‘A Chiara’ Film Review: Tough, Sensitive Coming-of-Age Drama Flips the Mafia Movie On Its Head
27.05.2022 - 00:29
/ thewrap.com
omertà, which only makes Chiara more frustrated and more curious. Carpignano and cinematographer Tim Curtin, who also shot “A Ciambra,” keep the audience locked into Chiara’s subjective experience. Curtin’s handheld camera roves over the faces of Chiara’s friends and family, even drifting out over the horizon at times when she feels lost and confused.
As the plot takes off, the camera starts to follow her, keeping up with her bobbing ponytail as she moves around the city, banging her way into spaces where she’s not allowed and demanding answers. We’re always a bit behind, trying to keep up with the conversations, relationships, and details, mimicking the process that Chiara is going through herself as she tries to glean information about her father from her community, which has become dangerous and untrustworthy. There are moments of dreamlike surreality, which make you question whether what’s on screen is really happening, like when she discovers a tunnel to an underground bunker, which underscores just how bizarre this entire experience is for her. Dan Romer provides an ambient, insistent score to the proceedings, which blends with the American pop music that blares in the gym, at the birthday party, and on the car radio.
At times the score drops out, numbing Chiara’s experience, or sounds like ringing in the ears as she dissociates. Ultimately, Chiara has to make a choice about the life that she’s inherited through blood, and an existence that could possibly be different. She utilizes her limited agency to pull back the curtain on the life she’s been born into unknowingly, and it’s only with that full knowledge that she’s able to make that choice, an impossible one, for herself. In his third film, Carpignano once
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