FKA Twigs to play mother of Jesus in new horror film

FKA Twigs.LaBeouf returned to the red carpet in Cannes to promote his new film, Megalopolis, from director Frances Ford Coppola.FKA Twigs was previously in a relationship with the actor, and after their split came forward with accusations of abuse – citing physical and verbal abuse, sexual battery and emotional distress.She first filed the lawsuit in 2020, and stated that LaBeouf was a danger to women and had slammed her into a car, tried to strangle her and knowingly gave her a sexually transmitted disease.His lawyers responded at the time by saying he did not cause her harm, and the actor has said he denied “each and every allegation” raised against him.On social media, his decision to return to the red carpet at Cannes promoted criticism and a flurry of Tweets.

EXCLUSIVE: Ozark‘s Felix Solia has signed on to star opposite Jacob Moran, Madeleine McGraw and Violet McGraw in The Necklace, a horror film from director Juan Pablo Arias Munoz that heads into production in Atlanta in late May.

Jack Dunn As part of Variety‘s Global Conversations Summit at the Cannes 2024 Film Festival, Variety executive editor Tatiana Siegel sat down with New Zealand Film Commission CEO Annie Murray and Philippa Mossman, head of International Screen Attraction at New Zealand Film Commission, to talk about the country’s thriving film industry. Murray’s most recent project with the New Zealand Film Commission is a pop-up intensive film school by writer and director Jane Campion. Campion has hand-picked a class of ten filmmakers from 300 applicants and is taking them through a two-year program where they will develop and shoot original short films.

Demi Moore is back, baby! ALL THE WAY back!

Diane Kruger is looking stunning on the 2024 Cannes Film Festival red carpet!

Demi Moore‘s new horror film The Substance has landed a perfect score on Rotten Tomatoes after premiering at the Cannes Film Festival.The new film from director and writer Coralie Fargeat is a body horror that focuses on the titular product, which allows people to create a younger and more perfect alter ego.The movie, which also stars Margaret Qualley and Dennis Quaid, made its debut at the festival yesterday (May 19), and critics have shared their praise, with the film debuting with 100 per cent on Rotten Tomatoes.IndieWire called The Substance a “camp-adjacent instant classic [that] aspires to cast off with some of the most spectacularly disgusting body horror this side of The Fly or the final minutes of Akira.”Screen International said that “this potent body horror is executed with skill and compassion, bringing fresh insights alongside generous helpings of graphic gore”.“The Substance draws excellent performances from Demi Moore as a has-been Hollywood star and Margaret Qualley as the younger, prettier version she creates by injecting herself with the titular serum,” they added.Deadline suggested the film is like “David Lynch’s Mulholland Drive fused in a telepod with David Cronenberg’s Dead Ringers“, calling it “the perfect breakout genre movie of the year”.The ongoing Cannes Film Festival recently saw the premiere of Francis Ford Coppola’s long-awaited passion project Megalopolis, which has drawn a mixed reaction including some boos from the audience.The film, which stars Adam Driver as an architect-scientist who wants to improve a fictional version of New York City called New Rome, currently sits at 52 per cent on Rotten Tomatoes.The Guardian called the film “a passion project without passion”, though The

Owen Gleiberman Chief Film Critic Shocking and resonant, disarmingly grotesque and weirdly fun, “The Substance” is a feminist body-horror film that should be shown in movie theaters all over the land. By that, I don’t mean that it’s some elegant exercise in egghead darkness like the films of David Cronenberg, or a patchy postmodern punk curio like “Titane.” Coralie Fargeat, the writer-director of “The Substance,” has a voice that’s italicized, in-your-face, garishly accessible and thrillingly extreme.

Ellise Shafer With only her second film, Coralie Fargeat has gone from admiring body horror king David Cronenberg to being in competition with him at this year’s Cannes Film Festival. Fargeat’s “The Substance,” described as a feminist take on the body horror genre and starring Margaret Qualley and Demi Moore, bows at Cannes on Sunday night, the day before Cronenberg’s latest frightful offering, “The Shrouds,” will do the same.

Jack Dunn Umbrelic Entertainment has unveiled the cast of its upcoming horror film, “The Possession at Gladstone Manor,” which includes Caylee Cowan (“Hypnotic”), Jesse Metcalfe (“John Tucker Must Die”), Charlotte Kirk (“The Reckoning”), Darren Weiss (“Inside Man”), Barbara Crampton (“You’re Next”), William Mapother (“Blackhat”) and Lin Shaye (“Insidious” franchise). Production is currently underway in Kansas City, and AMP’s Anthony Buckner is handling international sales at this year’s Cannes Film Festival. According to an official logline, “The Possession at Gladstone Manor” picks up “when Jamie Black discovers her mother has gone missing [and] resolves to investigate by applying for the same job her mother held at Gladstone Manor.

By Fans wanting to see Penelope Featherington () and Colin Bridgerton (Luke Newton) in might be surprised to learn that when Newton first got the scripts, his initial thought was: How complicated can this story be?“Penelope has been infatuated by Colin ever since the start of season one,” he explains to Glamour over Zoom. “So in my head, there was a clear path: All he needs to do is see what's been right in front of him all this time, and they'll live happily ever after.”Of course, this is Bridgerton.

Brent Lang Executive Editor Archstone Entertainment has acquired international rights to multiple pictures produced by the Todd Slater-run Convoke Media and Brick Lane Entertainment. They include “Succubus,” which was written and directed by R.J. Daniel Hanna (“Hard Miles”) and stars Ron Perlman and Rosanna Arquette.

CGI movie technology, it is getting harder and harder to deliver that true spine-chilling internal fear that makes horror films so great.Gen Z and Gen Alpha kids may arrogantly scoff at retro scary movies, but it hasn’t always been this way.There was once a time when picture-goers were so viscerally terrified by what they were seeing on the big screen that it would trigger powerful physical reactions right there in the theater.During Jaws (1975) people fainted and vomited in the cinema during some of the gruesome scenes, while others stopped going swimming in the ocean altogether out of pure fear.Alfred Hitchcock’s classic film Psycho (1960) sparked mania during the infamous shower stabbing scene, with reports of people hyperventilating and passing out in their cinema chairs.However, one of the most horrifying movies to ever hit the big screen, causing widespread panic, fear and repulsion, is William Friedkin’s The Exorcist (1973).Based on William Peter Blatty’s 1971 novel, the film follows the demonic possession of a young girl and her mother’s attempt to rescue her through an exorcism by two Catholic priests.With some wildly disturbing scenes, including some bizarre 360 degree head spinning, eerie spider-walking on the stairs and some disgusting projective lime-green vomit, it shocked those 1970s audiences to their core.One particular vulgar scene involving a crucifix — that is too crude to describe here — shocked and upset many, especially considering the percentage of people who were religious back then.The flick was so scary that even renowned Chicago Sun-Times film critic Roger Ebert was at a loss for words about how it made him feel.“I am not sure exactly what reasons people will have for seeing this movie; surely

Patrick Frater Asia Bureau Chief Uncork’d Entertainment has pre-bought multi-territory rights to upcoming Argentinian-produced action-horror film “Eyes of the Abyss” ahead of its showcase in Cannes next week. Uncork’d has picked up the film, which is currently in post-production, for North America, the U.K. and Ireland, Australia and New Zealand.

Sebastian Stan and Lily James are teaming up once again!

Christopher Vourlias Ukrainian production powerhouse Film.UA is developing a bone-chilling slate of horror films all set within the same cinematic universe, the company revealed exclusively to Variety on the eve of this year’s Cannes Marché du Film. Steeped in local folklore and delving into the rituals, sorcery and mysticism that are woven into the fabric of Ukrainian culture and mythology, the films will transport viewers into a realm where ancient powers stir and darkness reigns, unspooling stories that are rooted in historical and cultural facts and set against the backdrop of current events.

Travis Kelce is getting the Ryan Murphy treatment!

FKA twigs danced the night away after the 2024 Met Gala at an after party that she hosted!

Nicolas Cage has a knack for picking interesting films lately. Even if the final product isn’t so great, there’s no denying Cage likes to perform in films that are unique.

EXCLUSIVE: Nicolas Cage, FKA Twigs, Noah Jupe and Souheila Yacoub are set to star in Egyptian-American director Lotfy Nathan’s The Carpenter’s Son exploring the rarely told story of the childhood of Jesus with a horror take.

A hero in the Marvel Cinematic Universe is gunning to swing on over to the DC film universe as Batman!