International Insider: Big Cannes Interviews & Packages, Global Indie Shakeups; Enter The Dragon; BAFTA Who

Austin Butler and Tom Hanks suit up sharp for the premiere of their new film, Elvis, held at BFI Southbank on Tuesday night (May 31) in London, England.

s’il vous plaît!Over at the French film festival on the Cote d’Azur, which wraps up this weekend, it’s long been popular to give comical and undeserved standing ovations to just about anything that could be feasibly called a film. Next year the Claudes and Claudettes will be hopping to their feet for a dancing toad on TikTok (more deserving, honestly, than Lars von Trier.)The trade publications time these performative participation prizes like they’re Olympic runners.

The stars of the new movie Elvis, directed by Baz Luhrmann, stepped out for a press conference and photo call at the 2022 Cannes Film Festival.

“fizzy, delirious, impishly energized, compulsively watchable” — reviews have been mixed with one critic all shook up.IndieWire writer David Ehrlich published his review of the Austin Butler and Tom Hanks-led film Wednesday and trash-talked the flick, calling it a “nightmare” as well as “deliriously awful.”The journalist dove right into “Elvis” — out June 24 — writing that the “159-minute eyesore” is more about Hanks’ Colonel Tom Parker, the longtime manager of the “Love Me Tender” star, and less about Butler’s Elvis.He gave “Elvis” a grade of “D.”IndieWire described the Oscar winner’s character as the “Kentucky Fried Goldmember” and is “possibly the most insufferable movie character ever conceived.” The Hollywood Reporter seemed to agree, dubbing the “Forrest Gump” actor’s role as “arguably the least appealing performance of his career.”But for IndieWire’s Ehrlich, the problem seemed to lie in the pudding: the writing.“Luhrmann’s dizzying script (co-written by Sam Bromell, Jeremy Doner and Craig Pearce) frequently returns to the idea that Presley’s life was caught in the crossfire between two different Americas: One gyrating towards freedom, and the other snuffing it out,” he penned in his review.The critic also compares scenes in “Elvis” to Luhrmann’s other “sensory overload” and “swooningly electric moments” such as the fish tank sequence in his 1996 romance “Romeo + Juliet” and the wild party scene in 2013’s “The Great Gatsby.” “The hyper-romantic energy of those films helped braid the present into the past in a way that made them both feel more alive,” he wrote. “’Elvis’ discovers no such purpose.

CANNES – Following its world premiere at the 2022 Cannes Film Festival the reviews for Baz Luhrmann’s “Elvis” are in. So far most critics have raved about Austin Butler’s performance as the King of Rock and Roll and complicated Luhrmann’s staging of the movie’s musical performances.

There’s really no overstating the sociocultural impact of Elvis Aaron Presley, whose music and celebrity cleaved the twentieth century in half as an Ozymandias colossus foretelling the future of fame: merchandising, overexposure, descent into self-parody. That’s all in Baz Luhrmann’s new biopic “Elvis,” though mostly because he’s jammed everything he possibly can into its million-millennia run time.

Cannes Film Festival on Wednesday. The model, 24, looked sensational in the figure hugging shimmering blue, pink and green ensemble which featured thin straps around her neck.  She posed up a storm turning to the side revealing her peachy behind in the backless eye catching number.

The cast of Elvis has arrived for the premiere at the 2022 Cannes Film Festival!

Austin Butler, Tom Hanks, and Olivia DeJonge headlined the star-studded premiere for the upcoming Elvis Presley biopic at the Cannes Film Festival on Wednesday. The group was also joined by the singer’s ex-wife, Priscilla Presley. On the red carpet, Luhrmann showed off a flashy Elvis belt buckle to an impressed Butler. The group was also peppered with a long list of other stars showing their support, including Shakira, Sharon Stone, Ricky Martin, Kylie Minogue, Maye Musk, Jwan Yosef, Winnie Harlow, Shanina Shaik, Elsa Hosk, Candice Swanepoel, Stella Maxwell, Adriana Lima, and Andre Lemmers. Team #Elvis has entered the building.

Baz Luhrmann isn’t one for understatement. The Australian director’s appetite for glamour and hallowed material (“Romeo + Juliet,” “The Great Gatsby”) has gained him a reputation as one of the industry’s most audacious auteurs.

Cannes Film Festival that the pace of deals was almost as glacial as the amount of time it takes to get your check at a restaurant in the south of France.But then, sacré bleu, Netflix struck, shelling out more than $50 million for the rights to “Pain Hustlers,” a conspiracy thriller that unites Emily Blunt with Harry Potter director David Yates, and the move has started to accelerate deal-making up and down the Croisette.This year’s market has been a litmus test for film sales as the U.S. and key international markets emerge from the worst of the pandemic.

Refresh for latest…: Disney/Marvel’s Doctor Strange In The Multiverse Of Madness crossed $800M globally this weekend, now with $803.2M after three frames. Of that $342.1M is from domestic and $461.1M from the international box office. The offshore drop was 53% with $40M from 49 markets.

EXCLUSIVE: A Cannes Market teeming with strong film packages adds a new one.

EXCLUSIVE: Liam Neeson and Stranger Thing’s Joe Keery are set to star in Cold Storage. Jonny Campbell (Westworld and Doctor Who) will direct the sci-fi action film from a novel by David Koepp. Koepp, whose film work includes Jurassic Park, Spider-Man and Mission: Impossible, has written the script. Zombieland and Panic Room’s Gavin Polone is producing.

EXCLUSIVE: Liam Neeson and Stranger Thing’s Joe Keery are set to star in Cold Storage. Jonny Campbell (Westworld and Doctor Who) will direct the sci-fi action film from a novel by David Koepp. Koepp, whose film work includes Jurassic Park, Spider-Man and Mission: Impossible, has written the script. Zombieland and Panic Room’s Gavin Polone is producing.

EXCLUSIVE: The anticipated reboot of cult classic The Crow is heading to the Cannes market with FilmNation Entertainment where it will be among the hot packages.

EXCLUSIVE: Fresh off her second BAFTA win last night for British drama Help, Killing Eve and The Last Duel star Jodie Comer has found her next project in the shape of feature thriller The End We Start From, which will be a hot package at next week’s Cannes market.

BAFTA TV Awards took place in London tonight (May 8), with Big Zuu, Jodie Comer and Jamie Demetriou leading the winners.The TV Awards celebrates and rewards the best programmes and performances of the last 12 months. This year’s ceremony was held at the Royal Festival Hall and was hosted by Richard Ayoade.Big Zuu was the night’s big winner, taking home two trophies for his food show Big Zuu’s Big Eats.

gave fans a peak inside their goodie bags when the ceremony went virtual, with all the stars watching from home. Among the treats included a bottle of Taittinger Champagne, a bottle of white wine, a package of Kiko makeup, and a bottle of special San Pellegrino. They also got a colouring book, a champagne stopper and some sweets.