‘Head South’ Review: A Mild-Mannered Tribute To A Formative New Zealand Punk Epoch
25.01.2024 - 20:02
/ variety.com
Dennis Harvey Film Critic Joining a long line of filmmakers who’ve fictionalized their comings-of-age in one regional punk scene or another, veteran New Zealand writer-director Jonathan Ogilvie turns the clock back to 1979 Christchurch in “Head South.” Its protagonist is the classic shy but would-be rebellious teen boy dared into starting his own band, whose first gig naturally provides an underdogs-triumphant climax. Pleasant but awfully thin, feeling like a short insufficiently fleshed out to feature length, this modest nostalgic exercise provides a lightweight opener to this year’s Rotterdam fest.
Angus (Ed Oxenbould) is a high-schooler intrigued by new U.K. sounds as yet little-heard hereabouts —though he can barely summon the courage to enter Middle Earth Records, where proprietor Fraser (Jackson Bliss) is the obvious go-to source for such breaking intel.
Even more intimidatingly cool is mysterious Holly (Roxie Mohebbi), a Debbie Harry-esque bottle-blonde bombshell who claims to be from London. Amongst his own, younger age group, Angus has just succeeded in alienating best mates Jamie (Trendall Pulini) and Stuart (Oscar Phillips) by selling them oregano masquerading as pot.
On the home front, things are equally unsettled: Our hero comes home one day to find his mother has inexplicably vacated the premises for a two-week motel stay, leaving behind a cryptic note and a fortnight’s worth of precooked dinners. This leaves him with dad Gordon (Marton Csokas), a civil engineer whose staid qualities and drinking habits presumably drove her away.
It’s an uneasy atmosphere brightened when Angus’ older brother, at college in England, mails a care package including the first single by Public Image Ltd. — John Lydon aka Johnny
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