‘Bros’ Decoded: Why You Shouldn’t Read Too Much Into the Gay Rom-Com’s Weak Box Office

Universal/Working Title’s Ticket to Paradise has winged past the $100M mark globally. With Tuesday’s grosses included, the Julia Roberts/George Clooney romcom’s split is $20.6M domestic and $81.9M from the international box office for a worldwide total of $102.5M so far.

When you’re deep in among the cocktail parties and dinners or meeting up with much missed contacts at Mipcom, it might be easy to forget you’re there: the shows. To help you remember, we bring you Deadline’s The Hot Ones, our guide to some of the best TV being sold in Cannes in 2022. You might have heard whispers along the Croisette about the next big global hit, and The Hot Ones is our pick of a wealth of programing, featuring some of the biggest names in television, from the top players in distribution.

Rebecca Rubin Film and Media Reporter Paramount’s R-rated thriller “Smile” continues to beat box office expectations in North America and beyond. Over the weekend, the horror movie added $16.3 million at the international box office, boosting its overseas tally to $66.4 million. Globally, “Smile” has grossed $137.5 million, a killer result for a film with a $17 million production budget. It’s an even bigger win when taking into account that “Smile” was originally commissioned for the streaming service Paramount+ and wasn’t intended to play in theaters at all. But positive test screenings encouraged Paramount to give the film a full theatrical rollout. It’s the studio’s latest win following “Top Gun: Maverick,” “The Lost City,” “Scream” and “Sonic the Hedgehog 2.”

“Halloween Ends” is only just beginning.The slasher film cut its way to first place at the box office on Friday, earning more than $20 million in theaters.The sequel to last year’s “Halloween Kills” is predicted to take in $43.4 million on its opening weekend, according to Variety.“Smile” was bumped from the top spot this week, moving down a notch to second, after spending two weeks at number one.The flick surpassed earnings of $100 million at the global box office in less than two weeks, as per Collider.The live-action/CGI musical comedy “Lyle, Lyle, Crocodile” swam down to third place, clawing in $2 million. The movie adaption of the popular children’s book series enjoyed a $11.5 million domestic debut on its opening weekend, according to Deadline.“The Woman King” held up her crown, remaining in fourth, with a $1 million-dollar take.

$49.4 million last year and finished with a $92 million domestic total, and pre-release projections for “Ends” have it matching that opening mark with a $50 million opening. By contrast, the first installment in this “Halloween” revival in 2018 opened to $76 million on the way to a $159 million domestic total and $255 million worldwide, buoyed before its release by strong reviews from critics praising Jamie Lee Curtis’ return to her debut role, Laurie Strode, that expanded interest beyond the series’ most devoted fans. “Kills,” on the other hand, got much poorer reviews, with critics slamming the sequel for sidelining Laurie in the hospital instead of having her take the murderous Michael Myers head-on like she did in the first film.

Paramount’s Parker Finn-directed horror pic Smile has laughed its way across the $100M mark globally. And it did so in under two weeks of release. Through Tuesday, the gross is $102.3M worldwide, made up of $55.5M domestic and $46.8M from the international box office. 

Rebecca Rubin Film and Media Reporter Laurie Strode is going out with a bang. “Halloween Ends,” the supposed finale to Universal’s long-running slasher series (are we ever going to be able to quit Michael Myers?) is targeting a healthy $50 million to $55 million in its opening weekend even with its hybrid release on Peacock. If those estimates hold, it’ll be the first movie since “Thor: Love and Thunder” in July to open to at least $50 million. “Halloween Ends” is the rare day-and-date release with a proper point of comparison since its predecessor also launched on streaming during the pandemic. “Halloween Kills” opened to $49 million last October while landing simultaneously on the NBCUniversal-owned Peacock — a bloody-good result given the COVID-era limitations in 2021. “Halloween Ends,” which is playing in 3,800 North American theaters, has the added benefit of monopolizing the entire Imax and premium large format footprint.

Naman Ramachandran An influential panel of buyers from Asia and Europe identified multiple problems in the current, depressed post-pandemic box office landscape for arthouse films and attempted to find solutions at a Platform Busan panel on Monday. The panel included Laure Parleani of Totem Films (France), Kim Heaok of Hark & Company (Japan), Beril Heral of Filmarti (Turkey) and June Lee from Korean streamer Watcha. The panel was moderated by Variety Asia editor Patrick Frater. Parleani mentioned that France has had its worst box office September in 42 years, with only Rebecca Zlotowski’s Venice title “Other People’s Children” and Alice Winocour’s Cannes title “Revoir Paris,” both starring Virginie Efira, bringing some cheer amongst local fare.

Paramount’s Smile is positively grinning ear-to-ear as the horror pic from director Parker Finn saw a wild 19% upswing in holdovers at the international box office in its second frame. The weekend gross was $17.5M in 61 markets for a $40M offshore cume and $89.9M global to date.

Universal/Working Title’s Ticket to Paradise, the latest big-screen collaboration for Julia Roberts and George Clooney, has led the duo to a new milestone. Five films in which the mega-stars worked together have now grossed a combined $1B at the global box office. 

Rebecca Rubin Film and Media Reporter “Ticket to Paradise,” a romantic comedy that reunites Julia Roberts and George Clooney, is (surprise, surprise) charming audiences at the international box office. The movie has generated $60 million overseas to date, a promising start given the current challenges facing theatrical rom-coms. Of course, it helps when the genre gets a boost from megawatt stars like Roberts and Clooney. According to Universal, which is backing the film, “Ticket to Paradise” is outpacing recent meet-cute stories like “The Lost City,” “Last Christmas” and “Crazy Rich Asians” at the same point in their respective big-screen rollouts. Over the weekend, “Ticket to Paradise” earned $10.5 million from 61 territories, including debuts in France ($1 million), Mexico ($1 million) and Italy ($800,000). In holdover markets, “Ticket to Paradise,” which features Clooney and Roberts as exes who try to stop their daughter from marrying a near stranger, has been popular in Australia ($8.5 million), the United Kingdom and Ireland ($7.4 million) and Germany ($7.4 million). It opens Oct. 21 in the U.S. and Canada.

Killer Mike performed his summer hit ‘Run‘ on The Tonight Show With Jimmy Fallon yesterday (October 7). Check out footage of the moment below.The Run The Jewels star also sat down with host Jimmy Fallon to talk about the track and reflect on his recent cameo in Ozark.‘Run’ was Killer Mike’s first solo song since his 2012 album, ‘R.A.P.

Jordan Moreau “Lyle, Lyle, Crocodile” is slowly getting ready to take a bite out of the weekend box office. It earned $575,000 from 3,453 theaters in Thursday previews, while David O. Russell’s “Amsterdam” picked up $550,000 million from 3,005 theaters. Sony’s live-action/CGI hybrid, co-financed by TSG, is a family-friendly movie about a singing crocodile, starring Grammy-nominated artist Shawn Mendes as the titular reptile. The studio projects an opening haul of $11 million to $12 million, with some projections belting out upwards of $15 million. With a budget of $50 million, it will need plenty of support from kids and families over the fall to snap up a profit. The cast includes Javier Bardem as Hector P. Valenti, Lyle’s flamboyant owner, Brett Gelman as Mr. Grumps and Constance Wu, Scoot McNairy and Winslow Fegley as the Primm family. The Primms move to a new house in New York City, where they discover Lyle, a saltwater crocodile with the voice of a high-end recording artist, living in their attic.

TMZ, and they show several inches of standing water filling most of the ground floor. In addition, portions of the ceiling caved in and have significant water damage.

Bros, touted as the first mainstream Hollywood studio-backed gay rom-com, has opened to a less than enthusiastic response at the US Box office.Variety reported that Bros debuted at number four and had grossed $4.8 million in its opening weekend – half the collections projected by the studio. Universal had expected a $8 to $10 million opening for the Judd Apatow-produced film directed by Nicholas Stoller and starring Billy Eichner and Luke Macfarlane.Before the movie was released, homophobes had review bombed the movie with low ratings.

Billy Eichner is weighing in on the debut of his film, and reflecting on why he thinks it didn't manage to rake in huge returns despite a stellar critical response.«Last night I snuck in and sat in the back of a sold out theater playing BROS in LA. The audience howled with laughter start to finish, burst into applause at the end, and some were wiping away tears as they walked out,» Eichner write, as part of a series of tweets, on Sunday. «It was truly magical.  Really.

Billy Eichner is getting the box office results of his movie Bros and although the film is underperforming, he’s “proud” of the work he did on the big screen.