French Box Office Surges 19% in 2023, Bolstered by Healthy Mix of Hollywood Blockbusters and Local Releases

Zack Sharf Digital News Director Jodie Foster said at the Variety Studio presented by Audible while at the Sundance Film Festival that the $1.4 billion success of “Barbie” helps prove that Hollywood no longer views women directors as too much of a risk. That wasn’t always the case, as Foster often saw women filmmakers being marginalized during her career ascent in Hollywood. “I’ve had the beauty of being able to be in the business since the ’60s, ’70s, ’80s, ’90s and so on,” Foster said to Variety’s Rebecca Rubin.

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Justine Triet’s Cannes Palme d’Or Anatomy Of A Fall continued its buzzy awards season career on Thursday as it clocked up seven BAFTA nominations, including best director and film.The drama was also nominated for best original screenplay, film not in the English language, actress for Sandra Hüller, casting and editing.

Martin Scorsese’s epic Killers of the Flower Moon was named Best Picture at the AARP Movies for Grownups Awards, which were revealed today. The pic also took Best Supporting Actor for Robert De Niro. See the full winners list below.

Caroline Brew editor “Killers of the Flower Moon” won best picture at AARP The Magazine’s Movies for Grownups Awards, which spotlights films and TV content that speaks to a 50-plus audience. “It’s been a good year for shows and movies by and for people over 50,” AARP TV and Film Critic Tim Appelo said in a statement.

EXCLUSIVE: Finnish director Aki Kaurismäki has achieved his best global box office in a decade with Cannes Jury Prize winner Fallen Leaves which has racked up a total gross of $12.4M, according to figures released by its producers.

Naman Ramachandran Warner Bros.’ “Wonka” continued its reign over the U.K. and Ireland box office with £2.2 million ($2.8 million), according to numbers from Comscore. After six weekends at the box office, the Timothée Chalamet starrer has a sweet total of £56.1 million.

French cinema saw its fortunes rise at the international box office in 2023 after three difficult Covid-19 and post pandemic years, according to the annual report of export agency Unifrance released on Tuesday.

Jodie Foster has opened up about watching Greta Gerwig’s Barbie last year, while reflecting on the history of female directors in Hollywood.In a new interview with Time, Foster was asked about an interview she did with the publication in 1991 where she spoke about the lack of opportunities for women in the industry. In the same interview, she said she hoped there would be an “old-girl network” in Hollywood one day, at a time when there were few opportunities for women in the industry – especially in terms of directing and lead roles.Looking back at the interview, Foster said: “Sometimes I read things I said in my [twenties] and I’m like, really? But that’s a pretty good one.

Patrick Frater Asia Bureau Chief Fish out of water comedy film “Jonny Keep Walking” kept its place at the top of the mainland China box office in its third week of release. Two newcomers broke into the top five, comedy “Follow Bear for Action” and imported action title “The Beekeeper.” “Jonny,” in which a man from the countryside struggles to hold down a corporate job in a big city, earned $19.7 million (140 million), according to data from consultancy Artisan Gateway. That was another strong hold after an opening weekend of $26.1 million (on Dec.

Karen Idelson Though there are still those who view animation primarily as a kids or family form of entertainment, over the last year many of the most challenging, risky stories have been told by the modern masters of animation. Films like “Suzume,” “The Peasants” and “The Boy and the Heron” have all been lauded for taking on compelling stories that often attract more adult audiences or even becoming crossover hits that draw diverse viewers. Makoto Shinkai’s “Suzume” earned well over $300 million in international box office.

Nick Vivarelli International Correspondent Italy’s box office revenue rose in 2023 to €495 million ($542,000) while the country’s admissions tally reached 70.5 million, representing a roughly 60% increase compared with 2022. Though Italian moviegoing figures – announced Wednesday in Rome by national box office compiler Cinetel – mark a substantial leap forward, they are still down roughly 23% compared with the country’s average box office intake during the period between 2017 and 2019. Prior to the pandemic, the benchmark of a good year was considered 100 million admissions.

Marc Malkin Senior Editor, Culture and Events Olivia Rodrigo hasn’t completely abandoned her acting career for music. The “Vampire” singer tells me she’d love to star in a film. “I love movies, I love telling stories,” Rodrigo said at the Academy’s Governors Awards on Tuesday night in Hollywood.

Jaden Thompson AARP The Magazine has announced the nominees for the annual Movies for Grownups (MFG) Awards. “Barbie,” “The Color Purple,” “Killers of the Flower Moon,” “Maestro” and “Oppenheimer” will contend for best picture/best movie for grownups.

AMC Entertainment stock fell 2% today and dropped 15% this week to establish a new all-time, split-adjusted low of $5.17.

Patrick Frater Asia Bureau Chief Chinese-produced movies took all of the top ten chart places at the China box office as theatrical revenues in 2023 rebounded strongly. Gross revenues reached an annual total of RMB54.9 billion or $7.73 billion. That was an 83% improvement on the previous year, according to data from China Film Administration, but still 14.5% adrift of 2019, the last pre-COVID year, when grosses hit RMB64.3 billion.

Naman Ramachandran Warner Bros.’ “Wonka” continued its golden run at the U.K. and Ireland box office with £6.6 million ($8.4 million) over the Dec. 29 weekend.

French exhibitors can start 2024 with renewed confidence as new figures released by the National Cinema Center (CNC) show that audiences are heading back to the big screen.

Brent Lang Executive Editor Despite the box office success of Greta Gerwig’s “Barbie” and Elizabeth Banks’ “Cocaine Bear,” female directors are not getting the same opportunities in Hollywood as their male counterparts. At the same time, major studios, which pledged to reexamine their employment practices in the wake of George Floyd’s murder, fail to produce many films from people of color. That’s the stark findings of a new report by USC Annenberg’s Inclusion Initiative, which calls the entertainment industry’s pledges to support inclusion “performative acts” and “not real steps towards fostering change.” It’s the second report in as many days to find that despite some important box office milestones for female filmmakers — “Barbie” was both the year’s most successful film and the highest-grossing movie ever directed by a woman — studios still give their highest-profile gigs to male directors.

MONDAY AM writethru: Yes, Virginia, there is a Santa Claus, and he’s delivering the motion picture industry a $9 billion-plus year at the domestic box office, a feat many thought was unimaginable with the lack of a mega-tentpole over the holiday, coupled by a Q4 impacted by the double strikes. The numbers were compiled from Comscore data and Deadline calculations. Comscore called 2023 at $9.03 billion yesterday.