Alexei Navalny’s sacrifice for democracy is being recognized in the place where the concept of government by the people first flourished.
20.02.2024 - 07:43 / variety.com
Ed Meza @edmezavar Since its establishment in 2018, Gaumont Germany has produced a wide range of series and TV movies, among them such timely shows as the critically acclaimed “Deutsches Haus” (“The Interpreter of Silence”), which was nominated for the Critics Choice Awards, and the Ukrainian series “In Her Car.” A subsidiary of the French entertainment powerhouse, the Cologne and Berlin-based company also created such ambitious shows as Netflix’s historical epic “Barbarians” – the first season of which was one of the streamer’s most successful non-English-language series worldwide – and the award-winning Sky Original comedy “The Wasp,” about a professional dart player seeking to return to his former glory. Discussing the company’s latest productions, Gaumont Germany President Sabine de Mardt says it’s important to combine broader entertainment with relevance, something both “The Interpreter of Silence” and “In Her Car” offer.
“’The Interpreter of Silence,’ in particular, even though it’s a period story, is sadly topical, in times of rising antisemitism and a political shift to the right that we can feel all over the world.” Produced for Disney+ and based on the novel by Annette Hess, who also created and wrote the series, “The Interpreter of Silence” is the story of a young woman in 1963 whose life changes when she is hired as a translator for the Frankfurt Auschwitz trials. “While we show the court case itself, the focus lies on the psychological trauma that influenced generations also after the war.
Only the conscious confrontation with this trauma is the basis of change and understanding. Of course, this relevance is something that is driving us.” “It’s a great challenge to combine both, broad entertainment with
.Alexei Navalny’s sacrifice for democracy is being recognized in the place where the concept of government by the people first flourished.
Leo Barraclough International Features Editor Following its world premiere in the competition section of the Berlin Film Festival, Beta Cinema has revealed first sales across Europe and to Australia and New Zealand for Andreas Dresen’s “From Hilde, With Love.” The drama about anti-Nazi activists in Berlin, which is led by “Babylon Berlin’s” Liv Lisa Fries and introduces Johannes Hegemann in his first big screen appearance, will be released in France by Haut et Court, in Italy by Teodora and throughout Scandinavia by Angel Films. Beta Cinema also closed deals for Benelux (September Film), Portugal (Outsider), former Yugoslavia (Discovery), Hungary (Cirko) and Czech Republic (Film Europe). Palace Film picked up the film for Australia and New Zealand.
Former HBO Europe execs Johnathan Young and Ioanina Pavel have resurfaced with their own indie.
Elsa Keslassy International Correspondent A rare flagship indie producer left on the French market, Bruno Nahon‘s Paris-based company Unité is preparing to conquer international audiences with “Rematch,” a period psychological thriller chronicling the historical battle between world chess champion Garry Kasparov (Christian Cooke, “That Dirty Black Bag”), and IBM’s supercomputer Deep Blue in 1997. The sprawling show, directed by Yan England (“The Red Band Society”) and co-created with Nahon and André Gulluni (“Sam”), was commissioned by Arte in France and has already been sold by Federation Studios to major outlets around the world, including HBO Europe for Spain, Portugal, the Nordics, Iceland, Baltics, Central Europe, Greece and the Netherlands.
Elsa Keslassy International Correspondent Michael Fassbender is in negotiations to star in “The Department,” an espionage thriller series directed by George Clooney. Set to start shooting in London this spring, “The Department” is based on “The Bureau,” the hit French spy show created by Eric Rochant. It has already been given a straight-to-series order by Showtime.
Rafa Sales Ross Guest Contributor Germany’s Beta Film is introducing at the London TV Screenings the first episode of “Maxima,” a six-part drama about the love story between future Queen Maxima of the Netherlands and the then Dutch Crown Prince Willem-Alexander. The series is produced by Millstreet Films “The Neighbors”), with Videoland (RTL Netherlands) holding Dutch broadcasting rights.
Emiliano De Pablos U.K.-based distributor DCD Rights has pre-sold the fourth season of New Zealand’s mystery drama “My Life Is Murder” to a raft of territories ahead of its Feb. 27 official launch at the London Screenings. Starring Lucy Lawless (“Top of the Lake,” “Spartacus,” “Xena: Warrior Princess”), the series’ brand new season rights have been secured by YLE Finland, TV2 Denmark, Quebecor Content Canada and Yes DBS Israel.
John Hopewell Chief International Correspondent Is this now an age of TV caution? A brace of big swings at this week’s London TV Screenings belie that trend, and few come bigger than the English-language action thriller “Paris Has Fallen,” which Studiocanal launches at this week’s London TV Screenings. Like other major LTVS plays, it takes a mainstream genre – such as, elsewhere, the historical drama (“Wolf Hall: The Mirror and the Light”), true crime (“A Cruel Love: The Ruth Ellis Story”) and the bio (“So Long, Marianne”) – and aims to elevate them to another level.
Anatomy of a Fall French producer Marie-Ange Luciani put in a flying appearance at the Berlinale this week with Claire Burger’s coming-of-age drama Langue Étrangère which received a warm reception in competition.
Carey Mulligan and Adam Sandler are hitting the red carpet at the 2024 Berlinale International Film Festival.
Elsa Keslassy International Correspondent “Black Tea,” Abderrahmane Sissako‘s lushly lensed romance drama set in China, has been bought by major distributors in key territories ahead of its world premiere in competition at the Berlin Film Festival. Gaumont, which co-produced the film, has sold it to Caramel (Spain), Academy two (Italy), Pandora Films (Germany, Austria), Cineart (Benelux), Films4you (Portugal), Provzglyad (CIS), Mozinet (Hungary), Another World Entertainment (Norway), Film Bazar (Denmark), MCF Megacom (Former Yugoslavia, Albania), Filmstop (Latvia, Estonia), MB Taip Toliau (Lithuania), Imovision (Brazil), AV Jet (Taiwan), Falcon (Indonesia), Pathé BC (Sub-Saharan Africa, Maghreb) and New Cinema (Israel).
Nick Vivarelli International Correspondent Italian singer-songwriter Margherita Vicario’s directorial debut “Gloria!” has scored a slew international sales ahead of its world premiere in the Berlin Film Festival competition. RAI Cinema International Distribution has sealed deals to nine territories on Vicario’s vibrant musical comedy set in a late 18th century Venetian female orphanage where a young rebel named Teresa leads a group of performers to challenge classical canons and invent a precursor to pop music.
Rafa Sales Ross Guest Contributor Industry executives, creatives and international buyers came together to preview an exclusive selection of upcoming high-end German series at the Up Next: Germany showcase at the Berlinale Series Market, the dedicated serial content arm of the EFM running between Feb. 19-21. Four projects were selected for the showcase: Dystopian drama “A Better Place” imagines the aftermath of a revolutionary state-led program that eradicates all German prisons.
Elsa Keslassy International Correspondent Playtime has had a busy EFM, where it’s locked a raft of major deals on “The Devil’s Bath,” a period psychological thriller in competition at the Berlin Film Festival. “The Devil’s Bath” is directed by Veronika Franz and Severin Fiala, the Austrian filmmaking duo behind “Goodnight Mommy.” Set in rural Austria in 1750, “The Devil’s Bath” stars Anja Plaschg, the up-and-coming singer and composer known as Soap & Skin. Plaschg plays Agnes, a young married woman who feels oppressed in her husband’s world, which is devoid of emotions and limited to chores and expectations.
Marta Balaga As the Berlinale Series Market celebrates its 10th anniversary, series continue to stand “side by side” with films at the German fest, observes EFM director Dennis Ruh. “BSM continues to be a beacon for all aspects of serialized content, even in years where space feels tighter with less films and series, giving selected titles more exposure,” he says, mentioning a “vibrant influx” of international professionals eager to showcase their shows.
Ed Meza @edmezavar Mehmet Akif Büyükatalay’s suspense drama “Hysteria” offers a timely look at Germany’s diverse West Asian community and the subtle racism and hypocrisy that often permeates liberal discourse about immigrants and foreign cultures. “Hysteria” centers on a provocative film being shot by a Turkish-German director about racist arson attacks on German migrant residences in the 1990s. When a Quran goes up in flames during the shoot, the Arab extras on set are outraged, resulting in a set fraught with tension.
Christopher Vourlias Greek filmmaker Yorgos Zois, who’s set to bow his sophomore feature, “Arcadia,” in the competitive Encounters strand of the Berlin Film Festival Feb. 18, is developing his first TV series. “Play” follows a lone cinephile who joins a mysterious group of strangers that reenact scenes from movies in real life.
Elsa Keslassy International Correspondent Highland Film Group has locked key territory deals for sci-fi thriller “The Astronaut” from “A Quiet Place” producer Brad Fuller Pic stars Kate Mara (“A Teacher”), Laurence Fishburne (“John Wick” films) and Gabriel Luna (“Terminator: Dark Fate”). The film wrapped shooting late last year in Ireland. “The Astronaut” has sold to Signature Entertainment for the U.K., Capelight Pictures for Germany, Blue Swan Entertainment for Italy, Nos Lusomundo Audiovisuais for Portugal, DeAPlaneta for Spain, Spentzos Film for Greece, Cinemania Group for former Yugoslavia, Shoval Film Production for Israel, Falcon Films for the Middle East, Filmfinity for South Africa and Roadshow Films for Australia and New Zealand.
Alex Ritman “The Outrun,” the adaptation of Amy Liptrot’s deeply raw and lyrical 2016 memoir about addiction, recovery and nature, premiered in Sundance this year to stellar reviews, with many awards prophets already suggesting that the film could take Saoirse Ronan — who stars in and produces the film — back to the Oscars in 2025. For producer Sarah Brocklehurst, the Sundance premiere also marked something of an enjoyable full circle, landing almost five years to the day after the Sundance 2019 debut of “Animals.” The film, which screens at the Berlin Film Festival, also marks the first feature from her Brock Media banner.
Emiliano De Pablos Pink Parrot Media, the Montreal and Madrid-based international sales house, has revealed a flurry of deals for the German-Canadian CG animated fantasy feature “Elli and Her Monster Team!,” which is making its market premiere at the EFM. Underlining the appetite for toon family features by European distributors, the film has been sold to Just Entertainment in Benelux, Bim Distribuzione in Italy, NOS Lusomundo in Portugal, Flins&Piniculas in Spain and GPI for Baltics. “Elli” has also been acquired by Pro Films in Bulgaria, Rocket Releasing for CIS, Forum (Czech Republic/Slovak), MCF Megacom Film (Former Yugoslavia), Cinetel (Hungary), Forum for Poland, Romania and Israel, and Front Row in the Middle East.