‘Hit The Road’: Panah Panahi’s Directorial Debut Is Thrilling Cinema & A Breath Of Fresh Air [Cannes Review]

A back-and-forth Twitter discussion between producer Franklin Leonard and Ben Stiller has opened up a discussion about nepotism in Hollywood.

President Joe Biden nominated longtime Comcast executive David L. Cohen as his next ambassador to Canada.

A family goes on a road trip with a difference in Hit The Road, a promising first feature from Panah Panahi, which showed in the Cannes Film Festival’s Directors’ Fortnight section. The son of Iranian filmmaker Jafar Panahi delivers a lean but affecting drama with a winning humorous streak.

There is a moment of genuine tension at the very beginning of Joachim Lafosse’s “The Restless” that is worth your attention. Damien (Damien Bonnard), is swimming with his son Amine (Gabriel Merz Chammah, the grandson of Isabelle Huppert, no less) off a boat on the rocky French coast.

th District,” past Palme winner Nanni Moretti’s “Three Floors” and Bruno Dumont’s “France” (one of the few films to receive those infamous Cannes boos) among them.

Hazel Moder has officially made her red carpet debut!Julia Roberts' 16-year-old daughter attended the premiere of during the 74th Cannes Film Festival in Cannes, France, looking adorable as she posed on the red carpet alongside her father, Danny Moder. Julia and Danny are also parents to Hazel's twin brother, Phinnaeus, and 14-year-old son Henry.Hazel went '90s chic in a butterscotch yellow button-up lace shirtdress with black Mary Janes, while Danny sported a classic black tux to promote his

The Robert Bresson quote that opens the anthology film “Year of the Everlasting Storm” — “you don’t create by adding, but by taking away” — makes a tidy adage of the time-honored idea that deprivation breeds innovation.

Iranian director Asghar Farhadi is no stranger to success at the Cannes Film Festival. While the three films of his that have premiered at Cannes haven’t won the coveted Palme d’Or, two have won other prizes at the festival.

Check out TheWrap’s digital Cannes magazine issue here. You can find all of TheWrap’s Cannes coverage here.While we argued at the halfway point of the Cannes Film Festival that a single film hadn’t quite emerged as the runaway favorite for the Palme d’Or, Asghar Farhadi’s latest “A Hero” is now making a strong case for frontrunner status, with critics calling the Iranian director’s film his best since “A Separation.” Farhadi has been in the running for the Palme d’Or three times, and he’s picked

What do we really know about children? Until the Renaissance, artists were still painting them as freakish shriveled adults. Only in the last century-ish did American society decide they probably should go to school instead of laboring all day in sweatshops.

We can all stop wishing it a long life: the new flesh is thriving, living rent-free in Julia Ducournau‘s fucked-up titanium brain, oozing from every frame of her bizarrely beautiful, emphatically queer sophomore film, and thence seeping in through your orifices, the better to colonize your most lurid, confusing nightmares, as well as that certain class of sex dream that you’d be best off never confessing to having.

“Where are you really from?” It’s an invasive question that’s awfully familiar to people of color, one that intrudes its way into our everyday lives. Though it can have innocent intentions, it’s often hostile and only works to invalidate our livelihood.

A good deed goes bad in Asghar Farhadi’s Cannes Film Festival competition title A Hero (Ghahreman), a thought-provoking watch which is perhaps the filmmaker’s most subtle and heartfelt film since A Separation.

Owen Gleiberman Chief Film CriticIn movies like “A Separation,” “The Past,” and “The Salesman,” the Iranian writer-director Asghar Farhadi has demonstrated a unique ability to take “ordinary” human situations, usually on the domestic front, and play them out in a way that is so minutely authentic yet suspenseful that they give you the sensation that life itself, if observed closely enough, is a kind of thriller.

Iranian-Australian filmmaker Noora Niasari (Waterfall, 17 Years and a Day) has been signed on to adapt and direct Mahsa Rahmani Noble’s novel Raya.

Nick Vivarelli International CorrespondentAsghar Farhadi, an Oscar winner for “A Separation” and “The Salesman,” is in Cannes with “A Hero,” the Iranian auteur’s fourth film to world premiere in the festival’s competition after “The Past,” “The Salesman” and Spanish-language “Everybody Knows.”“A Hero,” which sees Farhadi returning to filmmaking in Iran, is about a man named Rahim who is in prison because of an unpaid debt.

Premiering in competition at this year’s Festival de Cannes, Nanni Moretti’s wild melodrama “Three Floors” is based on a 2017 Israeli novel called “Shalosh Qomot” from writer Eshkol Nevo and begins with an undeniably tragic event. One dark night on a quiet street of Rome, a drunk driver runs over a lady crossing the road, narrowly avoids hitting a pregnant woman, then finally crashes into a building, landing straight into a family’s living room.

Sean Penn poses with his daughter, Dylan Penn, at the photo call for Flag Day during the 2021 Cannes Film Festival on Sunday (July 11) in Cannes, France.

Mention of “the Berkshires” conjures images of pastoral New England abutting major cultural institutions: The Norman Rockwell Museum, Mass MoCA, Tanglewood, Jacob’s Pillow. Every quaint town center enjoys an abundance of good ice cream and even better coffee.