“Constant Comedy: How I Started Comedy Central and Lost My Sense of Humor” (Ulysses Press).Bell started thinking about an all-comedy network consisting of short, funny clips from movies and TV shows while pursuing an MBA at Wharton.
10.09.2020 - 09:35 / variety.com
Owen Gleiberman Chief Film CriticDennis Hopper meets Orson Welles: That sounds like an oil-and-water match-up of legendary filmmakers. Welles, for all his renegade gusto, was a defrocked classicist — maybe (or maybe not) the greatest film director who ever lived, and one who became the ultimate high-toned Hollywood dropout.
Whereas Hopper, the scraggly counterculture bad boy, launched his career as a director with “Easy Rider,” at which point he had already, in essence, dropped out. (He made
.“Constant Comedy: How I Started Comedy Central and Lost My Sense of Humor” (Ulysses Press).Bell started thinking about an all-comedy network consisting of short, funny clips from movies and TV shows while pursuing an MBA at Wharton.
PARIS -- Michael Lonsdale, an enigmatic giant of the silver screen and theater in France who worked with some of the world’s top directors in an acting career that spanned 60 years, died Monday at 89, his agent said.From his role as the villain in the 1979 James Bond film “Moonraker” to that of a French monk in Algeria in the 2011 movie “Of Gods and Men,” Lonsdale acted, often in brilliant supporting roles, under top directors including Orson Welles, Steven Spielberg, Francois Truffaut and Louis
Michael Lonsdale was a French actor whose notable roles included Hugo Drax, the villain in the 1979 James Bond film “Moonraker.”Lonsdale’s acting career took place largely in Europe, where he appeared in dozens of movies, TV shows, and stage productions. Yet he worked with legendary U.S.
Of Gods and Men, 2010), as one of a group of Trappist monks living in rural Algeria. “I’d vowed never to accept another role as a priest,” Lonsdale said, “but I couldn’t resist playing this wonderful, generous character.”It was Orson Welles who first cast Lonsdale as a priest, in The Trial (1962).
Dennis Harvey Film CriticThe COVID epidemic must be rough for sex addicts — something that lends at least a temporary tinge of nostalgia to “Lost Girls & Love Hotels,” whose promiscuous heroine seems unconcerned even about old-school STD risks.
Dennis Harvey Film CriticIt’s been a rueful joke for three-quarters of a century now that after World War 2, there were miraculously no Nazis (or even ex-Nazis) left in Germany. To start unblemished postwar lives, an entire generation invented cover stories to minimize or deny the political affiliations most of them had before Axis defeat.
Choose your fighter: Orson Welles, recently back in LA after a decade of European exile, and embarking on a project so meta he will emulate the film’s director-protagonist and die at 70 never having finished it; or Dennis Hopper, mere days after the end of an 8-day marriage, struggling to edit the metafiction that will kill his directorial career for nearly a decade? The documentary, “Hopper/Welles,” cutely credited to Welles as director, but put together by “The Other Side of the Wind” producer
Now that Christopher Nolan’s “Tenet” has hit (some) theaters and seemingly underwhelmed some audiences and critics, the next big anticipated sci-fi epic of the year is easily Denis Villeneuve’s “Dune.” Based on Frank Herbert’s sci-fi novels of the same name, David Lynch made a “Dune” movie in 1984, but it’s one of his famous flops, and suffice to say it didn’t come near the franchise potential Hollywood always hoped it would have.
The scene is nighttime, a rented house in Beverly Hills, the only sources of light a few hurricane lamps and a fireplace blaze. An offscreen interviewer sets the conversation in motion, apologizing for kicking things off with "a real heavy question." The unseen speaker is Orson Welles, his voice booming with authority, and as he spars with Dennis Hopper over the next two-plus hours, there are no light questions, no easy lobs.
Also Read: How Peter Bogdanovich, Frank Marshall and Netflix's Money Saved Orson Welles' Final MovieWelles and Hopper were both talkers, as other works have shown: L.M.
First look images from Mank, David Fincher's biopic of Citizen Kane co-writerHerman Mankiewicz, were released Saturday — subsequently the 79th anniversary of "Citizen Kane Day." Mank,the nickname for Mankiewicz,will show a 1930sHollywood re-evaluated through the eyes of the scathing social critic and alcoholic screenwriter as he races to finish the screenplay of Citizen Kane for Orson Welles.
Orson Welles’ “Citizen Kane” is generally regarded as one of the best — if not the best — movie ever made, and a new film from acclaimed director David Fincher explores the tumultuous making of the 1941 cinematic classic.
David Fincher has directed the upcoming movie Mank, marking his first feature film since 2014′s Gone Girl.
Jazz Tangcay Artisans EditorThe first look at David Fincher’s highly anticipated drama “Mank” was revealed Saturday to coincide with the 79th anniversary of “Citizen Kane’s” wide theatrical opening.The film is Fincher’s first feature directing effort since 2014’s “Gone Girl” and chronicles Herman Mankiewicz’s (Gary Oldman) race to finish the “Citizen Kane” screenplay for Orson Welles (Tom Burke).Fincher shot on location at Kemper Campbell Ranch in Victorville, Calif., where Mankiewicz spent