipTV. He will be joined by John Reardon, who plays detective Charlie Hudson. The crime fighting duo are presenting the French premiere of the first episode of Season 4, followed by a Q&A with the talent.
Here’s your first look at Cate Blanchett in The New Boy, the latest film from Australian filmmaker Warwick Thornton.
Bold Film’s longtime CEO Gary Michael Walters has stepped down to launch his own venture, Walters Media Group.Walters Media Group will focus on the development of studio-caliber film and television projects, independent film financing and production, and strategic consultancy to high-net-worth investors and media companies, Walters announced Thursday.“I am deeply appreciative of all the support Bold Films have given me over the past two decades,” Walters said in a statement. “I will miss my Bold family, but I have been yearning to create my own company for some time, and I am very excited to announce my upcoming slate shortly.”Walters, who has been with Bold Film since its founding in 2004, has produced as well as executive produced all of the company’s film and television projects, including “Whiplash” starring Miles Teller and JK Simmons, directed by Damien Chazelle; “Nightcrawler” starring Jake Gyllenhaal and Riz Ahmed, directed by Dan Gilroy; and “Drive” starring Ryan Gosling, Carey Mulligan, Bryan Cranston, Oscar Isaac and Albert Brooks, directed by Nicolas Winding Refn.Bold’s commercial successes include action thriller “No Escape” starring Owen Wilson and Pierce Brosnan, and apocalyptic horror feature “Legion” with Paul Bettany and Dennis Quaid.