To Live and Die in Alabama, the latest film in the New York Times Presents docuseries, will premiere on FX and Hulu on December 3 at 10 p.m. ET, it was announced today.
12.11.2021 - 17:03 / nme.com
Interpol have given insight into their forthcoming seventh album, describing it as “super fucking different”.As reported earlier this year, the New York band are currently at work on their next studio effort – the follow-up to 2018’s ‘Marauder’ and 2019 EP ‘A Fine Mess’ – with producers Flood & Moulder.The as-yet-untitled record is expected to arrive next year via Matador Records.Speaking in a new interview with Rolling Stone, Interpol frontman Paul Banks revealed that the group were finishing
.To Live and Die in Alabama, the latest film in the New York Times Presents docuseries, will premiere on FX and Hulu on December 3 at 10 p.m. ET, it was announced today.
Former “Real Housewives of New York” cast member Heather Thomson is putting the popular Bravo show on blast.
It turns out Janet Jackson REALLY doesn’t want any part of that new New York Times documentary covering the infamous 2004 Super Bowl halftime show wardrobe malfunction.
Janet Jackson and Justin Timberlake's infamous Super Bowl Halftime Show scandal that took place in 2004 has been reexamined once again in a new docuseries that proves there are still many questions brewing about what went wrong.
Gene Maddaus Senior Media WriterTime’s Up will lay off most of its 25-member staff at the end of the year and its interim CEO will depart, as the women’s rights organization looks to “reset” in the wake of a debilitating conflict-of-interest scandal.The organization announced the changes on Friday. The group also released a 54-page report that seeks to address the organizational failures that contributed to its mishandling of sexual harassment charges against New York Gov.
Jamie Dornan is revealing his superhero ambitions.
Daniel D'Addario Chief TV CriticEarlier this year, The New York Times’ documentary unit had its greatest achievement yet in clarity and impact. “Framing Britney Spears,” the Times’ doc on the pop singer’s figurative captivity within her image and her literal one within her family and legal conservatorship, brought a complex and granular awareness of the issues at play in the story to a mass audience.
Your Old Droog first came into the public eye about seven years ago, roughly two eternities in the hip-hop world. But to his (and our) ongoing benefit, the New York-based rapper has never wavered from making immersive and lyrical collections of music with whip-smart wordplay and a nearly flawless beat selection.
After collaborating in back-to-back films with Olivier Assayas, actor Kristen Stewart hasn’t teamed up with the filmmaker since 2016.
There’s an update about the love life of a beloved character on The Simpsons!
The 2004 Super Bowl halftime show has become infamous for the moment that Justin Timberlake ripped off a piece of Janet Jackson’s costume to expose her bare breast for a fraction of a second, an incident that coined the term “wardrobe malfunction” and set back Jackson’s career for years.
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Malfunction: The Dressing Down of Janet Jackson, a documentary looking into Janet Jackson's infamous "wardrobe malfunction" at the 2004 Super Bowl, will be available to stream later this month. The FX and Hulu doc is the latest in the New York Times Presents...
Janet Jackson’s infamous incident at the 2004 Super Bowl (Super Bowl XXXVIII), when Justin Timberlake exposed her breast during their halftime performance, has been set for release in a couple of weeks.Titled Malfunction: The Dressing Down Of Janet Jackson, the new film will air on FX at 10pm EST on Friday November 19, streaming on Hulu concurrently.It marks the latest in a series of documentaries produced by The New York Times, following last month’s Controlling Britney Spears.
In 2004, a culture war was brewing when the Super Bowl halftime show audience saw a white man expose a Black woman’s breast for 9/16ths of a second. A national furor ensued.
Janet Jackson’s infamous Super Bowl performance is the subject of FX and Hulu’s latest “The New York Times Presents” series.