Inside Alexander Skarsgård’s NYC apartment, on sale for $2.6M

Selome Hailu SPOILER ALERT: Do not read unless you have watched “Tarrare,” the Season 3 finale of “Atlanta.” The Season 3 finale of “Atlanta” is styled after the quirky and comforting French rom-com “Amélie,” though this version is weirder and grosser.The episode is titled “Tarrare” after the 1700s French solider who was famous for a medical condition that made him constantly hungry — he was able to eat his own body weight in meat, and was also rumored to engage in cannibalism. In “Atlanta,” that hunger belongs to Van (Zazie Beetz), who becomes so unsure of who she is that she has a nervous breakdown, engulfing herself in a French alter ego complete with an accent, a boyfriend, an apartment and a job in a butcher shop that serves human hands.

SPOILER ALERT: This article contains details of tonight’s Season 3 finale of FX’s Atlanta

season 3 closes out with a bang as it follows Van (Zazie Beetz) on a very unexpected, emotional journey through Paris, which includes a wild interaction with a surprise cameo by Alexander Skarsgård. And executive producer Stefani Robinson breaks down what is easily one of the FX series’ best episodes yet. [: Spoilers for the season 3 finale, “Tarrare,” written by Stefani Robinson and directed by Donald Glover.]While the season was split between stories about the curse of whiteness and following the gang — Paper Boi (Brian Tyree Henry), Darius (LaKeith Stanfield), Earn and Van -- as they travel through parts of Europe, the finale focuses squarely on Van, whose story has largely played out in the background of previous episodes. “We really wanted to do a Van solo episode,” Robinson tells ET, using it to address why she showed up in Europe in the first place.

Rebecca Rubin Film and Media ReporterNeon has promoted Jeff Deutchman to president of acquisitions and production.Deutchman previously served as Neon’s executive VP of acquisitions and production. Under his leadership, the studio has grown its recent production slate with director Tilman Singer’s “Cuckoo,” starring Hunter Schafer; Joshua Oppenheimer’s “The End,” a golden-age musical with Tilda Swinton; Brandon Cronenberg’s “Infinity Pool” featuring Alexander Skarsgård.

Neon has promoted Jeff Deutchman to be its new president of acquisitions and production, Tom Quinn’s arthouse distributor announced Tuesday. Deutchman has been with Neon since its founding five years ago, and in that time he has been instrumental in landing some of the distributors biggest acquisitions, including last year negotiating deals for “The Worst Person in the World,” “Flee,” “Spencer,” “Pig,” “Memoria” and “Petite Maman.” Deutchman also helped to grow Neon’s production slate, launching projects such as Tilman Singer’s “Cuckoo” starring Hunter Schafer, Joshua Oppenheimer’s musical “The End” with Tilda Swinton, Brandon Cronenberg’s “Infinity Pool” starring Alexander Skarsgård and Ben Wheatley’s horror film “In the Earth,” which was one of the first fully completed productions of the pandemic.“Jeff has been here from the beginning and is a big part of Neon’s success; his taste and his instincts are simply impeccable.

Ukrainian filmmaker Myroslav Slaboshpytskyi wrote and will direct the feature adaptation of John Valliant’s book The Tiger, in which Emmy, Golden Globe, and SAG Award-winner Alexander Skarsgard will star alongside Oppenheimer actor Dane DeHaan.

Brent Lang Executive Editor of Film and MediaAlexander Skarsgard will star in “The Tiger” as the leader of a group of men tasked with protecting the endangered cats from poachers and loggers.The actor recently headlined the blood-drenched viking epic “The Northman,” receiving a great deal of attention for his physical transformation into a chiseled Norse avenger. He will team here with Ukrainian filmmaker Myroslav Slaboshpytskyi, who wrote and will direct “The Tiger” based on the book by John Vaillant.

Radio Times. “They’re a really great group of people to talk about the nuances of character and the world and what we’re doing on the show.”When the writers meet, however, that won’t mean completion of the scripts.

It’s been 6 years since Park Chan-wook’s last feature-length film, “The Handmaiden,” swept critics’ groups and became an instant classic among erotic thriller fans. In that time he’s made several successful forays into TV, directing the 2018 BBC drama series “Little Drummer Girl”—a John Le Carré adaptation starring Michael Shannon, Alexander Skarsgård, and Florence Pugh—and producing 20 episodes of TNT’s “Snowpiercer.” He was also recently announced as the director for the upcoming A24 TV adaptation of Viet Thanh Nguyen’s 2016 Pulitzer Prize winner “The Sympathizer” starring Robert Downey Jr.

Nicole Kidman and Keith Urban paid a moving tribute to country legend Naomi Judd, who passed away earlier last week.MORE: Keith Urban delights with unexpected duet hopes with Nicole KidmanThe singer dedicated a performance of Love Can Build a Bridge by The Judds while on tour, with his fans in Manchester singing along.VIDEO: Nicole Kidman supports Keith Urban from afarKeith shared a clip of his emotional performance and wrote: "Naomi Judd sowed so many important seeds in her precious time here. "Here's one of the many. On the other side of the world in Manchester tonight they were all singing 'Love Can Build A Bridge.' Thank you Naomi.

Being the Ricardos, Roar, The Northman and more, Nicole Kidman is seriously booked and busy. MORE: Roar: viewers have same reaction to Nicole Kidman’s bizarre Apple TV+ showFrom film to television, the star has been launching and celebrating back to back projects, with The Northman having premiered less than a week ago, on 22 April, and her new dark comedy, Roar, premiering just a week before that, on 15 April.Even amid her busy schedule, the actress took a moment to honor two of the women that made one of her projects all the better.WATCH: The trailer for Apple TV's RoarMORE: Fans share concern for Nicole Kidman after latest postIn light of Woman Crush Wednesday, Nicole took to Instagram to share a sweet tribute to her The Northman co-stars, Anya Taylor-Joy, of The Queen's Gambit fame, and singer Björk.The post first featured a photo of the two actresses as they attended the film's premiere, with Nicole wearing a fabulous yellow dress with peach hued feathers, and Anya looking chic as ever in a white gown with stunning gold jewelry.The post also included two clips from The Northman, and her co-stars' transformations were so impressive, they beg to be seen on the big screen in theaters.A post shared by Nicole Kidman (@nicolekidman)The heartfelt tribute and shocking transformationsThe first is of Björk, who plays Seeress, looking unrecognizable as her eyes seem to be dripping black paint, and she appears wearing a headpiece with shells and long plants attached to it.MORE: Alexander Skarsgård talks relationship and reunion with The Northman co-star Nicole KidmanMORE: Nicole Kidman and Tom Cruise's daughter wows with beach destination snapshotAnya on the other hand looks a little more recognizable, though just as

Anna Tingley If you purchase an independently reviewed product or service through a link on our website, Variety may receive an affiliate commission. In Robert Eggers’ new epic “The Northman,” out this weekend, Alexander Skarsgård seeks revenge on a man who has killed both his parents and usurped the throne from his royal father.

The latest big-screen creation of DreamWorks Animation topped opening night totals for new flicks from star actors Alexander Skarsgard and Nicolas Cage.“The Bad Guys” — an animated romp about five over-the-hill anthropomorphic criminals — raked in $8 million in ticket sales on April 22, its first day in theaters.Skarsgard’s Viking revenge tale “The Northman,” meanwhile, came in at number two at the box office, earning $5 million.Last week’s box office winner — “Fantastic Beasts: The Secrets of Dumbledore” — dropped to number three.

Tiffany Haddish has shared her dating requirements now that she’s “back on the dating apps” following her breakup with rapper Common. On 21 April, the Girls Trip star appeared on Late Night with Seth Meyers, where she revealed that dating has been “interesting” and an “adventure”. “I’m all about adventure.

Alexander Skarsgard is opening up about his brand new movie, The Northman, during a panel conversation held at 92Y on Thursday (April 21) in New York City.

Zack Sharf Of all the images in Robert Eggers’ Viking epic “The Northman,” there’s no sight more jaw-dropping than that of Alexander Skarsgård’s bulging traps. The actor’s shoulders look like two protruding volcanoes ready to erupt. Skarsgård’s muscles are a testament to his work with Magnus Lygdback, the celebrity trainer who helped the actor pack on 20 pounds of muscle and transform into the hulking Viking warrior prince Amleth.Lygdback, who first worked with Skarsgård on the 2016 adventure film “The Legend of Tarzan,” is both an exercise trainer and a movement coach.

Alexander Skarsgard might be the star of The Northman, but he didn’t receive quite as many gifts as the rest of the cast.

The Northman (★★★☆☆) unfolds like the sort of epic that Viking warriors might have passed down for generations, sharing over horns of ale around a roaring fire: the haunting Legend of Prince Amleth.The exiled prince’s trials and adventures appear to have been shot by firelight, too. Writer-director Robert Eggers and his Oscar-nominated Lighthouse cinematographer Jarin Blaschke opt for enveloping the action in shadows and mist, the natural darkness of a northern land where winter nights are long, and the days short.Even the film’s climactic showdown, a naked sword fight by a lake of lava and fire, is depicted as a brutal clash between silhouettes backlit by flames.Rivals dueling on an erupting volcano forms a gorgeous tableau, but audiences might, for various reasons, wish they could actually see more of the combatants swinging their swords — especially the ferocious Amleth, embodied heartily by Alexander Skarsgård.The erstwhile Tarzan delivers a gruelingly physical performance, fighting, running, lifting, swimming, hauling, speaking primarily and most clearly through Amleth’s vivid body language.

A.D. Amorosi Without a doubt, Robert Eggers’ “The Northman” traffics in his now-usual brand of haunted atmospherics and wonky mysticism, a signature whose intensity is upped by the savage bloodlust of its characters and the vastitudes of his first big-budget epic with a price tag reportedly hovering between $70 million and $90 million.The only thing more intensely stressed than the dilemma of a Viking prince in the year 895 (avenging the death of his father, the king, at the hands of his jealous uncle who stole the prince’s mother as the spoils of war — or did she go willingly?) played to brutal, muscular perfection by Alexander Skarsgård, is the all-consuming dedication of its tactile production design, its brooding, cinematographic ambiance and the craftsmanship of its furry, hierarchical costuming.