Broadway box office last week rebounded from the previous week’s slip, gaining 13% in receipts and 10% in attendance. In all, the 20 productions grossed $22,375,926.
24.02.2022 - 00:41 / deadline.com
Imax marked an official turning point in the fourth quarter, reporting its best results in any quarter since 2019, before the coronavirus pandemic upended show business and civilization.
Paced by Spider-Man: No Way Home and other strong titles in the quarter, revenue soared 94% over the year-earlier period, to $108.6 million. Earnings of 17 cents a share compared with a year-ago loss of 36 cents a share. Both key metrics came in ahead of Wall Street analysts’ consensus forecast, and investors boosted shares in Imax 7% in after-hours trading on the upside surprise.
In capping off 2021, the company repeated the box office stats it had first released in early January. For the full year, box office hit $638 million, a jump of 146% from the company’s 2020 total.
In the fourth quarter, ticket sales climbed 15%. The top five Imax performers in the quarter were Spider-Man: No Way Home, Dune, No Time to Die, China’s The Battle at Lake Changjin and Eternals.
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Broadway box office last week rebounded from the previous week’s slip, gaining 13% in receipts and 10% in attendance. In all, the 20 productions grossed $22,375,926.
BTS – specifically BTS Permission To Dance On Stage – Seoul: Live Viewing grossed $6.84 million in North America on Saturday for a per screen average of $8,500+ across 803 theaters, ranking third at the weekend box office so far after The Batman and Uncharted.
This result signifies a weekend drop of just 51%, giving “The Batman” a better second weekend hold than any of the top 5 highest grossing films of 2021; and given the film’s ability to beat projections, that hold could improve further after Sunday actuals are reported. With this blistering pace, “The Batman” stays on track to reach $400 million in North America and potentially $1 billion worldwide, having already exceeded the domestic and global runs of “Shang-Chi and the Legend of the Ten Rings” as it joins “Spider-Man: No Way Home” as the only film in the past year to top $225 million domestic.
Ashley Hume Producer Stacey Sher, her daughter Maggie Brown and Ashley Greene hosted a benefit for The Pad Project at Veronica Beard’s West Hollywood store on Tuesday night.Held in honor of International Women’s Day, attendees of the event were invited to shop at the luxury boutique, which donated 10% of the profits to The Pad Project and its international programs.Launched in 2013 by a group of students and educators at the Oakwood School in Los Angeles, The Pad Project has evolved from a documentary project following the efforts of a small village in India to destigmatize the conversation around menstruation, into an organization that works to end period poverty around the world.Executive-produced by Scher and co-produced by Brown, the documentary short “Period. End of Sentence” won best documentary short at the 2019 Academy Awards.
In what comes as no surprise given the running $301M global grossing success of The Batman, HBO Max has given a straight-to-series order to the pic’s spinoff series The Penguin which will see Colin Farrell reprising his villainous role from the pic as one of Gotham’s legendary kingpins.
It might have been another Manic Monday as The Bangles would say but that didn’t stop people from going to see The Batman yesterday, even with the top three circuits jacking up their ticket prices by largely a buck.
Following AMC CEO Adam Aron’s announcement about hiking tickets for Warner Bros.’ The Batman over the weekend and the pic’s $128M+ opening, the circuit boss celebrated by posting a Tweet of Robert Pattinson’s Batman looking up at a dollar signal in the sky.
first place at the box office, raking in $128.5 million on its opening weekend — more than any other movie this year.The three-hour superhero reboot, staring Robert Pattinson as Gotham’s brooding caped crusader, is the second pandemic-era flick to earn more than $100 million in a single weekend, according to Variety.The Warner Bros. film, which also features Zoë Kravitz as an exceptionally foxy Catwoman, beat out the Mark Wahlberg treasure-hunt flick “Uncharted” for the top spot.“It’s fun to see the public really embrace the movie,” Jeff Goldstein, president of domestic distribution at Warner Bros., told the entertainment news outlet.
Rebecca Rubin Film and Media ReporterHoly ticket sales, Batman!Robert Pattinson’s pitch-black superhero adventure “The Batman” collected a mighty $128.5 million in its box office debut, marking the best opening weekend of 2022 by a landslide. But what is more impressive: it’s only the second pandemic-era movie to cross the $100 million mark in a single weekend, a feat first achieved by “Spider-Man: No Way Home,” which launched last December to a historic $260 million.Thanks to positive reviews, strong reception from ticket buyers and high levels of intrigue to see Pattinson’s moody take on the Caped Crusader, “The Batman” is shaping up to be a commercial winner for Warner Bros.
caped-crusader reboot grossed $57 million on its opening night Friday, far ahead of every other flick.“Uncharted” followed with $3 million, or $92.2 million cumulatively.And feel-good pet movie “Dog” placed third with $1.6 million, or $35.6 million cumulatively.
AMC Entertainment said sales jumped and losses narrowed for the three months ended in December as the pandemic receded and Spider-Man rocked the theater chain to its best quarter in two years.
Naman Ramachandran Sony release “Uncharted” continued its reign atop the U.K. and Ireland box office for the third weekend in a row collecting £3.08 million ($4.1 million), according to numbers released by Comscore.
NEW YORK -- For the eighth time in the last two and a half months, a movie starring Tom Holland is No. 1 at the box office.The Sony Pictures videogame adaptation “Uncharted," starring Holland and Mark Wahlberg, led ticket sales for its second weekend of release with $23.3 million, according to studio estimates Sunday.“Uncharted” held well, too, dropping a modest 46% from its $44 million debut.
Rebecca Rubin Film and Media ReporterSony’s video game adaptation “Uncharted,” starring Tom Holland as street-smart treasure hunter Nathan Drake, had another solid showing at the international box office.Over the weekend, the PG-13 video game adaptation collected $35 million from 64 overseas territories, pushing its international tally to $143 million. With $83 million in North American ticket sales, “Uncharted” has generated $226.4 million globally so far. That haul is impressive because “Uncharted” has yet to open in China (March 14), which currently stands as the world’s biggest theatrical market.“Uncharted” continues to pull in crowds in the United Kingdom, Holland’s birthplace.
Refresh for latest…: Sony’s Uncharted handily crossed the $200M mark globally this weekend, after adding $35M from 64 overseas markets and $23.3M domestically. The international box office cume is now $143M. Worldwide, the Tom Holland/Mark Wahlberg-starrer counts $226.4M.
The premium theater company reported revenue of $108.6 million, a surge of 94% year-over-year. Imax also reported adjusted earnings of 31 cents per share compared to a loss of 21 cents per share in the prior-year period.
Refresh for latest…: After debuting early in 15 overseas markets last weekend, Sony’s Uncharted was game for another $55.4M at the international box office this session in a total 62 offshore hubs. With a projected $51M four-day domestic frame, the weekend maps out at $106.4M worldwide. This takes the running offshore cume to $88M and global to $139M.
Uncharted” — a treasure-hunt flick based on a video game — raked in $15.4 million in its premiere, according to IMDB’s Box Office Mojo database.Road-trip comedy “Dog” came next with $5 million on its opening night.Whodunit “Death on the Nile,” last week’s leader, grossed $1.8 million on Friday, or $20.5 million cumulatively.
third-highest grossing film in American box office history, passing the $760.5 million run of James Cameron’s “Avatar.” Though the two films came out 12 years apart and under dramatically different circumstances for movie theaters, both were able to take advantage of a lack of competition and overwhelmingly strong word-of-mouth to bring moviegoers back again and again for repeat viewings. While “Avatar” started with a modest opening and then continued to reign as No.