Gold House Teams With NALIP, RespectAbility & Color Of Change For Inaugural #OneOpen Box Office Campaign To Support Marvel’s ‘Eternals’

back in August as Sony’s “Ghostbusters: Afterlife” is No. 1 with $16.5 million grossed from 4,315 locations and an estimated opening of $40.5 million.

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Jordan Moreau Halloween may be over, but the ghosts are here to stay. “Ghostbusters: Afterlife” picked up $4.5 million in Thursday previews.The spooky Sony sequel is expected to generate a three-day total of around $27-30 million, taking a first-place finish at the domestic box office over fellow releases “King Richard” from Warner Bros.

“Ghostbusters: Afterlife,” the latest revival of the “Ghostbusters” ’80s comedy franchise, made $4.5 million in Thursday preview screenings that began at 4 p.m. from 3,450 locations, including IMAX and PLF screens.

Rebecca Davis editorJust after China’s long National Day holiday on Oct. 10, Chinese social media was plastered in red-and-gold memes and posts celebrating the annual box office to date hitting the $6.26 billion (RMB40 billion) mark.

In the wake of Sony’s attempt to reboot Ghostbusters in 2016 with a leading female cast, the studio hasn’t given up on the IP and is finally releasing an all-new Jason Reitman-directed sequel Ghostbusters: Afterlife, which they’ve protected for a theatrical release throughout the pandemic.

Rebecca Rubin Film and Media ReporterSony’s supernatural comedy sequel “Ghostbusters: Afterlife” is aiming to generate $30 million from 4,300 theaters in its domestic box office debut.The final weekend figure could vary slightly, with the studio predicting a three-day tally near $28 million and independent tracking services estimating a start closer to $35 million. In any case, the PG-13 “Ghostbusters: Afterlife” is eyeing a first-place finish on domestic box office charts.

Naman Ramachandran Disney release “Eternals” continued to rule the U.K.

Halle Berry spoke about that “Catwoman” tweet with Jimmy Kimmel on his show Monday.

Rebecca Rubin Film and Media ReporterMarvel’s comic book epic “Eternals” is once again dominating over domestic box office charts.In its second weekend of release, the superhero adventure has collected a leading $27.5 million from 4,090 North American theaters. Through Sunday, “Eternals” crossed the $100 million mark in the U.S.

J. Kim Murphy administrator“Eternals” will keep its crown at the domestic box office, as the Marvel entry is projected to repeat as No.

Rebecca Rubin Film and Media ReporterParamount’s family friendly adventure “Clifford the Big Red Dog” pulled in a solid $2.3 million on its first day in theaters.The film, which is playing simultaneously in 3,407 North American cinemas and on the streaming service Paramount Plus, opened on Wednesday to take advantage of the Veterans Day holiday weekend.

Paramount will continue to experiment with a theatrical day-and-date release model during the pandemic with eOne’s Clifford the Big Red Dog, a live-action CGI hybrid take of the 1963 Scholastic children’s book classic which hit theaters today at 1:30PM, goes wide tomorrow at 3,695 theaters and also drops on Paramount+. The movie is expected to do between $15M-$17M over its five days, which includes Veterans Day when close to half K-12 schools are off for the holiday.

Broadway box office was up about 16% last week, with three new productions joining the playing roster and all 30 of the shows taking in a combined $22,855,192.

Rebecca Rubin Film and Media ReporterDisney’s superhero adventure “Eternals” debuted to $71 million at the domestic box office, a tally that would typically be labeled a “disappointment” in the blockbuster Marvel Cinematic Universe.Marvel movies rarely miss at the box office; all 26 movies have opened at No. 1 in North America and many recent installments (pre-pandemic, of course) have ultimately glided by the $1 billion mark globally with ease.

Patrick Frater Asia Bureau ChiefMarvel movie “Eternals” enjoyed the biggest opening weekend of any film this year in South Korea.

No Time to Die” dropped by 59% in its second weekend at the Chinese box office. But it still held on to the top spot in the Middle Kingdom.Data from Artisan Gateway showed that “No Time to Die” scored $11.4 million between Friday and Sunday.

By comparison, Searchlight’s “The French Dispatch” grossed $1.34 million from just 52 screens on its opening weekend and then expanded to 788 screens and added $2.6 million the following weekend.

Neon’s Spenser with Kristin Stewart rang in an opening weekend of $2.149 million on 996 screens, a per screen average of $2,158 as the film failed to connect in a market that remains a stubbornly hard sell for specialty and independent films.