‘Falcon Lake’ Review: A Weird, Wistful Coming-of-Age Debut That Is Equally Charming and Chilling

Rocks writer Theresa Ikoko is creating a Channel 4 coming-of-age drama with A Discovery of Witches scribe Lisa Holdsworth about an eclectic group of dance students.

Returning to Hulu for its third and final season “Love, Victor” brings the story of Victor Salazar’s (Michael Cimino) queer coming-of-age full circle. While at its heart the show remains a romantic comedy, it also finally embraces the artistic freedom to truly explore his sexuality.

Just over a month after the release of “Doctor Strange in the Multiverse of Madness,” and merely weeks removed from the end of “Moon Knight,” Marvel Studios is back at it and has unveiled its latest project, “Ms. Marvel.” And in this episode of The Playlist Podcast, we discuss the new series and why it’s one of the best offerings (so far) from Marvel in a while.

EXCLUSIVE: Maddie Ziegler and Schitt’s Creek Star Emily Hampshire are to lead Bloody Hell, a coming-of-age “traumedy” from Mary Goes Round director Molly McGlynn.

EXCLUSIVE: Freestyle Digital Media has acquired North American rights to a pair of coming-of-age dramas: writer-director Alana Waksman’s debut feature We Burn Like This, and writer-director Anna Matz’s first feature, Love You Anyway. The digital film distribution division of Byron Allen’s Allen Media Group plans to release both titles across internet and satellite platforms on June 28.

Tomris Laffly A gleaming and delightful anime with a large appetite for tenderness and laughter, director Ayumu Watanabe’s mother-daughter saga “Fortune Favors Lady Nikuko” boundlessly adores its titular character even when it lingers a tad too long on her happy-go-lucky naiveté or ample love of food.We get introduced to Nikuko (Shinobu Ôtake), a charming thirtysomething living with her young daughter, Kikuko (Cocomi), as she contentedly works at a local grill house in a small port town in Northern Japan. Heavyset, carefree and irrepressibly joyful in a manner that both puzzles and disarms everyone around her, she is known as “the cheery plump lady who wound up living here” to townsfolk.

Marc Malkin Senior Film Awards, Events & Lifestyle EditorBilly Porter is known for being in front of the camera — most famously as Pray Tell on “Pose” and recently delivering a gender-bending twist on everyone’s favorite fairy godmother in Amazon’s musical movie “Cinderella.”Now, the Emmy-winning actor is stepping behind the camera to make his feature film directorial debut with “Anything’s Possible,” a John Hughes-esque coming-of-age dramedy about trans high school senior Kelsa (trans newcomer Eva Reign), who is navigating her first boyfriend, Khal (“Katy Keene” actor Abubakr Ali), friendship and family life with her single mom (Renée Elise Goldsberry).“I ain’t Barbra Streisand yet,” Porter tells me, laughing. “It’s like, let me do one thing at a time. Let me direct something first.

Leo (Eden Dambrine) and Remi (Gustav De Waele) are more than just friends and not at all lovers. At only 13 years of age, they’re too young for that – and what’s more, their bond transcends simple labels. First seen running through the lush meadows of rural Belgium, the duo share a complicity that is as natural and abundant as the late summer harvest.

omertà, which only makes Chiara more frustrated and more curious. Carpignano and cinematographer Tim Curtin, who also shot “A Ciambra,” keep the audience locked into Chiara’s subjective experience. Curtin’s handheld camera roves over the faces of Chiara’s friends and family, even drifting out over the horizon at times when she feels lost and confused.

EXCLUSIVE: MVD Entertainment Group has acquired worldwide rights to the autobiographical coming-of-age comedy 5-25-77, from writer-director Patrick Read Johnson (Spaced Invaders), slating it for release in North American theaters this fall, with an unveiling on digital and VOD to follow.

Will Smith is reflecting on his career as a rapper.

Jessica Kiang There are no more potential-killing words of creative advice than “write what you know.” Certainly it’s a shame that when donning her screenwriter chapeau, Valeria Bruni Tedeschi — a fine actress and a director with a deft, light touch, especially with breezy character comedy — seems to have taken them so to heart. Once again she goes back to the autobiographical well for her latest directorial trifle, “Forever Young,” which she co-writes alongside Agnès De Sacy and regular collaborator Noémie Lvovsky.Once again the result is set in a rarefied world of which Bruni Tedeschi has intimate knowledge: this time the 1980s acting school run by the late French theater, opera and film director Patrice Chéreau.

K.J. Yossman Tom Hollander (“The Night Manager”) has been cast in an adaptation of Erri De Luca’s novel “Me, You” (“Tu, Mio”) alongside Alessandro Gassmann (“Transporter 2”) and Daisy Jacob (“Vanity Fair”).The film, set to be directed Bille August (“Pelle the Conqueror”), is set to go into production this Fall on the island of Ischia, near Naples in Italy.“Me, You” is set in the 1950s, in post-war Italy, where 16-year-old London native Marco is on holiday with his father Edward (Hollander).

Jada Pinkett Smith is opening up about a common thread she’s found in her relationships. In this exclusive clip from Wednesday’s “Red Table Talk,” Pinkett Smith and her co-hosts, Willow Smith and Adrienne “Gammy” Banfield-Norris sit down with Mother Hunger author Kelly McDaniel for a conversation on mother-daughter dynamics, where Pinkett Smith reveals that the “biggest wound” that comes out most in her personal relationships is a lack of protection.

Jada Pinkett Smith is opening up about a common thread she's found in her relationships. In this exclusive clip from Wednesday's Red Table Talk, Pinkett Smith and her co-hosts, Willow Smith and Adrienne «Gammy» Banfield-Norris sit down with  author Kelly McDaniel for a conversation on mother-daughter dynamics, where Pinkett Smith reveals that the «biggest wound» that comes out most in her personal relationships is a lack of protection.«My thing was, just, not having protection. That's my biggest wound that comes out in all my relationships,» Pinkett Smith says.

“It’s apparently fun to drown,” says sixteen-year-old Chloé, the droll, moody teen at the heart of Charlotte Le Bon’s debut feature, “Falcon Lake.” It’s a pithy line that echoes Cecilia Lisbon’s response (“Obviously, Doctor, you’ve never been a thirteen-year-old girl”) when she’s asked why she tried to harm herself in Sofia Coppola‘s “The Virgin Suicides.” Unlike Cecilia and her sisters, Chloé only plays at being dead, seeing how long she can float in the lake near her family’s cabin or lie in the road like a deer hit by a passing car.

“It’s apparently fun to drown,” says sixteen-year-old Chloé, the droll, moody teen at the heart of Charlotte Le Bon’s debut feature, “Falcon Lake.” It’s a pithy line that echoes Cecilia Lisbon’s response (“Obviously, Doctor, you’ve never been a thirteen-year-old girl”) when she’s asked why she tried to harm herself in Sofia Coppola‘s “The Virgin Suicides.” Unlike Cecilia and her sisters, Chloé only plays at being dead, seeing how long she can float in the lake near her family’s cabin or lie in the road like a deer hit by a passing car.