Billy Eichner‘s new movie Bros had a disappointing start at the box office and he’s opening up about why he wouldn’t have changed the casting in the film.
30.09.2022 - 08:41 / justjared.com
Billy Eichner‘s highly anticipated rom-com movie Bros is finally in theaters and everyone should be heading to their local cinema to check it out this weekend!
Fans who are checking out the movie will likely want to know if they should stick around after the credits for an additional scene. Many movies these days, especially ones that are part of a franchise, will include extra footage at the end to tease future installments or to give audiences some bonus content.
So, do you need to stick around after Bros?
Click to the next slide to check out the details…
Billy Eichner‘s new movie Bros had a disappointing start at the box office and he’s opening up about why he wouldn’t have changed the casting in the film.
A New Yorker Festival panel with actor and comedian Billy Eichner and playwright and actor Harvey Fierstein, who both appear in Bros, turned into an onstage post-mortem about the gay rom-com’s disappointing opening.
Taking to Twitter on Sunday, Eichner noted, “Even with glowing reviews, great Rotten Tomatoes scores, an A CinemaScore etc, straight people, especially in certain parts of the country, just didn’t show up for Bros. And that’s disappointing but it is what it is,” adding, “Everyone who ISN’T a homophobic weirdo should go see BROS tonight! You will have a blast!”Contemporary reading comprehension and short online tempers being what they are, these tweets immediately got translated into: “Billy Eichner called everyone who didn’t see ‘Bros’ a homophobe!”So what, then, should we take away from the disappointing opening weekend of “Bros”? Well, for starters, some of those online theories actually do hold water.
Joel Kim Booster revisited a critique lobbed at his movie Fire Island while promoting Billy Eichner‘s gay rom-com Bros.
There’s a scene in Billy Eichner‘s Bros that you won’t be seeing in theaters.
Billy Eichner is on the defense after the underwhelming results of Bros at the box office. The actor is clapping back at Twitter trolls that are using the performance of the romantic comedy at the movie theaters to attack the quality of his work.
Sasha Urban editor After a low opening turnout in theaters for LGBTQ rom-com “Bros,” writer and star Billy Eichner wrote on Twitter Sunday that it was “disappointing” that “straight people, especially in certain parts of the country, just didn’t show up.” Dot-Marie Jones, who co-stars in the film, echoed Eichner’s sentimentsSunday evening at the Best in Drag Show, an annual parody drag pageant that functions as a charity benefit for people living with HIV/AIDS, and at which Jones was serving on the panel of judges. “There’s so much heart and so many wonderful good laughs in this [movie],” Jones told Variety at the Orpheum Theatre in Downtown Los Angeles. “I don’t know if it’s because it’s, you know, LGBTQ. It’s not contagious — fuckin’ go see a movie, you know what I mean? It’s crazy.”
Bros, touted as the first mainstream Hollywood studio-backed gay rom-com, has opened to a less than enthusiastic response at the US Box office.Variety reported that Bros debuted at number four and had grossed $4.8 million in its opening weekend – half the collections projected by the studio. Universal had expected a $8 to $10 million opening for the Judd Apatow-produced film directed by Nicholas Stoller and starring Billy Eichner and Luke Macfarlane.Before the movie was released, homophobes had review bombed the movie with low ratings.
Billy Eichner is speaking out in response to his movie Bros‘ disappointing debut at the box office.
Billy Eichner is weighing in on the debut of his film, and reflecting on why he thinks it didn't manage to rake in huge returns despite a stellar critical response.«Last night I snuck in and sat in the back of a sold out theater playing BROS in LA. The audience howled with laughter start to finish, burst into applause at the end, and some were wiping away tears as they walked out,» Eichner write, as part of a series of tweets, on Sunday. «It was truly magical. Really.
Billy Eichner is getting the box office results of his movie Bros and although the film is underperforming, he’s “proud” of the work he did on the big screen.
“Bros” did not bring big audiences out to the theatre, and its star thinks he knows why.
“Bros,” the Billy Eichner-fronted film tumbled at the box office on opening weekend. And Eichner – who also co-wrote the film with director Nicholas Stoller – puts the blame on straight people not showing up.“Rolling Stone already has ‘Bros’ on the list of the best comedies of the 21st century.
Jazz Tangcay Artisans Editor Billy Eichner didn’t just write, produce and star in “Bros” — he also sings in it. The rom-com, in theaters now, follows the courtship between Bobby (Eichner) and the hunky lawyer Aaron (Luke Macfarlane), who meet at a launch party for a new dating app called Zellweger. Yes, named after the actress. Award-winning composer Marc Shaiman was brought on board to thread together the film’s score as the two characters stumble towards love, and out of love, and into love again. Shaiman credits Eichner with the song idea for the big ballad of “Love Is Not Love.”
J. Kim Murphy “Smile” has something grin about this weekend. The creeper is projected to land a $19 million debut from 3,645 locations. It’s a fantastic start for the genre film, which carries a modest $17 million production budget. Compared to other original horror entries this year, Universal’s supernatural kidnap thriller “The Black Phone” kicked off with $23 million while 20th Century Studios’ “Barbarian” opened to $10 million. “Smile” landed a mildly positive “B-” grade through research firm Cinema Score, though such a figure is standard for a horror release. The film has drawn good buzz with solid reviews, scoring a 79% from top critics on review aggregation website Rotten Tomatoes. Variety‘s chief film critic Owen Gleiberman praised the film in his review, writing that it “sets up nearly everything — its highly effective creep factor, its well-executed if familiar shock tactics, its interlaced theme of trauma and suicide — before the opening credits.”
Check your local listings. While a streaming release date has not yet been announced, “Bros” will eventually be streaming on Peacock since it’s a Universal Pictures release.
Smile,” the unsettling Paramount horror about grins, murder and suicide, has earned $2 million from Thursday previews at the domestic box office. On the other side of the cinematic spectrum, Universal’s “Bros,” a romantic comedy with entirely LGBTQ cast, has grossed $500,000. As the two movies face off at the box office this weekend, “Smile” is expected to earn the top spot over “Bros” and defending champ, “Don’t Worry Darling,” which has earned $25.5 million in its first week of release. The horror movie is projected to earn between $16 million and $20 million this weekend. Paramount will be smiling from ear to ear with a box office haul anywhere in that range, seeing as the low-budget fright fest cost a measly $17 million to make.
A heartfelt, hilarious classic Hollywood-style romantic comedy, Bros (★★★★☆) doesn’t screw around with the formula of forebears like When Harry Met Sally or You’ve Got Mail. Rather, the movie — produced by Judd Apatow, directed by Nicholas Stoller (Forgetting Sarah Marshall), and co-written by Stoller and star Billy Eichner — delivers fresh takes on tropes that worked for those films, while trafficking in jokes and situations they never touched.With tart dialogue and earnest intent, Bros leans into the romance of the giddy first kiss, and the determined dash across town to declare one’s love right now in front of an audience of awww-ing friends who will dance out the scene in a joyful montage.The filmmakers’ attention to genre detail includes layering Bros with that rare, underrated quality of a good romantic comedy: a believable resistance to romance. To stir the pot, somebody or something has to be standing in the way of happily ever after.Here, the culprits are our lead pair of lovebirds, commitment-shy New Yorkers Bobby (Eichner) and Aaron (Luke Macfarlane), who at least commit to a text-assisted dance of hooking up and sort of dating, after meeting at a club.Their rocky progress towards a climax, or several climaxes, follows a familiar rom-com path, but with both the rom and the com rendered through the specific lens of Bobby and Aaron’s modern gay experience.