The hits keep coming. Tom Schwartz is owning up to going on a vacation with Tom Sandoval and Raquel Leviss amid their affair.
17.03.2023 - 17:33 / variety.com
Daniel D'Addario Chief TV Critic Climate change is the defining problem of our time, not merely for the threat it poses to the stability of our civilization but for how sticky and hard to pin down it is, in conversation or in art. By definition, it’s all around us — the climate is what we’re soaking in, no matter where we are. Its pervasiveness makes it somewhat unimaginable: What would it be like for everything to change? The mind reels; the problem gets put away. This is one of the challenges facing “Extrapolations,” a new quasi-anthology series that skips forward in time to tell the story of how we might continue to live on a warming Earth. Very few of the series’ characters appear in more than one episode, and very few have more than a flat and easily described motivation — the show works a bit like a breezy and brisk collection of linked short stories, constantly moving forward, continually showing new consequences of our own inaction. Keeping the characters flat and underserved, though, makes the lavishly depicted world they inhabit feel less like a matter of concern. What does it matter if we’re all going to die, if “we” aren’t first recognizable as rounded, full people?
At times, the show leans into the unknowability and the insignificance of its characters: The first installment includes a wry little vignette about a monstrous hotelier (Matthew Rhys) who is simply begging for a comeuppance at the hands of cruel and uncaring Mother Nature. And one of the stronger installments features the exceptional actor Tahar Rahim as a man who has no self at all: Made ill by heat exposure over the course of his life, he’s forced to earn money to support himself as a sort of gig-economy emotional surrogate, playing roles in
The hits keep coming. Tom Schwartz is owning up to going on a vacation with Tom Sandoval and Raquel Leviss amid their affair.
Canadian singer Jully Black is being recognized for her bravery.
Lisa Barlow is crunching down on trollish accusations that she supports Donald Trump.
AJ McLean wants to give his kids real self-confidence.
Daniel D'Addario Chief TV Critic The conversation about “nepo babies” has grown tiresome — and not just because “nepo baby” itself is such an unattractive turn of phrase. (Was “nepotism case” too hard to pronounce, somehow?) The general outrage over the idea that children of famous actors find themselves drawn to acting, ginned up by an artfully provocative recent cover story in New York magazine, has tended to elide the simple fact that said children often find themselves acting because they share talents with their parents, who are famous for good reason. So it is with John Owen Lowe, who seems like a slightly altered carbon copy of his father Rob (of “The West Wing” and “Parks and Recreation,” among others), with the smarm ironed out. Together, they’re headlining “Unstable,” a new Netflix comedy that’s infuriatingly better than it needed to be. Lowes père and fils share executive producer credits with Victor Fresco and Marc Buckland, two creatives with long comedy résumés. And what might have been expected to look like a Lowe family vanity project — Rob Lowe has built a sort of performed vanity into his public persona, after all — has ended up as a sharply written comedy with some genuinely great lines.
Chad Michael Murray is taking a trip down memory lane!
John Mayer is continuing his successful acoustic tour!
Daniel D'Addario Chief TV Critic It’s an interesting, telling choice that “Up Here,” Hulu’s new musical sitcom starring Mae Whitman and Carlos Valdes, is set in 1999. Not merely is the turn of the century, according to the roughly 20-year nostalgia cycle, currently in vogue, but the particular sort of moment the Y2K era was lends texture and meaning to the story “Up Here” tells. Assaying a time just before the social web allowed loners to find one another, “Up Here” presents a winning and lovely pair of oddballs singing their hearts out, in disbelief at having found one another. Here, Whitman plays Lindsay, who was lectured in childhood to shield her spiky and odd side from peers in order to be liked. “You show people the nice parts, because believe me, that’s all that people want to see,” her mother (Katie Finneran) tells her; grown up, she’s terrified to show vulnerability at all.
Daniel D'Addario Chief TV Critic Hong Chau — the Oscar-nominated actor, who’s appeared in “The Whale,” “The Menu,” and “Downsizing” — is an interesting element on Netflix’s new series “The Night Agent,” and a revealing one. To cast Chau, a gifted and hardworking performer who’s been elevating projects for years, is to announce a certain ambition. Here, she’s playing the determined White House Chief of Staff, a figure close to the heart of various intrigues on a political thriller with schlock in its DNA. And yet she does it so elegantly, so excellently that she elevates the whole thing. So it is with “The Night Agent,” created by Shawn Ryan of “The Shield,” and based on a novel by Matthew Quirk. Here, Gabriel Basso (who played the future U.S. Senator J.D. Vance in the film “Hillbilly Elegy”) stars as Peter Sutherland, whose employment at the FBI is at such a low level that an offer to stand by and monitor a rarely used emergency hotline on the night shift comes to feel attractive. Wouldn’t you know it — one evening, that phone rings, and the caller is a tech founder who has found herself drawn into a drama she barely understands when her aunt and uncle were killed. Peter and Rose (Luciane Buchanan), his unlucky protectee, must piece together what happened on the fly, as they attempt to keep her safe and, just maybe, redeem Peter’s unfortunate family history of perfidy.
Daniel D'Addario Chief TV Critic Miss Havisham is one of the most indelible characters in the English-language literary canon. Written by Charles Dickens to be outfitted, each day, in the wedding finery that serves as a decaying reminder that she was spurned at the altar, she’s a bundle of resentments tied together in white lace. And, as played by Olivia Colman, she’s the action of the new “Great Expectations” limited series — so much so that much of the rest of the densely plotty story seems like biding time between her appearances. Written by Steven Knight and co-produced by the BBC and FX, this “Great Expectations” is dimly lit and grimly violent, with the chaos and sudden bursts of enmity of Dickensian England brought to the fore. But only Miss Havisham pops off the screen, making this an adaptation lacking in a certain balance.
described how Murray stepped in to protect her after the assault on location shooting the show’s fourth season in Honey Grove, Texas in 2007.The actress said that she and Schwahn — who she refers to as “the boss” rather than by name on the podcast — had to travel together to a Texas high school to inform them they’d be filming at their school.“The flight back from that is when he assaulted me. He assaulted me again in the car on the drive from Raleigh to Wilmington, He went straight to set and he told Danneel [Ackles] that he and I made out the whole time, and it was fun, and he was trying to make her jealous.
Hilarie Burton has recounted how her One Tree Hill costar Chad Michael Murray defended her against the show’s creator and showrunner Mark Schwahn during an alleged assault.
Hilarie Burton is opening up about allegedly being assaulted by One Tree Hill creator Mark Schwahn and how her co-star Chad Michael Murray stepped in after he saw it happen.
Emily Longeretta Hilarie Burton is detailing her traumatizing experience on “One Tree Hill.” During the latest episode of the “Drama Queens” podcast, Burton, Bethany Joy Lenz and Sophia Bush recap “It Gets Worse at Night,” the Season 4 episode in which the Tree Hill gang goes to Honey Grove to rescue Mouth (Lee Norris) from jail. Burton, who was one of 18 women of the show who accused creator Mark Schwahn of sexual harrassment, detailed the trauma she endured while filming this episode of the show. She and Schwahn, who she never refers to by name, only by the “boss,” had to travel to Honey Grove, Texas, before filming started to surprise the local high school with news that they’d won a contest to have the CW drama film there.
Sticking up for her. Hilarie Burton Morgan recalled how former costar Chad Michael Murray attempted to defend her amid an alleged assault during One Tree Hill season 4.
Daniel D'Addario Chief TV Critic The story of Kim Philby is perhaps too good to make up. The British spy, a double agent for Moscow, operated at the highest levels of the intelligence community; his ability to disseminate information to the Soviet Union, to which he eventually defected, is proof, perhaps, of the power of personal charm and erudition to cover over what’s lying in plain sight. That’s the powerfully told story of “A Spy Among Friends,” which streamed on ITVX in the United Kingdom last year and which now arrives on nascent streamer MGM+. Guy Pearce plays Philby, who has at the series’ outset been a valued Soviet source for many years; likely his closest friend in tradecraft, Nicholas Elliott (Damian Lewis), must get a confession from him. We see the pair’s relationship over time in layered flashbacks, adding context and understanding to Elliott’s failure to nail down Philby.
Daniel D'Addario Chief TV Critic As a performer, Kerry Washington is particularly adept at conveying uptightness — her crispness of bearing and her rat-a-tat delivery suggest a certain passion for organization, for rigor. This was the ingredient that helped elevate “Scandal,” and the emotionally chaotic but professionally fastidious character of Olivia Pope. (And, incidentally, it’s the aspect that made Washington’s work as a free-spirited artist in “Little Fires Everywhere” ring somewhat false.) Now, on the Hulu sitcom “UnPrisoned,” Washington’s back to the angle that suits her best — and at the heart of a sweetly intended show of disarming quality. Here, Washington plays Paige, a relationship therapist whom viewers may not be shocked to learn hasn’t quite got herself figured out. Her tendency to dispense advice about fixing romantic partnerships (both to her patients and, we see, on social media) rubs up against the fact that she makes poor choices. We learn, gradually, about the role model she’s emulating in her own way: Her father, Edwin, newly released from prison, is at once astoundingly charismatic (no surprise, given that he’s played by Delroy Lindo) and someone with an entangled personal life. He moves in with her and her teenage son (Faly Rakotohavana), kicking off what will be a major reckoning for both parties. Soon enough, Paige’s desire for order — her need to project a sense of having it all together, even as that’s not quite true — becomes an impossibility.
Coronation Street appears to have found itself a new Rovers Return barmaid - sort of. Josie Gibson has been snapped in the famous boozer on a trip to the ITV soap's set for an upcoming film for This Morning.
is ushering in the warmer months in a chic black ensemble with a touch of white accents.On March 8, Markle was photographed in West Hollywood, where she reportedly had lunch with 10 women from her and her husband Archewell Foundation at the vegan Mexican restaurant Gracias Madre. For the outing, she was dressed in a black ribbed shirt, cropped trousers, and a lightweight coat, which she paired with a pair of white flats and a black-and-white patterned purse. She topped off the look with a pair of black sunglasses and her hair swept back into a ballerina bun.