‘Fast Charlie’ Review: Pierce Brosnan Makes a Debonair Hitman in Phillip Noyce’s Charming Minor Underworld Caper

Owen Gleiberman Chief Film Critic Helena (Daisy Ridley), the title character of “The Marsh King’s Daughter,” is a woman living what she thinks is a safe, comfortable middle-class existence — just like the heroes of “Cape Fear” or “Straw Dogs.” And like those characters, she’s ripped out of her cocoon by a man with a vengeful agenda. In this case, the self-righteous stalker-invader is her father, Jacob (Ben Mendelsohn), who raised her in a cabin in the marshland wilderness of Michigan’s Upper Peninsula, teaching her how to hunt and survive.

Owen Gleiberman Chief Film Critic In the early days of the culture war, science stood on one side and religion on the other. In 1925, the so-called Scopes Monkey Trial hung on whether a Tennessee high-school instructor had violated state law by teaching human evolution. He was on trial, but it was really Charles Darwin who was on trial.

Rylan Clark has delighted fans as he made an epic return to This Morning as part of a new hosting duo. The ITV daytime show is going through a number of different presenting pairings following the exits of both Phillip Schofield, back in May, and Holly Willoughby.

Owen Gleiberman Chief Film Critic A femme fatale is in the business of fooling people, though we’ve seen enough of these characters to be overly familiar with their tricks. Maybe that’s why, in 2023, the most effective femme fatale is one who can fool the audience. Take Stéphane (Laure Calamy), the desperate young woman at the center of the delectable French family thriller “The Origin of Evil.” The film’s rather abstract title could refer to several things, but the most accurate is probably the cliché that first leaps to mind: Money is the root of all evil.

Netflix has a bunch of anticipated films left on their 2023 release calendar, but maybe none more so than David Fincher‘s “The Killer.” And the director’s follow-up to 2020’s “Mank” sees him in familiar territory: adapting a hardboiled thriller in a way only he can. READ MORE: David Fincher On Why He Chose To Use The Smiths In ‘The Killer’: “I Thought It Was Amusing And Funny” Fincher reunites with “Se7en” scribe Andrew Kevin Walker for his latest feature, about an assassin who gets caught in an international manhunt after a hit goes wrong.

Geri Horner was forced to endure an awkward interview with Charlie Stayt and Naga Munchetty on BBC Breakfast this week which left viewers cringing over their uncomfortable chat.

Green Day‘s upcoming new album ‘Saviors’ features a photograph that was taken during the Troubles in Belfast.The Billie Joe Armstrong-led trio announced their 14th full-length record yesterday (October 24) and shared the single ‘The American Dream Is Killing Me’, which they’d debuted at an intimate show in Las Vegas last week.The cover includes a black-and-white image of a young boy holding a rock and standing in front of a fire in the middle of a road. Green Day’s band name appears in a pink logo above the picture, with the album title featured below it.As BBC News reports, the photo in question was shot during a 1978 riot on the Falls Road in Belfast, Northern Ireland.

Owen Gleiberman Chief Film Critic In too many thrillers to count, the key scene, and the most suspenseful one, arrives when the hero or heroine, investigating a chemical spill or a murder or what have you, sits down at the computer and deep dives into a web search, the information-age detective work culminating in that inevitable “Aha!” moment of discovery. So here’s where the darkness leads. There’s a sequence like that in “Another Body,” a groundbreaking, creepy, fascinating, and important documentary about a phenomenon that’s only going to grow in significance: the deepfaking of pornography.

Caroline Brew editor Rosie O’Donnell will host the Friendly House “Stronger Together” Annual Awards Luncheon on Oct. 28, which will honor John Paul DeJoria, Yoshiki and Eloise Gene-Black. DeJoria, a philanthropist, will receive the Person of the Year award, while international musician Yoshiki will be given the Humanitarian Award.

EXCLUSIVE: Q’orianka Kilcher (Yellowstone) has been set to star opposite Pierce Brosnan, Samuel L. Jackson, and Brandon Lessard in the forthcoming Western Unholy Trinity from Robert the Bruce filmmaker Richard Gray.

What’s missed everywhere is passion. In Sondheim’s other experimental musicals — “Assassins,” profiling presidential killers, and “Sunday In The Park With George,” about Georges Seurat’s famous painting — heat arrives in the most unexpected ways and places.

Pep Guardiola did not rule out a January exit for Kalvin Phillips as the Manchester City player considers his options ahead of Euro 2024.

Owen Gleiberman Chief Film Critic “Old Dads,” a Netflix comedy about three middle-aged dads in Los Angeles, each trying to deal with the delayed pleasures and perils of fatherhood, sounds like a Hollywood satire to watch along with “Bad Moms,” or maybe the sort of broad burlesque of child-rearing that would star someone like John Cena. Actually, though, it’s not that sort of movie. It was directed and co-written by Bill Burr, who also stars in it, and it’s been spun out of the kind of prickly incorrect observations that are the hallmark of Burr’s stand-up comedy — and also the kind of squirm comedy that powers his anthology series “Immoral Compass.” “Old Dads” isn’t nearly as good as “Curb Your Enthusiasm,” but at times it feels like three episodes of that show jammed together — that is, if Larry David were a Gen-X firecracker whose anger-management issues make Larry look like a pussycat.

Owen Gleiberman Chief Film Critic Everywhere you look these days there are over-the-top horror movies, but the torture-porn genre of the “Saw” films — homicidal mutilation served up as a “game,” with life lessons thrown in — is more or less limited to the “Saw” franchise. There haven’t been too many knockoffs of it.

The Egyptian Theatre in Hollywood turned 100 last year — and now the venue is ready for its closeup. Netflix said today that the storied movie palace and birthplace of the red carpet will reopen next month after a three-year renovation and retrofit.

A Ryanair flight travelling to Edinburgh had to make a U-turn to Belfast after an emergency was declared due to indicators that a "door was open". The flight returned to Belfast International Airport just minutes after departure.

Gareth Pierce has played the long running character, Todd Grimshaw in Coronation Street since 2020, and since joining the cast, has seen himself at the centre of multiple storylines. Most recently, the son of veteran character, Eileen Grimshaw, has had strained relations with her partner, George Shuttleworth after the two used to work together at Shuttleworth's funeral parlour. Viewers will know that the tensions were caused by Todd's ambitions as a funeral director - he was nominated for the Young Funeral Director of the Year award - and believed he deserved a pay rise.

When Kalvin Phillips joined Manchester City from Leeds United last summer, most would be forgiven for thinking that the Blues hierarchy had once again struck gold in signing one of England's most impressive young midfielders.

EXCLUSIVE: Pierce Brosnan (Fast Charlie), Samuel L. Jackson (Argylle), and Brandon Lessard (Murder at Yellowstone City) are in Montana shooting Unholy Trinity, a Western helmed by Richard Gray (Robert the Bruce), which has secured a SAG-AFTRA Interim Agreement.

Guy Lodge Film Critic Cinema has been a little duller for the eight-year absence of Tarsem Singh Dhandwar, the Indian-born auteur whose flamboyant formal style carried over from the music video realm into a distinctively sensuous strain of mainstream fantasy filmmaking — halted by the relative disappointment of 2015’s lackluster Ryan Reynolds vehicle “Self/less.” That makes Singh Dhandwar’s return with “Dear Jassi” something of an event, even before considering the film’s surprising expansion of his repertoire: Leaving behind Hollywood, genre cinema and his trademark maximalist mise-en-scène for his first film made in his homeland, the director keeps things simple but stately in this fact-based tale of young, star-crossed love in India’s Punjab region. The result is sometimes slack but incrementally powerful, marked by a palpable sense of renewed purpose on the part of its helmer.