‘Club Zero’ Review: Jessica Hausner Mines Straight-Faced Body Horror From An Eating Disorder Cult [Cannes]

Almost a decade after Victoria Valentino first accused Bill Cosby of drugging and raping her, the former Playboy model is finally taking the man once known as America’s Dad to court.

The more we learn about Matty Healy, the more bewildering it is that he’s dating Taylor Swift!

Instagram user on Monday who outlined what specifically Tessa was up to. Instead of providing advice that could be widely perceived as “safe” for someone dealing with an eating disorder, Tessa instead argued that intentional weight loss and eating disorder recovery could safely coexist.

Kate Beckinsale may have the internet beat with her Keanu Reeves story! On Monday, the actress took to her Instagram to share a throwback picture from her first appearance at the Cannes Film Festival with the cast of in 1993. Along with the pic, which was found by her mother, Beckinsale shared the story about how her male co-stars, Keanu Reeves and Robert Sean Leonard, stepped in to help after her bodysuit took on a mind of it's own ahead of her moment on the carpet.«So my mum DID find one of the original Cannes pictures but unfortunately it’s not full length so you can’t see the Dr Martens.

For the last couple of weeks, Kourtney Kardashian has been fulfilling her rockstar wife duties, and it looks as though she’s been living her best life.The 44 year old has been on tour with her husband, Travis Barker, the drummer in world famous pop punk band Blink-182.The All The Small Things hitmakers kicked off their world tour earlier this month, and have been on the road completing the first leg of their US dates, playing in major cities such as Chicago, New York, Boston, Baltimore, Cleveland and Pittsburgh. But despite Kourt’s Instagram posts showing off the glitz and glamour of tour wife life, the reality star has revealed that it’s not always as fun as it may seem – especially as it means spending time away from her kids.

Jana Kramer put pen to paper and documented the most difficult year of her life after filing for divorce from ex-husband Mike Caussin. Kramer, 39, found strength through the tumultuous time by journaling and announced her latest novel to be released this year, "The Next Chapter: Making Peace with Hard Memories, Finding Hope All Around Me, and Clearing Space for Good Things to Come." The country singer filed for divorce from the former professional football player in 2021 after years of his public and private infidelities.

Whether it’s the flat white lighting and washed-out color grading that gives The Delinquents the look of a ‘70s TV serial, or the fact that much of it is set in a mountain swimming beach where people claim to see apparitions, there is an undercurrent of genuine oddity running beneath this long, complex film. Screening at Cannes in the Un Certain Regard section for innovative or personal cinema, Rodrigo Moreno’s story begins with a bank robbery. The very ease with which this crime is committed is odd in itself: Moran (Daniel Elias) simply walks into the bank vault, puts a pile of American dollars in his gym bag and goes home. Not what you expect in a heist film, but here is the point. Over the next three hours, Moreno will deconstruct the genre with the calm focus of a safecracker taking apart a lock.

Variety‘s critics pick the most notable dozen. Distributor: Neon One of seven women filmmakers in competition, Justine Triet has taken a familiar genre (the court- room drama) and turned it on its head. A frustrated writer dies of suspicious causes, leaving behind clues that implicate his wife (Sandra Hüller).

 just due to a pukey provocation jury president Ruben Östlund may take as a game, set, match.In simplest terms, “Club Zero” is a film about eating disorders, and one so unflinching about the subject that it warrants a content warning ahead of the opening credits. Of course, Hausner makes abundantly clear that her film is about so much more from the moment those credits roll, and we find ourselves in an affluent private academy full of wood panels, Formica surfaces and about a hundred other interior design choices pulled from a rec room in 1970s hell.Onto the scene struts Ms.

The official synopsis for Wim Wenders’ “Perfect Days” is one of those rare occasions when a tightly-described premise encapsulates the immensity of a film: a janitor in Japan drives between jobs listening to rock music. In this case, the janitor is Hirayama (Koji Yakusho), an older man whose job is cleaning Tokyo’s elegantly designed public toilets.

Jana Kramer announced on Thursday she’s engaged to former soccer player Allan Russell after just six and a half months of dating.  After teasing that she’s "had a few things that I have been not been talking about," she announced that Russell, 42, had proposed to her.  "He took me and the kids – we had some people over during the day -- like a little pool party thing, summer hang. And he took me and the kids, he said it’s a beautiful night, let’s go for a walk," she said on her "Whine Down" podcast.  She said they walked up to her new Tennessee house, set to be completed in August, and sat on the front porch steps.  "It was a really beautiful night and me and the kids were all … looking out at the view because the view is, I mean, just stunning," the country star, 39, explained.  Russell then said her name and the next thing she knew he was on one knee.  "And Jolie just started jumping up and down," Kramer said of her 7-year-old daughter whom she shares with ex-husband Mike Caussin.The former couple also share son Jace, 4.

Nanni Moretti returns to the film-within-a-film format with a fitfully funny new comedy that, this time, offers two films-within-a-film (plus a surreal dream sequence). It is, frankly, a relief after 2021’s terrible, soapy melodrama Three Floors, and, at a crisp 96 minutes, so much easier to swallow. In some ways a companion piece to 2015’s Mia Madre, it finds the director putting all his neuroses back on show, pontificating on everything from movie violence to streaming platforms and why wearing slippers onscreen is a fashion no-no that can only be pulled off by Aretha Franklin in The Blues Brothers.

Cordon bleu is the warmest color in Tràn Anh Hùng’s long but surprisingly light soufflé of a movie, a highly watchable Aga saga that’s so artful, charming and non-boat-rockingly old-school that it might make you wonder, even in a non-ironic way, what Lasse Hallström has been up to lately. In Cannes film festivals gone by, it could arguably have provoked the bidding war of the fortnight, given the track record of such foodie faves as Le Grand Bouffe, Babette’s Feast and Eat Drink Man Woman, which also debuted on the Croisette. But that’s faint praise for a story that, although it’s almost all about fillings, trimmings and toppings, doesn’t seem to have that much content or, more importantly, depth.

Mia Wasikowaska’s newest movie is turning heads on the festival circuit.

Forget about Robin Williams’ Mr. Keating and his iconoclastic sway over his pupils in Dead Poets Society, Mia Wasikowska’s nutrition teacher Miss Novak in the Cannes competition title Club Zero takes inspiring students to a darker level.

Mia Wasikowska is back on the red carpet!

Rebecca Rubin Film and Media Reporter “Club Zero,” a teen-cult thriller from director Jessica Hausner, may have Cannes Film Festival attendees thinking twice about ordering that second croissant on the Croisette. The movie, which preaches the art of “conscious eating” and will definitely force viewers to consider the way they consume food, may be one of the more polarizing titles to debut at this year’s festival. Still, it earned afive-minute standing ovation at Monday night’s premiere. In the film, Mia Wasikowska, a favorite from “Jane Eyre” and “Alice in Wonderland,” stars as the nutrition teacher from hell at an elite prep school. It all starts innocently, as teen cults are wont to do, with Miss Novak instructing her students that eating less is healthy, for themselves and for the environment. By the time the other educators and parents take note, an unthinkable reality has already started to unfold.

Owen Gleiberman Chief Film Critic Jessica Hausner, the director of the supremely audacious and disturbing eating-disorder thriller “Club Zero” (yes, I used the words “eating disorder” and “thriller” in the same sentence — that’s the kind of boundary-smashing movie this is), has the potential to be an important filmmaker. Her last movie, “Little Joe” (2019), a sci-fi creep-out about a sinister strain of houseplant, was really a dark-as-midnight parable of the psychotropic-drug era. “Club Zero” won’t be for everyone, but Hausner, channeling some combination of Hitchcock and Cronenberg and “Village of the Damned” and the Todd Haynes of “Superstar: The Karen Carpenter Story,” has now made an even more gripping and provocative mind-fuck.

Bleak, clean spaces arranged in ominously geometrical order: Jessica Hausner’s eye for threatening design was destined to alight, sooner or later, on a boarding school. Our first glimpse of the expensive English boarding school for talented teenagers is from somewhere on the ceiling, from where we watch students in a sporty pan-gender uniform – long shorts and shirts in a sickly acid green, surely the color of nausea – moving stackable plastic chairs to form a circle.

A man has died after two people got into difficultly in the water at a Perthshire beauty spot.