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24.05.2022 - 18:07 / variety.com
Rebecca Rubin Film and Media ReporterThe number of women who review feature films has decreased in recent years as movie criticism remains a man’s game, according to a new study.The report, titled “Thumbs Down: Film Critics and Gender, and Why It Matters,” shows that in early 2022, males continue to outnumber their female counterparts by more than 2 to 1 in the U.S. Across print, radio, television and online outlets, men account for 69% of critics, women account for 31% and nonbinary individuals account for 0.3%.
After the percentage of women increased “slightly but steadily” from 2016 to 2020, the statistic dropped by 4% in the last two years.Since 2007, Dr. Martha Lauzen, executive director of San Diego State University’s Center for the Study of Women in Television and Film, has delved into women’s representation and impact as film reviewers.
The annual study analyzes more than 4,000 film reviews by 334 individuals working for print, broadcast and online outlets from January through March 2022. This year’s takeaway is no different than last: In every job category, type of media outlet, and film genre, men’s voices remain more prominent than their women counterparts.A closer look at 2022’s data reveals men wrote 74% and women 26% of all reviews, an 8% decline from 2020. When it comes to the type of media outlet these individuals work for, 76% of staffers at publications, sites and stations were male, 23% were female and 0.7% were nonbinary.
In terms of freelancers, 59% were male and 41% were female. For people who run their own sites, 71% were male and 29% were female.Through the annual study, Lauzen wants to illuminate the potential gender imbalance in film criticism.
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Michelle Williams is glowing in Cannes! On Friday, the 41-year-old actress stepped out to attend the premiere of her latest film, , at the 2022 Cannes Film Festival, and proudly displayed her baby bump on the red carpet.Williams, who's currently in the midst of her third pregnancy, stunned in an all Chanel look, wearing a white and midnight blue lace long dress with embroidered top from the fashion house's Haute Couture Spring-Summer 2022 collection.Two hundred and seventy hours were spent embroidering 15,000 elements, including a floral motif embroidery composed of strass, glass beads and sequins, on the gown.She paired the dress with white shoes, along with a white gold and diamond ring and coordinating necklace, all which were designed by Chanel.Williams' Cannes appearance came the same month that she confirmed she and her husband, Tony-winning director Thomas Kail, are expecting their second child together.The couple also shares a son, Hart, whom they welcomed in 2020, the same year they tied the knot. Williams is also mom to Matilda, 16, the daughter she shares with the late Heath Ledger.«It’s totally joyous,» Williams told of her third pregnancy.
Unlike most films and series set in Naples, “Nostalgia” really does show us the city like we’ve never seen it before: from the melancholy perspective of someone who left forty years ago. Italian director Mario Martone makes the astute and powerful decision not to make this immediately obvious, opening the film with a stunning sequence showing a man (Pierfrancesco Favino) silently arrive in and explore the city at night.
The Lord Of The Rings‘ cast of young hobbits celebrated a “successful” meal together, two decades on from the release of The Fellowship Of The Ring.Dominic Monaghan, who played Merry in the hugely successful film franchise based on JRR Tolkien’s series of books, shared a photo from a reunion dinner he shared with his former co-stars Elijah Wood (Frodo), Sean Astin (Sam), and Billy Boyd (Pippin) – now aged 45, 41, 51, and 53 respectively.“It was another one of those successful smash it out of the park kick it into row Z slap my arse and call me lucy any of it was recorded none of us would work again…..meal’s [sic],” Monaghan captioned the Instagram photo.A post shared by •
For decades, Italian filmmakers dominated Cannes.If the 1960s saw Federico Fellini, Michelangelo Antonioni and Luchino Visconti reign supreme, somehow the 1970s were even richer. Elio Petri and Francesco Rosi won shared top prizes in 1972, while for two consecutive years later that decade the Taviani brothers and then Ermanno Olmi hoisted Palmes across a border that sits just 40 miles away.This year’s lone competition title from an Italian director (the only other Italian language film, “The Eight Mountains,” comes courtesy of two Belgians), Mario Martone’s “Nostalgia” will probably not break that particular drought, but the Neapolitan director can take solace in another modest honor: Telling a story about mothers and sons, about gangsters and priests, and about a peculiar kind of longing for the past in a place where little has changed for hundreds of years, “Nostalgia” is a nigh perfect candidate to wave il Tricolore.Taking a thin amount of plot and stretching it as far and wide as it can go, the film itself is far from perfect, but it does benefit from “The Traitor” star Pierfrancesco Favino’s terrific lead performance as a man who learns the hard way that there’s no going home again.After forty years abroad, Felice (Favino, of course) returns to his native Naples a stranger in a familiar land.
Deadline’s studio at the 2022 Cannes Film Festival kicked off at the American Pavilion by hosting fest-goers such as Joel Edgerton of The Stranger, Jesse Eisenberg and Julianne Moore of When You Finish Saving The World, and many more. Click on the photo above to launch the gallery.
A recent Nielsen poll found that 87% of respondents are “interested in seeing more content featuring people from outside their identity group.” To that end, a new study shows how the behind-the-scenes landscape is affecting content desired by audiences and advertisers alike.
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EXCLUSIVE: The Rookie‘s Alexi Hawley has signed a rich new deal with eOne. The two-year pact extends Hawley’s previous exclusive deal for television and new media content at the studio. It also includes a first look deal for feature films. As part of the agreement, Hawley will launch a production company.
EXCLUSIVE: Film Mode Entertainment has picked up international rights for All My Friends Are Dead, the latest horror from Saw 3D and Saw VI director Kevin Greutert.
Naman Ramachandran New York-based Scottish filmmaker Charlotte Wells’ feature debut “Aftersun,” premiering at Cannes Critics’ Week, aims to achieve a balance of joy and melancholia in equal measure.Framed as a look back at a father-daughter holiday at a Turkish resort in the late 1990s, with occasional mini DV footage adding to the period texture, the film is an ode to nostalgia with hints of something far darker.Wells’ first short, “Tuesday” (2015), was about the loss of her father, which happened when she was a teenager. “I wanted to explore a different period in that relationship, like a young father and his daughter on holiday.
Leo Barraclough International Features EditorErotic love story “99 Moons,” which has its world premiere in Cannes’ ACID sidebar today, has kicked off international sales. Berlin-based M-Appeal is handling the rights to the film, which is directed by Jan Gassmann.Arthouse VOD platform Filmin has taken the rights in Spain, and arthouse distributor StraDa Films has taken the films for Greece. France and Latin America are in negotiation.
Naman Ramachandran Nicholas Pinnock (“For Life”) will play world heavyweight boxing champion Muhammad Ali in “A God Amongst Men.” The film, co-written and to be directed by James Newton (“2:Hrs”), also stars Christopher Eccleston (“Dodger”), and is based on the true story of Ali’s visit to Tyneside, U.K., in 1977. The film is co-written by Ian Skelton (“Hey Duggee”). Newton said: ” ‘A God Amongst Men’ is based upon the true story of how one man, Johnny Walker, outrageously claimed that he would bring Muhammad Ali to Tyneside in 1977 to save a boxing club from closure.
Shakira is a better dancer than Jimmy Fallon, but it’s still fun to see them battle it out. The Colombian singer stopped by The Tonight Show this week to talk about her new job as a judge on the upcoming NBC series, Dancing with Myself.
Carole Horst John Woo’s “Silent Night” recently wrapped principal photography in Mexico City. The film is the first U.S.
Elsa Keslassy International CorrespondentPresiding over the 75th edition of the Cannes Film Festival, director Thierry Frémaux has assembled some serious Hollywood star power, world cinema auteurs amid indications that despite COVID, the film world is buzzing with anticipation for the films, the deals and most of all the glamour the fest brings.While Frémaux has been credited with expanding the horizons of the Cannes Film Festival since taking over the reins of its Official Selection in 2001, he’s also been praised for building relationships with American studios and filmmakers.This year, he’s lured them back in spite of the ongoing pandemic, with a lineup including James Gray’s “Armageddon Time,” David Cronenberg’s “Crimes of the Future,” Joseph Kosinski’s “Top Gun: Maverick,” Kelly Reichardt’s “Showing Up,” George Miller’s “Three Thousand Years of Longing” and Baz Luhrmann’s “Elvis.” “My first red carpet was for ‘Moulin Rouge!’ with Baz Luhrmann and Nicole Kidman in 2001 and it will be engraved in my memory forever,” says Fremaux. “I’m happy to reunite with Baz this year.