France’s CNC Sets Carbon Footprint Stipulations In Return For Support
16.09.2022 - 15:03 / variety.com
Elsa Keslassy International Correspondent France’s broadcasting group, France Televisions, launched Slash, a niche platform skewing millennials, as part of its efforts to keep its brand relevant among younger viewers. In five years, the service has become one of France’s biggest showcases of daring scripted content created by and starring diverse talents. Slash, which is accessible on the pubcaster’s streaming service France.tv and is headed by former screenwriter Sened Dhab, has been consistently delivering hit shows. Recent examples include Noé Debré’s Brexit-themed political satire “The Parliament,” Simon Bouisson’s “Stalk,” a thriller about cyber bullying, and “Skam,” the local adaptation of the Norwegian series about troubles teenagers.
Although the platform’s content is primarily aimed at adolescents and young adults, a number of shows have become popular among older demographics. Dhab told Variety that shows commissioned by Slash stand out because they tend to be “edgier, engaging and have a different tone” than series airing on the linear channels of France Televisions. “We don’t have the same budgets than series that are made for France Televisions ‘s linear programming, so we’re putting the emphasis on having strong concepts that have a clear marketing hook, and we’re interested in projects that have a local grounding in terms of their social and cultural theme,” said Dhab, adding the platform’s mandate was also to showcase diverse, emerging talents in front and behind the camera. Having a local flavor hasn’t kept Slash series from traveling abroad and even attracting remake options. An English-language remake of “Stalk” is currently being developed by Endeavor Content, in association with
France’s CNC Sets Carbon Footprint Stipulations In Return For Support
Activision Blizzard‘s chief compliance officer.In a company email sent out on Thursday (September 29), CEO Bobby Kotick announced staff that Townsend would be stepping down from her position after less than two years at the Call Of Duty publisher (via The Wall Street Journal).“She [Frances Townsend] tirelessly and successfully navigated a challenging time for the Company with leadership, conviction, and grace,” wrote Kotick in the email. Despite leaving her position, Townsend will continue as an official advisor to Kotick and to Activision Blizzard’s board of directors.Activision Blizzard spokesperson Rich George went on to provide Kotaku with a copy of the company email, which further detailed Townsend’s departure and explained that the company is moving closer to completing the merger with Microsoft.Her role will be taken over by the current senior vice president of ethics and compliance, Jen Brewer, who will be promoted to chief ethics and compliance officer after being at the company for 10 years.Prior to joining Activision Blizzard as chief compliance officer, Townsend served as the assistant for homeland security and counterterrorism to President George W.
Anna Marie de la Fuente In a clear vote of confidence for Colombian director Juan Sebastián Mesa, Bordeaux-based Dublin Films has boarded his third film “Lovers Go Home!” The company also co-produced Mesa’s lauded sophomore pic, “The Rust.” “Lovers Go Home!” centers on a Colombian single mom who leads a double life as a webcammer. One day she meets a U.S. veteran online who becomes obsessed with her. He flies to Colombia to meet her in person. Their meeting makes them reflect on who they truly are. In development, the project participated in this year’s Europe-Latin America Co-Production Forum, one of San Sebastian Film Festival’s key industry events, which ran over Sept. 19-21.
Elsa Keslassy International Correspondent German media group Bertelsmann is expected to weigh in over the weekend on the offers it received for RTL Group’s 48.3% stake in M6 Group, France’s second largest commercial TV group. Bertelsmann put M6 Group back on the market a little over a week ago, after its planned merger with Bouygues-owned TF1 Group was abandoned due to a number of competition concerns raised by France’s anti-trust board. Bertelsmann’s chief executive Thomas Rabe asked to receive non-binding offers by Sept. 23 to test the market and received offers from three major bidders, according to Le Point.
Love is a battlefield in 18th century France in the twisted new trailer for the Starz series “Dangerous Liaisons.” In the newly released clip, boy meets girl, boy falls in love with girl, boy keeps playing the role of a gigolo and after a series of events, girl is left broken-hearted. And then the two lovers turn on each other. Alice Englert plays Camille, and eventually the Marquise de Merteuil, while Nicholas Denton stars as the Vicomte de Valmont.
EXCLUSIVE: Fresh off her feature directorial debut world premiere of Emily at TIFF, actress-turned-filmmaker Frances O’Connor has inked with WME.
Former Sky Exec Kylie Munnich Named Goalpost Pictures CEO
Ben Croll Barreling across a rugged 2D terrain marked by the inky lines and earth tones of the page, a young Native American boy named “Anuki” made his industry debut at a Cartoon Forum pitch session last week in Toulouse. Produced by Pierre Meloni and directed by Yulia Aronova and Eloïc Gimenez, the fast-paced short-form development project marks the latest effort from venerable French studio Folimages – the animation house behind the Oscar-nominated “A Cat in Paris” and last year’s Annecy prizewinner “Vanille.” Now, Folimages is back with a comic book adaptation that feels, in so many ways, like the scenes from page brought to vivid life. Fully embracing the graphic style of creators Stéphane Senegas and Frédéric Maupomé’s source comic – a bestselling, five volume series that has quickly become a modern and ubiquitous touchstone across France – “Anuki” follows the adventures of a mischievous boy living in a mythic and pre-modern natural landscape.
Alice Diop’s Saint Omer has been selected as France’s entry to the best international film category.
Elsa Keslassy International Correspondent German media group Bertelsmann has put its TV group M6, France’s second-biggest commercial broadcaster, back on the market following its abandoned merger with TF1. Bertelsmann’s chief executive Thomas Rabe told the Financial Times that he has asked to receive non-binding offers by Friday to “test the market” after being “inundated with expressions of interest.” Bertelsmann’s RTL Group owns a 48.3% stake in M6 Among those expected to bid are a consortium of high-profile French entrepreneurs including Rodolphe Saadé, the French shipping billionaire; Stéphane Courbit, chairman of TV powerhouse Banijay; and Marc Ladreit de Lacharrière, chairman of the investment vehicle Fimalac, Variety has confirmed.
Europe’s Big Hope: Platforms Really Embracing Cinema In the U.S., the platforms already buy big when it comes to movies. Think Sundance. Europe is another land: Platforms have largely held back much more, thwarted in France, for instance, by regulated windows.
Clayton Davis Variety Awards Circuit section is the home for all awards news and related content throughout the year, featuring the following: the official predictions for the upcoming Oscars, Emmys, Grammys and Tony awards ceremonies, curated by Variety senior awards editor Clayton Davis. The prediction pages are Davis’ assessment of the current standings of the race and do not reflect personal preferences for any film or performance. Like any organization or body that votes, each individual category is fluid and subject to change. Predictions are updated every Thursday. LAST UPDATED: Sept. 20, 2022 CATEGORY COMMENTARY: A large wave of official submissions have been announced with some expected and a few surprising choices. Some early favorites are already out of the running after not being chosen by their respective countries. Pan Nalin’s “Last Film Show” will represent India instead of the global box office smash “RRR” from S.S. Rajamouli, while Monica Stan and George Chiper’s “Immaculate” will define Romania in the race instead of Cristian Mungiu’s “R.M.N.” The Telluride and TIFF hit “Godland” from Hlynur Pálmason was also passed over for “Beautiful Beings” from Guðmundur Arnar Guðmundsson
EXCLUSIVE: Genre firms Pulsar Content and XYZ Films have partnered to handle sales on the Fantastic Fest and Sitges sci-fi drama Tropic, written and directed by Edouard Salier.
Anna Marie de la Fuente In a new deal secured at this week’s San Sebastian Festival, Birgit Kemner’s Manny Films has partnered with Chile’s Storyboard Media to co-produce “Un Buen Día Para Morir” (“A Good Day to Die”), the third feature by Marcelo Ferrari (“Subterra,” “Bombal”). Inspired by the real story of pianist María Paz Santibáñez whose life took a dramatic turn during a protest against General Pinochet’s dictatorship in 1987, the drama turns on 24-year-old piano student Pachi who is shot in the head during a protest against the military regime. Seriously injured and pregnant, she manages to survive and give birth to her daughter. Escaping Chile, she settles in Paris where – against all odds – she fulfills her dream to become a concert pianist.
Finally reunited. The late Queen Elizabeth II will be interred alongside her husband, Prince Philip, after her funeral on Monday, September 19, but their respective ceremonies couldn’t have been more different.
King Charles, members of the royal family and hundreds of world leaders, politicians and other public dignitaries joined in the funeral service for Queen Elizabeth II at Westminster Abbey this morning.
A severely delayed new 999 IT system for Scotland’s fire service hasn’t been delivered four years into a 10 year contract. The £10million command and control software is being delivered by French firm Systel but is yet to go live, the Sunday Mail can reveal.