Int’l Critics Line: Todd McCarthy On Bosnia’s Oscar-Shortlisted ‘Quo Vadis, Aida?’

Adam B.

Chadwick Boseman became an Academy Award nominee on Monday. With this year's Oscar nominations, the late actor is recognized for Best Actor for his performance in . The posthumous nomination comes six months after Boseman's death in August of 2020 at age 43, with marking his final film role.Boseman becomes only the fourth late performer in Oscars' history to be nominated Best Actor.

The Balkan war drama Quo Vadis, Aida? by director Jasmila Žbanić picked up the top jury prize and the critics award at the 38th edition of the Miami Film Festival, which handed out trophies on Sunday. The film about the 1995 genocide in Srebrenica as seen through the eyes of a courageous UN interpreter, Aida, earned the juried Knight MARIMBAS Award.

Haley Bosselman editorJasmila Žbanić’s film based on the true events of the Srebrenica massacre in Bosnia, “Quo Vadis, Aida?,” took home the top prize at the Miami Film Festival.The Balkan war drama earned the $25,000 Knight Marimbas Award for its richness and resonance for cinema’s future, in addition to the Rene Rodriguez Critics Award.

Teacher-turned-indispensable-interpreter, Aida (Jasna Djuricic), runs around a crowded United Nations base relaying messages amid a humanitarian crisis on the brink of devolving into an unspeakable catastrophe.

Naman Ramachandran “The White Tiger” actor Priyanka Chopra Jonas talks to director Karishma Dev Dube and the young stars of “Bittu,” which is shortlisted in the live action short film category at the 2021 Oscars.“Bittu” is the story of a close friendship between two girls (played by Rani Kumari and Renu Kumari) in northern India that is eclipsed by an accidental poisoning at school.

An 83-year-old man goes undercover in a nursing home in The Mole Agent, Chilean director Maite Alberdi’s Oscar hopeful that’s been shortlisted for both International Feature and Documentary.

The doings of the international art world often seem arcane and over the top, but never moreso than as depicted in The Man Who Sold His Skin. This is a madly dramatic and engrossing melodrama about a political refugee whose unique predicament bundles with it issues pertaining to personal and political identity, the Middle East quagmire, romantic rejection and the outer limits of art world presumption and extravagance.

In Disney’s Mulan, composer Harry Gregson-Williams found the opportunity to put his stamp on the journey of a classic Disney character. In his second collaboration with director Niki Caro, Gregson-Williams would pen a score and co-write an original song, “Loyal Brave True,” seeing both of these works shortlisted for the Oscars in their respective categories on February 9.

Neon said Thursday that it is partnering with film-centric social media platform Letterboxd to make six of the distributor’s Oscar-shortlisted pics available exclusively on the service for a week beginning Monday. Those titles include Victor Kossakovsky’s documentary Gunda and Jasmila Žbanić’s Quo Vadis, Aida?, the official Oscar submission of Bosnia and Herzegovina.

A romantic notion persists that after the Nazis conquered France in 1940 almost the whole French nation rose up heroically to join the Résistance. Not so, as the Oscar-shortlisted short documentary Colette affirms.

website, more than a third of all jobs in the town come from the tourism industry.But, as a result of COVID-19, that industry has obviously taken a hit. So, in hopes of boosting their numbers again, the townspeople have created a video Oscar campaign.Also Read: 'Eurovision Song Contest' Film Review: Will Ferrell as an Icelandic Wannabe Pop Star?It follows a man from Husavik named Oskar Oskarsson (because what else would he be named?).

Time, the most honored documentary of the past year, has been described as a film about mass incarceration. That’s true enough, but director Garrett Bradley sees another theme at its heart.

The Pygmalion myth gets a gender flip in I’m Your Man, the Berlin Film Festival competition entry from Germany’s Maria Schrader. Maren Eggert stars as Alma, a single anthropologist who agrees to live with a humanoid robot for three weeks as part of a trial testing period. Thomas (Dan Stevens) has been designed as Alma’s ideal partner, using algorithms based on her brain scans, her responses and research involving 17 million people.

Elsa Keslassy International CorrespondentThe Party Film Sales has closed further deals on Filippo Meneghetti’s romance “Two of Us,” which represents France in the international feature film race at the Oscars and is part of 15 shortlisted films.Headlined by Martine Chevallier and Barbara Sukowa, the Golden Globe-nominated feature debut follows Nina and Madeleine, two pensioners who have hidden their deep and passionate love for many decades and see their bond put to the test when they are

Whether by accident or design, the ultra-low-budget Language Lessons feels like a definitive film for the Covid-19 era, as the two main actors never appear in the same shot together until the very end. Seemingly created on two computers, this exceedingly modest tale of a Spanish-language instructor and pupil who meet online becomes more genially engaging as it goes along, although it never aims very high other than as a technical experiment that more or less succeeds.

Anna Marie de la Fuente Chile scored twice at this year’s Oscars derby with Maite Alberdi’s genre-bending documentary “The Mole Agent.” For a Chilean film to be shortlisted for both the International Feature Film and Documentary categories is unprecedented.

Horror is woven into political drama in La Llorona, the riveting Golden Globe Foreign Language Film nominee and shortlisted International Feature Oscar contender from Guatemala’s Jayro Bustamante. An elderly wealthy man hears ghostly noises in the night.

25 years after the Srebrenica massacre, Bosnian director Jamila Zbanic (Grbavica: The Land of My Dreams) returns to tell the story of the greatest atrocity of the Yugoslav War. In her film, the story of the killings — when under the eyes of U.N.

Norwegian director Maria Sodhal made her first feature, Limbo, a decade ago and her second makes the reason for the long time gap dramatically clear: She developed lung cancer, which then metastasized and spread to her brain, a virtual death sentence. But she fought back and lived to make a film about it, the closely observed Hope, which is all she had going for her as she faced almost certain oblivion.