Jane Fonda Says The Local Men Were Her Favourite Part Of Filming ‘Book Club: The Next Chapter’ In Italy

Kaouther Ben Hania’s powerful drama “Four Daughters” which mixes documentary and fiction to tell the story of Tunisian mother whose two elder daughters joined ISIS is scoring a slew of sales following its well-received Cannes competition premiere. French company The Party Films Sales has sealed deals on “Four Daughters” for: Benelux (Cineart); Spain (Caramel Films); Italy (I Wonder); Switzerland (Trigon); Sweden (Triart); Denmark (Camera Film); Norway (Arthaus); Finland (Cinemanse); Poland (New Horizons); Greece (Ama Films); former Yougoslavia (Discovery) and Turkey (Bir Film). Rights to the film for multiple other territories are under negotiations, the company said.

Toni Collette has described working on Mafia Mamma as "one of the best experiences of (her) life". During an interview with IndieWire, the 50-year-old actress discussed playing the lead in the new action comedy, which follows a regular suburban mum who unexpectedly inherits her late grandfather's mafia empire in Italy. "The experience of making it was the most joyous of my career," Toni told the outlet.

If there’s anyone qualified to judge the winners and losers emerging from the “Vanderpump Rules” scandal that’s been dubbed Scandoval, it’s the series’ namesake, Lisa Vanderpump.

Nick Vivarelli International Correspondent More that forty years after his bitter battle with Bob Guccione over cult classic “Caligula,” Italian director Tinto Brass is still fighting. Just as Penthouse Films International has unveiled a new cut of the raunchy 1980 epic about the fall of the Roman ruler titled “Caligula: The Ultimate Cut” – that screened on Wed. in the Cannes Classics section with Helen Mirren on hand – Brass has issued a statement distancing himself from this new version of the film and announced that he is taking unspecified legal action. “After numerous and fruitless negotiations that have followed over the years, first with the Penthouse and then with other unclear individuals, to edit the material that I shot and which had been found in the Penthouse archives, a version has been created on which I did not take part and which I am convinced will not reflect my artistic vision,” Brass, who is 90, said in the statement.

“Plead the Fifth,” host Andy Cohen asked the “Monster-in-Law” star who “tried to pick you up once that you turned down.”She recalled exactly who that was: “The French director René Clément.”Clément — who died in 1996 — helmed the 1964 thriller “Joy House,” starring Fonda.“Was it a sloppy pass?” Cohen, 54, wondered.“Well, he wanted to go to bed with me because he said that the character had to have an orgasm in the movie and he needed to see what my orgasms were like,” the Golden Globe winner explained. “But he said it in French and I pretended like I didn’t understand.” The Bravo celebrity rated her experience on the show as “amazing, perfect.”“I have stories for you kid, we don’t have time,” Fonda winked, concluding her coy confession.Elsewhere on the late-night talk show, Fonda admitted that she once went skinny dipping with the late Michael Jackson, noting how “skinny” the “Thriller” singer appeared.

Kristin Chenoweth is giving back.

. A new teaser-trailer was released ahead of the season 3 premiere later this month, and sisters Kim and Kourtney Kardashian's feud seems to be a main plot point.In a previous trailer, Kourtney accuses Kim of using her May 2022 wedding to Travis Barker as a «business opportunity.» Kim later debuts a collaboration with Dolce & Gabbana after the Italian designers host Kourtney's nuptials at their Italian mansion.In the new teaser trailer, Kim says, «I don't want to fight with family, bottom line.»Kourtney declares, «There are no boundaries.

. A new teaser-trailer was released ahead of the season 3 premiere later this month, and sisters Kim and Kourtney Kardashian's feud seems to be a main plot point.In a previous trailer, Kourtney accuses Kim of using her May 2022 wedding to Travis Barker as a «business opportunity.» Kim later debuts a collaboration with Dolce & Gabbana after the Italian designers host Kourtney's nuptials at their Italian mansion.In the new teaser trailer, Kim says, «I don't want to fight with family, bottom line.»Kourtney declares, «There are no boundaries.

Kim and Kourtney Kardashian's feud seems to be a main plot point for the upcoming season.In a previous trailer, Kourtney accused Kim of using her May 2022 wedding to Travis Barker as a «business opportunity,» as Kim later debuted a collaboration with Dolce & Gabbana after the Italian designers hosted Kourt's nuptials.In the new teaser trailer, Kim says, «I don't want to fight with family, bottom line.»But Kourtney declares, «There's no boundaries. There's no respect.»As the other sisters attempt to remain neutral saying they can «see both sides,» Khloe adds, «The tension is brewing.

In a rare weekend with fewer new studio wide releases, IFC Films had a one-two punch at the box office with Matt Johnson’s film BlackBerry grossing $473k nationwide in 450 theaters, for a U.S. per theater average of $1.05k and cracking the top ten on Friday. It will gross an estimated $740k in North America this weekend, with Elevation Pictures handling Canada.

Rebecca Rubin Film and Media Reporter Disney’s “Guardians of the Galaxy Vol. 3″ was victorious again at the domestic box office, adding $60.5 million in its second weekend of release. Ticket sales dropped by 49% from its debut, marking an impressive hold… at least for a superhero movie. Across more than 30 Marvel entries, only “Black Panther” (45%) and “Thor” (47%) have had stronger second weekend holds. By comparison, recent Marvel movies such as “Ant-Man and the Wasp: Quantumania,” “Doctor Strange in the Multiverse of Madness” and “Thor: Love and Thunder” declined by nearly 70% in their sophomore outings. Those are brutal falls, even for movies that debuted to more than $100 million. Those entries were reminders that Marvel may remain critic-proof in terms of opening weekends, but they’re no longer immune to quickly falling back down to Earth.

Book Club: The Next Chapter stars Jane Fonda, Candice Bergen, and Mary Steenburgen, who chatted with Metro Weekly about the new sequel to their 2018 hit comedy, written and directed by Bill Holderman.The screen legends were missing their girl Diane Keaton, who rounds out the quartet portraying four longtime best friends, who, this time out, jet off to Italy for a bachelorette adventure. Yet they still basked in the glow of their collective thrilling adventure shooting the film throughout Rome, Venice, and Tuscany.The gorgeous Italian scenery, and local color — like homegrown legend Giancarlo Giannini, featured in a supporting role — proved enchanting offscreen as well as in the film.“It was never stressful because you were always in a gondola, sort of coasting along,” recalls Bergen.

J. Kim Murphy The book club can’t topple comic books, as Marvel’s “Guardians of the Galaxy Vol. 3” will easily hold off the opening of “Book Club: The Next Chapter” to retain the top spot at the box office. “The Next Chapter” earned $2.14 million on its opening day, projecting a debut of $7 million from 3,508 locations for the three-day frame. That’s on the lower end of estimates heading into the weekend. While there’s hope that the Focus Features release will be able to earn a boost in ticket sales on the Mother’s Day holiday, the sequel won’t be able to match its predecessor. Released by Paramount in 2018, the first “Book Club” debuted to $13.5 million before legging out to a $68 million gross in North America — a solid result for an older-skewing comedy, especially before the COVID pandemic impacted the theatrical landscape.

Book Club: The Next Chapter is now out in theaters!

Michaela Zee editor From riding boats in Venice to landing in Tuscany in a helicopter, “Book Club: The Next Chapter” star Jane Fonda had quite the adventure in Italy with Diane Keaton, Mary Steenburgen and Candice Bergen.  Her favorite memory there? “When we went to see the Sistine Chapel at night, and there was nobody else there,” Fonda told Variety at the New York premiere on Monday night. “And we had the whole ceiling explained to us by a great guide. That was a real treat.”  Although the sequel was filmed nearly five years after the original, Fonda never lost contact with her “Book Club” co-stars. 

Six months and counting! Lindsay Hubbard and Carl Radke are inching closer to their wedding day — but their guest list is still being decided.

Jane Fonda is looking back at her life, and detailing when she first felt truly in control of her own destiny.The beloved 85-year-old actress walked the carpet at the New York City premiere of her new film,, on Monday, and opened up to ET's Rachel Smith about relating to her character, and how the themes of the film reflect in her own life.The film is a follow-up to 2018's, and stars four women who go on a late-in-life girls' trip to Italy that goes somewhat awry. The story is one of reclaiming your own destiny and finding the self-confidence to trust your own decisions and instincts.For Fonda, that moment came for her in real life when when she was «maybe 62 years old,» when she was «finally single.»Fonda has been married three times — first to Roger Vadim, in 1965.

The stars of Book Club: The Next Chapter lit up the red carpet for the NYC premiere on Monday (May 8)!

Owen Gleiberman Chief Film Critic It’s beyond obvious that women deserve a movie that portrays and celebrates them in their sixties and seventies reveling in the joys of romantic adventure and uninhibited sex. It’s not so obvious that they deserved “Book Club,” the 2018 comedy about four hale, hearty, and prosperous senior friends who read “Fifty Shades of Grey” in their monthly literary white-wine klatsch, only to discover that E.L. James’s S&M princess fantasy jump-starts their hibernating libidos and/or their desire to commit to the men who are courting them. You could use a whole Thesaurus paragraph of withering descriptives to evoke the sort of movie “Book Club” was. It was prefab, it was cookie-cutter, it was paint-by-numbers, it was broad enough to play to the peanut gallery, it was four glorified sitcoms jammed into one overly synthetic package.