EXCLUSIVE: There’s a new sports documentary on top at Prime Video.
14.11.2023 - 05:47 / deadline.com
Broadway loves a recognizable name, a famous band or singer that can fuel a jukebox musical on nostalgia and familiar tunes. To its credit, Harmony isn’t that.
If you’ve heard of the Comedian Harmonists, it’s likely that you’ve either seen Harmony or heard about it. Maybe you’re among the countless Barry Manilow fans who follow his every move (and he’s been trying to move with Harmony for decades). But otherwise, chances are good that you don’t know the Harmonists.
And exactly why you don’t know the Harmonists is the most intriguing aspect of Harmony, the new musical directed by Warren Carlyle opening on Broadway tonight. A Berlin-based vocal and comedy group of the 1920s and ’30s, the Comedian Harmonists were hugely popular, successful and famous in their day, selling millions of records, appearing in dozens of films and selling out major venues across the world, not least Carnegie Hall.
The word “Berlin” in the previous paragraph should have stopped you cold. Three of the six Harmonists were Jewish. One gentile member was married to a Bolshevik activist. Though Harmony, through its very structure, tips us off to the fact that one of the singers lived into the 1980s – he’s the show’s narrator – we might well assume that the Harmonists, or most of them, were among the millions who never left the camps.
But with their fates being readily available to anyone with access to Wikipedia, it’s no spoiler to say that all of the six Harmonists survived World War II, most living well into the late 20th Century. So how have they been so completely and thoroughly forgotten? What became of their legacy? Why have these one-time superstars faded entirely from cultural memory?
Manilow and his longtime writing partner and collaborator
EXCLUSIVE: There’s a new sports documentary on top at Prime Video.
Rockefeller Center’s Christmas tree lighting ceremony.Despite the 80-year-old singer being caught up in the holiday spirit while singing “All I Want For Christmas is You” and “Because It’s Christmas,”some Grinches on X trolled his appearance.Many made fun of his tanned skin and black turtleneck, with one asking: “Does Barry Manilow look like Martin Short in an SNL skit?!”Another questioned if he’s had work done to his face.“Plastic surgeon: what do you want lifted? Barry Manilow: yes,” the user quipped.A third X-er chimed in: “He looks plastic, too much Botox perhaps? He’s way past his prime and should finally retire and lay off the Botox.
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Spamalot opens on Broadway tonight, and it’s safe to say the Middle Ages haven’t been this funny since, well, the last time Spamlot opened on Broadway nearly 20 years ago. Perfectly cast and splendidly performed, with Josh Rhodes’ deceptively no-frills direction (and choreography) placing the irresistible goings-on front and center, the revival has lost none of the smart-dumb charm of either the original musical or its great source of inspiration – the beloved 1975 film Monty Python and the Holy Grail.
Gordon Cox Theater Editor To hear the actress Sierra Boggess tell it, Barry Manilow and Bruce Sussman’s Broadway musical “Harmony” couldn’t have a more apt title. Listen to this week’s “Stagecraft” podcast below: “They sing in harmony the entire show,” said Boggess (“The Little Mermaid,” “Love Never Dies”), speaking in a conversation with “Harmony” director-choreographer Warren Carlyle on the new episode of “Stagecraft,” Variety’s theater podcast. “There’s no sound like it on Broadway right now.” Carlyle (“After Midnight,” “The Music Man”) described the sound of “Harmony,” about a real-life troupe of singers called the Comedian Harmonists, as “a cross between the Manhattan Transfer and the Marx Brothers.” He went on to reveal his take on how the hitmaking duo Manilow and Sussman work together.
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Trish Deitch There’s a narrator in “Harmony,” Bruce Sussman and Barry Manilow’s musical now playing at Broadway’s Ethel Barrymore Theater—an elderly rabbi, played ably by Chip Zien, who tells the true story of six young men in Berlin who formed a comedic singing group in 1927 that rose to international fame at the same time that the Nazis came to power. The rabbi was one of three Jewish men in the group, called the Comedian Harmonists, and he implies throughout the play that he was the only survivor.
the musical “Parade” and Tom Stoppard’s play “Leopoldstadt.” The problem is that while “Harmony” is about a sextet of singers whose voices blend like milk and coffee, its elements do not similarly fuse into a cohesive and satisfying musical.The show, directed and choreographed by Warren Carlyle, has been tinkered with by Manilow and lyricist/book-writer Bruce Sussman for nearly 30 years, but on its largest stage yet it still doesn’t quite work.Structural flaws that were mostly forgivable when the production played the more intimate Museum of Jewish Heritage downtown last year are detrimentally exacerbated by Broadway’s imposing size. The musical, therefore, is lopsided.
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