How Ugandan Musician Bobi Wine Fights Tyranny With Love, Venice Doc ‘Ghetto President’ Debuts Trailer (EXCLUSIVE)

Moses Bwayo and Christopher Sharp’s documentary “Bobi Wine: Ghetto President” is a feat of cinematic journalism that captures a tumultuous timeline of events while keeping the focus on its titular subject. Going by the stage name Bobi Wine, Robert Kyagulanyi Ssentamu is a wildly popular singer in Uganda who is voted into office and becomes a major figure in the political party that opposes its president, General Yoweri Museveni.

Jessica Chastain looks drained from her work in this still from Netflix’s The Good Nurse.

Amazon Studios premiered its first extended look at Harry Styles’ gay romantic drama “My Policeman” Wednesday. Co-starring “The Crown” breakout Emma Corrin, Gina McKee, Linus Roache, David Dawson and Rupert Everett as the film’s central trio at varying ages, “My Policeman” comes from director Michael Grandage and screenwriter Ron Nyswaner and is based on Bethan Roberts’ 2012 novel of the same name. Per Amazon’s logline, “My Policeman” is a “beautifully crafted story of forbidden love and changing social conventions” that “follows three young people — policeman Tom (Harry Styles), teacher Marion (Emma Corrin), and museum curator Patrick (David Dawson) — as they embark on an emotional journey in 1950s Britain.

Leo Barraclough International Features Editor Berlin-based sales outfit M-Appeal has closed distribution deals for Italy and Greece following the film’s world premiere at the Venice Film Festival. The Israeli-Ukrainian co-production plays in Venice’s Horizons Extra section, and will have its North American premiere on Sept. 14 at Toronto Film Festival in the Contemporary World Cinema section. Rome-based P.F.A Films Srl will distribute the film in Italy, with a theatrical release planned for April 2023. The company’s recent titles include “Fabian – Going to the Dogs” by Dominik Graf, “The Audition” by Ina Weisse, and “Border” by Abbasi Ali.

Leo Barraclough International Features Editor Reservoir Docs has acquired documentary “The Other Fellow,” which is about several men named James Bond, like the movie’s hero. It has debuted the trailer (below). The comedy-thriller premiered and won an award at Doc Edge New Zealand, and gets its European premiere in Dinard at the British Film Festival in France. In Jamaica in 1952, author Ian Fleming needs a name for his suave, sophisticated secret agent, so he steals one from an unaware birdwatcher and creates a pop-culture phenomenon about the ultimate fictional alpha-male. In 2022, the year of 007’s 60th anniversary onscreen, Australian filmmaker Matthew Bauer is on a global mission to discover the lasting, contrasting and very personal impacts of sharing such an identity with James Bond.

Recently, Hulu debuted the film, “Not Okay,” about a young woman lying about her past in an attempt to garner sympathy on social media. It appears Netflix is about to release another film about a woman potentially lying about her past.

Nick Vivarelli International Correspondent Francesco Zippel’s Sergio Leone doc, which premieres on Tuesday at the Venice Film Festival, is the first portrait of the Italian master made with full support of his children Raffaella and Andrea. Titled “Sergio Leone: The Man Who Invented America,” the high-profile doc is premiering in the Venice Classics section for docs on cinema. It features an impressive list of voices holding forth on what makes Leone special for them. Among these are: Clint Eastwood, Martin Scorsese, Steven Spielberg, Quentin Tarantino, Giuseppe Tornatore, Frank Miller, Darren Aronofsky, Damien Chazelle and Robert De Niro (see clip). But aside from Leone’s visionary talent as a director what emerges is that as his career escalated from the so-called “Dollars Trilogy” to “Once Upon a Time in the West” through to his final masterpiece, “Once Upon a Time in America,” Leone’s life was steeped in two inextricably linked passions: film and family. 

Holly Jones Coinciding with its world premiere at the Venice Film Festival, Warsaw-based New Europe Film Sales has provided Variety with an exclusive peek at the trailer for Chilean writer-director Fernando Guzzoni’s (“Jesus”) thriller, “Blanquita.” Based on the young witness at the center of the Spinak case, a scandal involving Chilean pedophilia and prostitution networks that rocked the country, the film grapples with morality and the struggle towards justice for those without means. In the film, Blanca (Laura López) leads investigators, and the public, on a baffling journey as she plants herself at the center of a trial against powerful politicians.

Leo Barraclough International Features Editor Berlin-based Picture Tree Intl. has added “This Place,” by Canadian debut director V.T. Nayani, to its lineup. The film is to have its world premiere at Toronto Film Festival on Sept. 9 as part of the Discovery and Next Wave Selects sections. The film stars Devery Jacobs, who was the lead actor in “Reservation Dogs” and the upcoming Marvel Studio production “Echo,” and newcomer Priya Guns. The screenplay was co-written by V.T. Nayani, Devery Jacobs and Golshan Abdmoulaie. It tells the story of two young women falling in love for the first time and being jointly challenged by their own family histories, which bear the legacies of loss, migration and displacement.

Leo Barraclough International Features Editor Venice Film Festival title “Music for Black Pigeons,” directed by Danish filmmakers Jørgen Leth, best known for “The Five Obstructions,” and “The Lost Leonardo” helmer Andreas Koefoed, has debuted its trailer with Variety. The documentary, which premieres on Tuesday in Venice’s Out of Competition section, explores the lives and processes of some of the world’s most renowned and prolific jazz musicians, including Jakob Bro, Bill Frisell, Lee Konitz, Paul Motian and Midori Takada. Leth, who has directed more than 40 films including landmark works such as “A Sunday in Hell” (1977) and the surrealist short “The Perfect Human” (1968), returns to Venice after his feature documentary “The Five Obstructions,” which he co-directed with Lars von Trier, screened on the Lido in 2003.

Leo Barraclough International Features Editor Variety has been given exclusive access to a first-look clip for “Amanda,” Carolina Cavalli’s quirky Italian-cool film in Venice Horizons, starring Benedetta Porcaroli (star of Netflix series “Baby”), and featuring Italian heavyweight Giovanna Mezzogiorno, and Italian “X-Factor” winner Michele Bravi. The film, which is reminiscent of early Wes Anderson, premieres at Venice on Monday, then goes to Toronto – it’s the only Italian film to play both fests this year. Charades is handling international sales. I Wonder is distributing in Italy. The film centers on Amanda, 24, who lives mostly isolated and has never had any friends, even if it’s the thing she wants the most. When she discovers that as toddlers her and Rebecca used to spend a lot of time together, Amanda chooses her new mission: to convince her that they are still best friends.

Naman Ramachandran Shia LaBeouf was in a reverential frame of mind at the first public screening of Abel Ferrara’s “Padre Pio” at the Venice Film Festival, as befits a film about a monk in a Capuchin monastery in post-WWI Italy. LaBeouf, who is embroiled in controversy after being accused of abuse and sexual battery in a bombshell lawsuit filed by his former partner FKA Twigs, made a rare public appearance at Venice. He isn’t doing any press at the festival, but the actor was present in the cinema before the screening where he obliged fans with selfies and participated in a Q&A after. “I feel super blessed to have worked on this movie — this movie kind of saved my life,” LaBeouf said during the Q&A. “But I didn’t enter the process as a God guy — definitely not a Catholic. And this movie just found me at a time when I was very willing and open to the process.”

Guy Lodge Film Critic The political activism of pop stars is, as a rule, on the restrained side. Those who make their allegiances clear still tend to keep all factions in their fanbases sweet by limiting divisive rhetoric, or filtering their politics through broadly palatable humanitarian causes; those who speak a little more frankly still risk the wrath of the public, the internet and their record labels alike. Yet for Ugandan singer Robert Kyagulanyi Ssentamu — better known to his adoring fans as Bobi Wine — there’s both everything and nothing to lose by getting a little more directly involved in national politics than most such celebrities would dare. Entering a presidential election against corrupt, long-ruling incumbent Yoweri Museveni is, he knows, both a folly and a necessary symbolic stand — a certain path to honorable defeat that “Bobi Wine: Ghetto President” documents with angry urgency and bitter gallows humor.

One of the most stirring moments in Christopher Sharp and Moses Bwayo’s documentary Bobi Wine: Ghetto President — a film full of stirring moments — is the sight of Bobi Wine on the back of a truck, spearing through the back-blocks of Uganda with a copy of the country’s constitution held aloft. As a new Member of Parliament, he believes in that document. People all over the country, he insists, believe in that document. Through imprisonment and torture, he holds fast to the belief that if Uganda only followed its own rules — as set out clearly in this very constitution, which both he and President Museveni promised at different times to uphold — the country would be saved.

Leo Barraclough International Features Editor The Zurich Film Festival will honor Italian director and screenwriter Luca Guadagnino at its 18th edition, which runs Sept. 22-Oct. 2. He will receive its “A Tribute To…” award on Sept. 30 before the screening of his latest film “Bones and All,” which plays in the Gala Premiere section, and will hold a public masterclass on Oct. 1. The film world premieres in Venice tomorrow. Guadagnino, born in Palermo in 1971, has been one of the most internationally sought-after directors since the success of “Call Me By Your Name” in 2017, which Guadagnino presented in person at the Zurich fest.

Leo Barraclough International Features Editor In “The March on Rome,” which world premieres in the Venice Days sidebar of Venice Film Festival Wednesday, Northern Irish-Scottish filmmaker Mark Cousins tracks the ascent of fascism in Italy in the 1920s, and its fall-out across 1930s Europe. He also draws a dotted line from those events to the storming of the Capitol in Washington, D.C., in January 2021. The documentary, illustrated with archive footage and Cousins’ characteristic cinematic analysis, starts with Donald Trump defending his decision to retweet a quote from Italian dictator Benito Mussolini: “It is better to live one day as a lion than 100 years as a sheep.” Later in the film, Cousins inserts footage of Trump supporters attacking the Capitol, hoping to overturn Joe Biden’s electoral victory.