‘Elvis’ Trailer: Baz Luhrmann’s Musical Soundtrack Features The Music Of Jack White, Doja Cat, Eminem & More

Fans who go see the new movie Elvis in theaters later this month will probably be wondering if actor Austin Butler is doing his own singing in the film.

Harry Styles and Elvis Presley are both pop-culture sensations who crossed over to movies after wildly successful music careers. But for “Elvis” director Baz Luhrmann, their status as generational icons made Styles a poor choice to play The King in his new biopic.

Did you know Harry Styles’s first-ever recorded song was apparently a cover of Elvis Presley’s version of “The Girl of My Best Friend?” The “Watermelon Sugar” singer grew up listening to The King as a kid, so naturally, he eventually became a frontrunner to play the legend for director Baz Luhrmann’s upcoming Elvis biopic. But alas, it was not meant to be. “Harry is a really talented actor.

Zack Sharf Harry Styles’s film career is set to explode later this year thanks to roles in films such as “Don’t Worry Darling” and “My Policeman,” but the pop star would’ve had an even bigger movie debut in 2022 had he nabbed the starring role in Baz Luhrmann’s “Elvis.” Styles was a serious contender to play Elvis Presley, but Luhrmann opted to cast Austin Bustler instead. The filmmaker recently opened up to to the Australian radio podcast “Fitzy & Wippa” (via Uproxx) about why he rejected Styles.“Harry is a really talented actor. I would work on something with him [but] the real issue with Harry is, he’s Harry Styles,” Luhrmann said.

Baz Luhrmann revealed why Harry Styles wasn’t cast as Elvis Presley in the upcoming “Elvis” movie in a new interview.

Harry Styles in his Elvis biopic.The director said in a new interview that the pop star “is a really talented actor” but wasn’t quite right for the role that eventually went to Austin Butler.“Harry is a really talented actor,” Luhrmann told Sydney’s Nova FM. “I would work on something with him… but the real issue with Harry is, he’s Harry Styles.

Baz Luhrmann is opening up about the main reason why Harry Styles wasn’t chosen to portray Elvis Presley in the upcoming Elvis movie.

Doja Cat has shared the video for her May single “Vegas,” the lead offering from the soundtrack to Baz Luhrmann’s Elvis Presley biopic, ELVIS, coming to theaters June 24. The soundtrack will arrive the same day via Iona/RCA Records.

Doja Cat has shared the video for her new track ‘Vegas’, which she recorded for the soundtrack of Baz Luhrmann’s new Elvis Presley biopic.The footage, which you can see below, features a cameo by Shonka Dukureh, the singer and actress who plays early rock n roll pioneer Big Mama Thornton in Luhrmann’s Elvis. Thornton’s original version of ‘Hound Dog’ is incorporated into Doja Cat’s new track, and was famously re-recorded by Presley to huge success.Eminem, Tame Impala, Stevie Nicks and Jack White are among the others who will feature on the soundtrack.It will also include “original songs and recordings” by Presley himself along with the film’s star, Austin Butler.

Måneskin have spoken to NME about working with director Baz Luhrman on their cover of ‘If I Can Dream’ for upcoming Elvis biopic.Elvis, the upcoming Presley biopic directed by Baz Luhrmann that’s set to arrive in cinemas next month, comes with a soundtrack of covers along with “original songs and recordings” by Presley himself and the film’s star, Austin Butler. Artists to have contributed include Eminem, Tame Impala, Stevie Nicks, Jack White, Swae Lee, Diplo, Chris Isaak, Denzel Curry, Jazmine Sullivan, Pnau and more.Speaking to NME for this week’s Big Read cover story, Måneskin told us about recording their version of Evlis’ “huge ballad” ‘If I Can Dream’.“We were talking about it with Baz Luhrmann, who had this really cool, super-smart idea, because it would have been so easy to give us an up-tempo song and go super rock-ish,” said frontman Damiano David.

Steven Gaydos Executive VP of ContentNearly a half-century has passed since Elvis left the building, permanently. Australian auteur Baz Luhrmann has just unleashed “Elvis,” his big, bold, nearly three-hour biopic, at Cannes and that Warner Bros. bet appears to have paid off.

upcoming biopic “Elvis.”The 65-year-old Oscar winner discussed why he decided to portray him — and how director Baz Luhrmann convinced him to do so — at the Cannes Film Festival on Thursday.“I’m not interested in playing a bad guy just for the sake of, ‘Before I kill you, Mr. Bond, perhaps you’d like a tour of my installations.’ That’s OK, I get it, but that’s for other stuff,” the “Forrest Gump” actor noted via People.Hanks donned prosthetics and hefty cosmetics to become the real-life legend, though he confessed at the French film fest that he “did not know what Colonel Tom Parker looked like.”He added that Luhrmann described the Colonel as a “great carney,” or carnival worker.“The carney’s job is to bring people to the glittering lights on the outside of town, promise them something they’ve never experienced before, and then, almost giving it to them, at a cost,” he said.

The stars of the new movie Elvis, directed by Baz Luhrmann, stepped out for a press conference and photo call at the 2022 Cannes Film Festival.

in a tweet. “The film is dazzling, bold and moving. Austin Butler absolutely nails it- all the shades: voice, moves, emotion.

“fizzy, delirious, impishly energized, compulsively watchable” — reviews have been mixed with one critic all shook up.IndieWire writer David Ehrlich published his review of the Austin Butler and Tom Hanks-led film Wednesday and trash-talked the flick, calling it a “nightmare” as well as “deliriously awful.”The journalist dove right into “Elvis” — out June 24 — writing that the “159-minute eyesore” is more about Hanks’ Colonel Tom Parker, the longtime manager of the “Love Me Tender” star, and less about Butler’s Elvis.He gave “Elvis” a grade of “D.”IndieWire described the Oscar winner’s character as the “Kentucky Fried Goldmember” and is “possibly the most insufferable movie character ever conceived.” The Hollywood Reporter seemed to agree, dubbing the “Forrest Gump” actor’s role as “arguably the least appealing performance of his career.”But for IndieWire’s Ehrlich, the problem seemed to lie in the pudding: the writing.“Luhrmann’s dizzying script (co-written by Sam Bromell, Jeremy Doner and Craig Pearce) frequently returns to the idea that Presley’s life was caught in the crossfire between two different Americas: One gyrating towards freedom, and the other snuffing it out,” he penned in his review.The critic also compares scenes in “Elvis” to Luhrmann’s other “sensory overload” and “swooningly electric moments” such as the fish tank sequence in his 1996 romance “Romeo + Juliet” and the wild party scene in 2013’s “The Great Gatsby.” “The hyper-romantic energy of those films helped braid the present into the past in a way that made them both feel more alive,” he wrote. “’Elvis’ discovers no such purpose.

CANNES – Following its world premiere at the 2022 Cannes Film Festival the reviews for Baz Luhrmann’s “Elvis” are in. So far most critics have raved about Austin Butler’s performance as the King of Rock and Roll and complicated Luhrmann’s staging of the movie’s musical performances.

There’s really no overstating the sociocultural impact of Elvis Aaron Presley, whose music and celebrity cleaved the twentieth century in half as an Ozymandias colossus foretelling the future of fame: merchandising, overexposure, descent into self-parody. That’s all in Baz Luhrmann’s new biopic “Elvis,” though mostly because he’s jammed everything he possibly can into its million-millennia run time.

Refresh for latest… Baz Luhrmann’s Elvis strutted its way up the Cannes Film Festival red carpet this evening for the film’s world premiere which was greeted by explosive applause inside the Palais.