French Actor-Producer Elsa Zylberstein Prepares Christian Dior Biopic Movie (EXCLUSIVE)

Elsa Keslassy International Correspondent Yellow Veil Pictures, the U.S.-based arthouse genre distribution company, has acquired North American rights to Belgian director Claude Schmitz’s deadpan detective thriller “The Other Laurens.” The feature debut world premiered at Cannes’ Directors’ Fortnight and will have its North American Premiere at Fantastic Fest which kicks off Sept. 23 in Austin, Texas. Yellow Veil Pictures plans for a theatrical release in 2024.

Christopher Vourlias Polish filmmaker Agnieszka Holland has remained defiant despite a wave of vicious political attacks and online hate speech as she prepares to release her Venice Special Jury Prize-winning refugee drama “Green Border” in Poland on Sept. 22.

Elsa Keslassy International Correspondent Prime Video and Gaumont (“Intouchables”) are teaming up on an uplifting mother-son drama tackling disability, directed by Ken Scott (“Starbuck”), and starring French actors Leïla Bekhti (“All Your Faces”) and Jonathan Cohen (“Sentinelle”). Scott penned and will be directing the film which is titled “Ma mère, Dieu et Sylvie Vartan” and is based on Roland Perez’s novel by the same name. The project is the first theatrical film that Amazon Prime Video is co-financing as part of the French decree that kicked off in July 2021 and stems from the implementation of the European Commission’s legislation called Audiovisual Media Services Directive (AVMS).

Elsa Keslassy International Correspondent Norwegian filmmaker Joachim Trier will next direct “Sentimental Value,” a family drama starring Renate Reinsve, who won best actress in Cannes for her role in Trier’s Oscar-nominated 2021 film “The Worst Person of the World.” “Sentimental Value” will follow Nora (Reinsve), an actor, and her sister Agnes, who are grieving the loss of their mother while their father Gustav reappears in their lives after a long absence. Gustav, a once-celebrated filmmaker, has written a script for a comeback movie and offered the main part to his daughter Nora, but she categorically refuses the role.

Elsa Keslassy International Correspondent Charades has closed multiple deals on “There’s Something in the Barn,” Magnus Martens’s (“Fear the Walking Dead”) comedy horror movie from “Dead Snow” producers at 74 Entertainment and XYZ Films. The English-language movie is headlined by Martin Starr (“Freaks and Geeks,” “Spider Man”), Amrita Acharia (“Game of Thrones”) and Jeppe Beck Laursen (“The Last Kingdom”).

Elsa Keslassy International Correspondent Natalie Portman may be an outspoken feminist and co-founder of a female-driven soccer club (Angel City FC), but she isn’t a believer in the so-called “female gaze.” In an interview with Vanity Fair France for the magazine’s 10-year anniversary issue, conducted prior to the SAG-AFTRA strike, Portman argued that “to say that a female director has a particular gaze is reductive of women’s individuality and points of view.” The Harvard-educated actor also said that gender isn’t a factor when she chooses projects. “Female directors should have the same opportunities as their male counterparts.

Elsa Keslassy International Correspondent The political backlash surrounding Agnieszka Holland’s Venice Special Jury Prize-winning refugee drama “Green Border” hasn’t kept the movie from being a hot seller. The film explores the injustice and terror perpetrated at the Polish-Belarusian border from the perspective of refugees, Polish activists and border guards.

EXCLUSIVE: U.S. and UK-based production, sales and financing company Alliance Media Partners (Amp) has signed a non-exclusive genre co-production deal with Quebec-based producer Philip Kalin-Hajdu.

Elsa Keslassy International Correspondent Paris-based leading distribution company ARP Selection has bought a pair of U.S. indie gems from the fall festival circuit, Shane Atkinson’s feature debut “LaRoy” and Sofia Coppola’s “Priscilla.” “LaRoy,” a neo-noir Western comedy with Coen brothers influences, just won three major prizes at the Deauville Film Festival, including the Grand Prize, Audience Award and Critics Prize; while “Priscilla” world premiered at the Venice Film Festival and won best actress for Cailee Spaeny.

Elsa Keslassy International Correspondent While at the Deauville American Film Festival to present “May December,” Todd Haynes spoke to Variety, during a one-on-one interview at the Royal Hotel, about bringing Natalie Portman and Julianne Moore together in a film for the first time, provoking audiences and pushing against American conservatism. Haynes, who is attending Deauville with his producers Christine Vachon and Sophie Mas, also teased his next directorial effort starring Joaquin Phoenix, a “sexually explicit” movie telling a “love story between two men set in the 30s.” Loosely based on the story of Mary Kay Letourneau, the teacher who had an affair with her 6th grade student, “May December” has already earned awards buzz since world premiering in competition at the Cannes Film Festival, where it was bought by Netflix. In France, the movie will be released by ARP Selection in January.

Elsa Keslassy International Correspondent “Vogter,” a psychological thriller directed by Gustav Möller, whose previous film “The Guilty” won the Audience Award at Sundance, has been pre-sold by Les Films du Losange to multiple territories. “Vogter,” which was just completed and is now in post, has been picked up for Germany, Austria, Switzerland (Ascot Elite), Spain (La Aventura), Italy (Movies Inspired), Japan (Happinet Phantom Studios), Belgium, Netherlands, Luxembourg (Cineart), Estonia, Latvia, Lithuania (Kino Pavasaris) and Hungary (Vertigo). Les Films du Losange has closed these deals since unveiling the project at Cannes and is negotiating further sales in other key territories.

Ellise Shafer For years, D.W. Waterson’s go-to performance look for their DJ sets was a purple cheerleading uniform. “For some reason, it just really gets the audience going,” Waterson tells Variety.

Elsa Keslassy International Correspondent Chinese director Bi Gan, whose 2018 film “Long Day’s Journey into Night” played at Cannes, will next direct “Resurrection.” The ambitious sci-fi detective movie is to be headlined by Chinese superstar Jackson Yee (“Better Days”) and Taiwanese actor Shu Qi (“The Assassin”) who sits on this year’s Venice jury. Boasting Bi’s edgy aesthetic and narrative style, the film tells the story of a woman whose consciousness falls into the “eternal time zone” during a surgical procedure.

Elsa Keslassy International Correspondent French TV sales broke an all-time record of €214.8 million ($230 million) in 2022, a 15.4% year-on rise, bolstered by premium TV series such as Newen’s procedural “HPI,” Federation’s spy series “The Bureau” and Banijay’s period show “Marie Antoinette,” according to a study unveiled by the National Film Board and promotion org Unifrance. The French org credited the spike in French TV exports to the end of the pandemic and the delivery of fresh content, as well as the return of in-person markets and business travel. French linear channels still remain the main buyers of local TV content, accounting for 49% of sales, on par with 2021.

Elsa Keslassy International Correspondent French director Edouard Bergeon, whose Cesar-nominated debut feature “In the Name of the Land” was a box office hit in 2019, has penned another eco-thriller, “The Green Deal.” The movie, which is partly set in the Indonesian forest, has been boarded by Playtime and will be pitched to buyers at the Toronto Film Festival. “The Green Deal” explores crimes and colliding interests in the exploitation of a palm oil and the production of biofuels.

Elsa Keslassy International Correspondent French director Edouard Bergeon, whose Cesar-nominated debut feature “In the Name of the Land” was a box office hit in 2019, has penned another eco-thriller, “The Green Deal.” The movie, which is partly set in the Indonesian forest, has been boarded by Playtime and will be pitched to buyers at the Toronto Film Festival. “The Green Deal” explores crimes and colliding interests in the exploitation of a palm oil and the production of biofuels.

Elsa Keslassy International Correspondent Woody Allen returned to the Venice Film Festival this weekend for the world premiere of “Coup de Chance,” a romantic thriller that marks his 50th, and he suggests, quite possibly his last, feature film. The French-language film, playing at one of Europe’s major festivals, represents the continued mutual embrace between the director and the continent, after controversies have limited his funding stateside. This accounts for his pondering retirement: Allen says that producing a new movie means hustling to secure backing and at 87, he’s not sure he still wants to do that kind of work.

Elsa Keslassy International Correspondent With fashion-themed films and series building momentum on the festival circuit, Kevin Macdonald’s “High & Low — John Galliano” has been sold by Newen Connect in major territories ahead of its premiere at Telluride. “High & Low — John Galliano,” a documentary portrait of the controversial fashion designer, is produced by Chloe Mamelok and Macdonald through KGB Films, in association with Condé Nast Entertainment.

Elsa Keslassy International Correspondent Luc Besson, the formerly A-list director who rose to the top of the box office with his kinetic action films, had his career derailed by rape accusations leveled against him in 2018 by Sand Van Roy, an actress on his film “Valerian and the City of a Thousand Planets.” The ensuing legal battle consumed five years of Besson’s life, but after being cleared last June of all charges by the Cour de Cassation, the French equivalent to the Supreme Court, he’s re-emerging at this year’s Venice Film Festival with the indie drama “Dogman.” But will the industry work with Besson? That’s one of the questions that we discuss during a lengthy interview at the Plaza Athénée Hotel in Paris on the eve of his big premiere. Besson is evasive about the matter, preferring to talk up his latest effort, the story of a bruised man who faces rejection and finds solace in dogs, as well as dissatisfaction with a movie business that’s become more obsessed with superheroes than style.

Elsa Keslassy International Correspondent After braving a massive backlash over her fiery political speech at the Cannes Film Festival, French director Justine Triet has succeeded in luring wide audiences in local theaters with her Palme d’Or winning film “Anatomy of a Fall.” A courtroom drama exploring the collapse of a marriage and a mother-son relationship, “Anatomy of a Fall” has scored the best B.O. score at the French box office for a Palme d’Or winner since “Blue is the Warmest Color,” the 2013 erotic drama starring Lea Seydoux and Adele Exarchopoulos.