‘His Three Daughters’ Review: Natasha Lyonne Is Riveting In Azazel Jacobs’ Sibling Drama [TIFF]

There were so many celebs in attendance at the Saint Laurent fashion show at Paris Fashion Week and we have photos of all the VIPs!

John Hopewell Chief International Correspondent QuarXX’s “This Thing Inside of Me,” Caye Casas’ “Malamuerte” and maybe the biggest buzz title in the whole selection, Sean Wainsteim’s “Idaho Winter,” a multi-media mashup, feature in a robust, variegated lineup at Sitges FanPitch, which is quickly establishing itself as a key early fall global genre project platform drawing on titles from not only Spain but Europe, Latin and North America and Asia. Unspooling Oct.

Jacob Elordi and his girlfriend Olivia Jade are still going strong as a couple and we have new photos of them together.

Donald Trump and his wife Melania Trump are known to be very proud parents of their 17-year-old son Barron. The pair are also known to be incredibly protective of their child and rarely share details about their family life with Barron, but despite choosing to keep their personal life private, the former President shared a glimpse of his relationship with his son during a recent interview.DONALD TRUMP TALKS ABOUT WIFE MELANIA’S ‘BEAUTY’ AND ‘MYSTERY’ DONALD TRUMP’S EX-WIFE MARLA GOES ON ‘SMOOTH RIDE’ FOR A GOOD CAUSEBARRON TRUMP: ALL YOU SHOULD KNOW ABOUT TRUMP’S YOUNGEST SONA close source to the couple previously revealed to People that “Barron has always been a first priority in [Melania’s] life,” adding that “She has always surrounded herself with family.

So many stars were in attendance at the Hermes Walking on Air fashion show!

A row of stunning flats worth £640,000 have been sold for just £1. The historic, Grade II listed building in Looe town centre has been moved on for the nominal fee in a bid to ensure affordable housing in the area.

TORONTO – There always seems to be this assumption in Hollywood that when the end of the world comes it will be quick. A nuclear holocaust will destroy the environment in hours or a massive space object will send civilization back into the dark ages in an instant.

READ MORE: Toronto International Film Festival 2023: 26 Must-See Films To Watch At TIFF A transformation suddenly bubbles to the surface right around the crucial first-act closing mark of the period drama, “Widow Clicquot.” And it’s not a second too late. About the widow who nearly single-handedly transformed Veuve Clicquot into the world-renowned champagne brand it is today, just as the film threatens to suffocate the viewer with the dreary, stately, oh-so-proper and drab sheen of tragedy and frumpy dourness that overwhelms so many dowdy period dramas of this ilk, it froths to life, its cup running over.

As majestic in appearance as a “National Geographic” special or any episode of “NOVA,” the opening shots of the semi-documentary “Songs of Earth” are quick to immediately showcase beautiful cinematography that’s as much a character as any of the several humans who materialize from time to time, both elements of the film that do their best to drive things forward and attempt to keep the onscreen action from slipping into a black hole of dull.

Numerous clips have been shared online regarding how self-importantly Aaron Sorkin and company took themselves while they were making “The Newsroom,” a show that practically announced itself as the last stand for human rights and journalistic decency in the world. Holding that impossible standard high in its third season is Apple TV+’s expensive hit “The Morning Show,” a program that makes it feel like if morning news in America falls, then the apocalypse is just around the corner.

Cameron Marley Buffett is remembering his late father.

A family of Syrian refugees and an English teacher from Afghanistan receive about five minutes of joy in veteran Polish auteur Agnieszka Holland’s otherwise grim and harrowing refugee drama, “Green Border.” As they land in a plane to Belarus, hoping to cross into Poland and eventually Sweden for asylum where refugee status awaits, their eyes beam with optimism as a new land of promise reflects on their smiling faces.

Owen Gleiberman Chief Film Critic In 2008, the writer-director Azazel Jacobs made a small but vivid splash with “Momma’s Man,” a Sundance comedy about a troubled dweeb hiding out in the cocoon of his parents’ downtown Manhattan apartment. The parents were played by Jacobs’ own (the avant-garde filmmaker Ken Jacobs and his wife Flo), and the movie turned their overstuffed bohemian pack-rat museum of a loft into a tiny city of its own. “Momma’s Man” showed extraordinary promise, and in the 15 years since I’ve been waiting for Azazel Jacobs to make good on it.

The high-concept elevator pitch description for Christy Hall’s “Daddio” would probably be something along the lines of “‘Locke’ as a two-hander,” or maybe “‘Collateral’ without the killing,” though it’s better than either of those loglines might lead you to believe. The premise is a simple one: Dakota Johnson (never named on-camera) plays a young woman coming home to New York who takes a cab from JFK to her home in Hell’s Kitchen.

High school is challenging, competitive, and traumatic enough as it is. But in “Backspot,” the new feature-length directorial effort and cheerleading drama from filmmaker D.W.

TORONTO – About three years ago, an underdog YouTube and Reddit personality recruited an army of retail investors that sent investment powerbrokers scrambling and changed how Wall Street viewed social media. It’s an inherently funny story because it seemed preposterous at the time (at least to the financial community), but it also occurred during a pivotal moment in global history.

Writer/Director Azazel Jacobs has made a couple of indie pictures I really loved. French Exit gave Michelle Pfeiffer one of her meatiest roles in years and she ran with it in a delicious Paris-set tale. He also provided Debra Winger and Tracy Letts with terrific roles in the sophisticated The Lovers. And now Jacobs shows once again he knows how to attract top actors with well-written characters in the intimate drama, His Three Daughters which stars Carrie Coon, Elizabeth Olsen, and Natasha Lyonne as a trio of sisters gathering in the New York City apartment where their father (Jay O. Sanders) is down the hall (unseen for most of the film) and near death. They have arrived to spend his final days with him, stretched out here to three, but also to renew their own dysfunctional dynamic in what could easily have been made as a play rather than a film, and feels just a bit too stagey for its own good.

A woman attempts to sort through her past while also dealing with the traumatic repercussions of surviving a terrorist attack in Elisabeth Scharang’s elliptical film “Woodland,” based on Doris Knect’s 2015 WALD. A non-linear slow burn that’s more interested in unpacking the layers of trauma that Marian (Brigette Hobmeier) is dealing with than outright showing the aftermath of the terrorist attack, Scharang’s film works best when it’s narrowed in on the small farming community she returns to, less so when it skirts around her present-day relationships and the actual shooting that serves as the inciting incident for her trip back.

When it comes to social injustice in 21st-century France, writer and director Ladj Ly has been on the frontlines of history. A child of the Montfermeil housing projects in the Paris suburbs, he captured the rage of the 2005 riots that engulfed the neighborhood in the 2006 docu short “365 jours à Clichy Montfermeil.” His celebrated feature debut, 2019’s “Les Misérables,” chronicles the abusive relationship between the residents of that town and often resentful police officers who live miles from the area.

Thania Garcia Lil Baby’s concert in Memphis on Sept. 7 was cut short after someone in the audience of the FedExForum was shot and injured. Memphis Police arrived on the scene at around 10:23 p.m.