‘In the Summers’ Review: Moving Debut Spans the Foundational Years of a Parent-Child Relationship

Clayton Davis Senior Awards Editor The 96th annual Oscar nominees luncheon gathered a vibrant crowd of celebrities, filmmakers and cinephiles at the iconic Beverly Hilton Hotel in Los Angeles. DeVon Franklin, a Board of Governors member, kicked off the event by announcing the roll call of attendees, starting with the esteemed composer Laura Karpman of “American Fiction” and concluding with the talented Robert Downey Jr., nominated for his supporting role in “Oppenheimer.” Here are some of the key takeaways from the event.

Kate Middleton has headed out on her first family outing since having planned abdominal surgery last month, and is said to be 'recovering well'.

Another Round director Thomas Vinterberg has shared his thoughts on Chris Rock directing an American remake.Speaking to Danish publication Ekstra Bladet, Vinterberg said that he was excited to see what Rock does with his version of the 2021, Oscar-winning drama.“The choice of Chris Rock is exciting. It’s exciting [to see] what he comes up with.

Today, it’s easy to put Martin Scorsese up there as one of the greatest American film directors of all time. However, according to one of his longest collaborators, that feeling is relatively new, as studios didn’t respect him as a living legend until the last decade or so.

Murtada Elfadl Distinguishing itself from other immigration narratives by telling a story set in an overlooked part of the world, “In the Land of Brothers” introduces two distinctive new filmmakers in Raha Amirfazli and Alireza Ghasemi. Making their feature debut — which landed them the directing prize in Sundance’s World Dramatic competition — the pair follow in the footsteps of such recent movies about the journey to a new land as Mati Diop’s “Atlantics“(which traced African migration into Europe) and “I Carry You With Me” (one of many about flight from the Americas into the U.S.).

Nicki Minaj has previewed a Megan Thee Stallion diss track and made numerous claims about the rapper over X/Twitter.Yesterday (January 26), Megan dropped her defiant new track ‘Hiss‘, but it is one bar in particular that has made headlines: “These hoes don’t be mad at Megan, these hoes mad at Megan’s Law,” she raps.Megan’s Law makes information about registered sex offenders available to the public; Minaj’s husband, Kenneth Petty, is a registered sex offender after pleading guilty to attempted rape age 16. He was recently sentenced to a year of house arrest after failing to register as a sex offender at his new address whilst moving to California with Minaj.In response, Minaj hopped on Instagram Live to share a diss track aimed at Megan.

The 2024 Sundance Film Festival is almost at an end, but there are still films to screen in the online portion of the festival and, almost as importantly, awards to hand out to happy independent filmmakers. The big winners at this year’s awards ceremony were Alessandra Lacorazza’s “In the Summers” which won the Grand Jury Prize U.S.

EXCLUSIVE: Silver Lining Entertainment has signed Mercedes Mason, an actress known for turns on shows like The Rookie and Fear the Walking Dead, for management.

The 2024 Sundance Film Festival is almost at an end, but there are still films to screen in the online portion of the festival and, almost as importantly, awards to hand out to happy independent filmmakers. The big winners at this year’s awards ceremony were Alessandra Lacorazza’s “In the Summers” which won the Grand Jury Prize U.S.

There are just a few hours to go until the all-important final of The Traitors after an entertaining second series. Tonight (January 26) viewers will find out if the remaining Traitors, Harry and Andrew, will be victorious and steal the money, or if the final Faithfuls, Evie, Jaz and Mollie, will suss them out in time to win the prize pot.

Annika Pham Banijay Benelux’s Belgian banner Jonnydepony has set rising star Willem De Schryver from Netflix’s YA hit show” High Tides” (“Knokke Off”) for the title role of “I Was a Cop in the 80s,” ordered by Amazon Prime Netherlands and Flemish streamer Streamz. The period crime drama in development will be pitched by seasoned showrunner Philippe De Schepper (“Arcadia,” “Missing Persons Unit”), co-writer Bas Adriaensen and producer Helen Perquy (“Tabula Rasa”) as part of a Focus on Flanders at Göteborg’s forthcoming TV Drama Vision (Jan. 30-31).

EXCLUSIVE: The Ford Foundation is coming through for documentary filmmakers in a big way.  

PARK CITY – Movies that stick with you long after you watch them are nothing new. There are literally thousands of examples in the history of cinema.

Siddhant Adlakha Modeled on a late-’80s/early-’90s American family sitcom — which soon transitions to a midnight splatterfest — the tongue-in-cheek Dutch production “Krazy House” has all the transgressive stylings of a 15 year-old’s Reddit post on an atheism forum in 2010. Directors Steffen Haars and Flip van der Kuil offer ideas of subversion that feel both long-outdated in concept and completely dull in execution, to the point that merely describing the film feels irresponsible, lest its premise accidentally lure curious viewers to the cinema.

Gordon Cox Theater Editor When Sterlin Harjo, the co-creator of “Reservation Dogs,” started writing his first play with the other members of The 1491s, the sketch comedy troupe of which he was member, he and the group began working on the project in the same way they would have brainstormed one of their comic YouTube shorts: “The first day of working, we sat around and drew dicks on a dry-erase board for half the day,” he said. Listen to this week’s “Stagecraft” podcast below: Harjo recalled the process in a conversation with Bobby Wilson, another one of the five members of The 1491s, during the latest episode of “Stagecraft,” Variety’s theater podcast. The play, “Between Two Knees,” was commissioned by the Oregon Shakespeare Festival as part of a series of plays focused on U.S.

Green Day are currently outselling the rest of the UK albums chart’s top 10 combined with ‘Saviors’.The pop-punk trio released their 14th studio record last Friday (January 19), with NME praising it as “their best work since ‘American Idiot'” in a four-star review.According to the Official Charts‘ latest update, Billie Joe Armstrong and co. are on course to earn their fifth UK Number One album during the next chart rundown this Friday (January 26).‘Saviors’ is outselling the rest of the top 10 combined at the midweek point.Green Day are followed in the top five by Neck Deep‘s self-titled album (Number Two), Saxon’s ‘Hell, Fire And Damnation’ (Number Three), Noah Kahan‘s ‘Stick Season’ (Number Four) and The Weeknd‘s ‘The Highlights’ (Number Five).Should the group clinch victory, ‘Saviors’ will follow ‘American Idiot’ (2004), ’21st Century Breakdown’ (2009), ‘Revolution Radio’ (2016) and ‘Father Of All Motherfuckers’ (2020) in reaching Number One in the UK.This week’s Official Chart is due to be announced live on BBC Radio 1 from 4pm GMT on Friday.Green Day are set to embark on their 2024 ‘Saviors world tour in May.

Todd Gilchrist editor Although it isn’t structured any differently from dozens of other cradle-to-grave documentaries about artistic luminaries, “Luther: Never Too Much” sheds light on much more than just the life and career of R&B singer Luther Vandross. Drawn largely from interview and performance footage of Vandross over his almost 40 years in entertainment, and bolstered and contextualized by retrospective talks will collaborators and confidantes, director Dawn Porter’s film exposes some uneasy truths about the music industry and the media we may now know, but whose seeming ubiquitousness at the time he was alive may be difficult to fully comprehend.

The US Sun on Friday. “I would certainly show up,” the actress enthused about a possible reboot.

Neon is opening Origin on 130 screens and plans to expand the Ava DuVernay film, which premiered in Venice and had a excellent qualifying run in December.

Is this a match made in heaven or a fumbling attempt to capitalize on the critical success of Martin Scorsese‘s “Killers Of The Flower Moon“? Deadline reports that “Yellowstone” mastermind Taylor Sheridan won a bidding war to adapt “Empire Of The Summer Moon: Quanah Parker And The Rise And Fall Of The Comanches, The Most Powerful Indian Tribe In American History.” Sheridan’s Bosque Ranch banner outbid everyone else to option S.C.