EXCLUSIVE: Ethan Josh Lee (Kajillionaire, Mr. Robinson) is the latest confirmed addition to the cast of Wes Anderson’s upcoming film Asteroid City, which has wrapped production in Spain.
28.10.2021 - 20:13 / thewrap.com
meant to be set in Atlanta. That’s no easy feat.Wright’s long-gestating adaptation of Bryan Lee O’Malley’s beloved indie comic book (which he first read during the press tour for “Shaun of the Dead”) is arguably his most visually ravishing movie.
Taking inspiration from the original comic book, 8-bit videogames, Japanese anime and everything from Mario Bava horror films to Brian De Palma’s gonzo 1974 musical “Phantom of the Paradise,” “Scott Pilgrim vs. the World” is a Kung Fu rom-com, swoony
.EXCLUSIVE: Ethan Josh Lee (Kajillionaire, Mr. Robinson) is the latest confirmed addition to the cast of Wes Anderson’s upcoming film Asteroid City, which has wrapped production in Spain.
of around $40 million, a $1 million house might seem like pocket change for Rick Ross. Appearing on the first episode of REVOLT’s new show “Assets Over Liabilities,” the “Aston Martin Music” artist revealed that he bought a house in Atlanta just because he could. “Homes was something I was always fascinated about,” he said. “So me and my homies started coming up to Atlanta.
EXCLUSIVE: Jake Ryan (Chad, Moonrise Kingdom) recently reunited with Wes Anderson for Asteroid City, which we hear has wrapped production in Spain.
is being temporarily delayed due to Letitia Wright's injury she sustain earlier this year.
Yes, a sequel for “Baby Driver” has already been announced. And Edgar Wright has said that he’s written a script.
Edgar Wright has made a career of mashing up genres and bringing an absurd level of energy and charm to his films like “Shaun of the Dead,” “Scott Pilgrim Vs. The World,” and “Baby Driver.” In this episode of The Discourse, Edgar Wright and writer Krysty Wilson-Cairns join host Mike DeAngelo to talk about doing a straight-up, wicked thriller in “Last Night in Soho,” which is in theaters now.
Focus Features presents Edgar Wright’s Last Night In Soho, a twisty psycho-thriller with a great soundtrack, as Wes Anderson’s The French Dispatch goes wider, testing the appeal of a director whose films have been called the arthouse equivalent of Marvel.
Richard Kuipers The ne plus ultra of Japanese maverick Nobuhiko Obayashi’s work as a surrealist and staunch anti-war advocate, the cult “House” director’s dizzying and frequently dazzling final feature is told through the adventures of four young people who are magically transported into the movies themselves.
Joe Leydon Film Critic“Hello, Atlanta!” Bobcat Goldthwait greets his enthusiastic audience in a small comedy club at the start of “Joy Ride.” “A funny thing happened on the way to the show.” Actually, what happened was a near-fatal 2019 automobile accident that, contrary to contemporary news reports of the mishap, seriously injured Goldthwait and fellow comic Dana Gould while they were driving to a joint stand-up gig.
Marc Malkin Senior Film Awards, Events & Lifestyle EditorAnya Taylor-Joy stars in Edgar Wright’s new “Last Night in Soho,” but it wasn’t the first time they could have worked together. “I had read the ‘Baby Driver’ script’ and auditioned for it,” Taylor-Joy told me Monday at the “Last Night in Soho” premiere at the Academy Museum of Motion Pictures.
winning the Best Director Oscar for “Nomadland,” Chloé Zhao has upchucked one of the MCU’s worst movies in ages.And to what end? “Eternals,” which will no doubt become a Jon Favreau punchline in a future “Avengers” film, need not exist in a universe that already counts the Fantastic Four and X-Men among its franchises.Yet, here you go, ticket buyers — another far worse, uniformed collective of super-beings with conspicuously similar powers and a vague, grandiose mission to save humanity.
It’s easy to forget what a phenomenon Edgar Wright’s “Shaun Of The Dead” felt like when it emerged as one of the major sleeper hits of 2004, earning a whopping $30 million on an estimated $6 million budget. Wright’s anarchic, surprisingly sweet horror-comedy earned raves from genre heavyweights like Quentin Tarantino (who would go on to become a pal of Wright’s), Robert Rodriguez, Peter Jackson, and, naturally, the granddaddy of American zombie cinema, George A.
Images of a distraught Alec Baldwin, who tragically killed a cinematographer with a movie prop gun, evoked memories of an actor who remained haunted after fatally shooting Brandon Lee with a gun he believed was loaded with blanks. Lee, the 28-year-old son of martial arts icon and legendary screen star Bruce Lee, was killed in a freak accident on the set of "The Crow" March 30, 1993, when fellow actor Michael Massee was supposed to shoot him at close range with a harmless pistol.
the Sun reported.The fragment was apparently part of a dummy shell that became lodged in the barrel — in what is known as a “squib load” — during a previous scene without anyone realizing and hit Lee with virtually the same force as a live round.The actor died on the operating table after six hours of emergency surgery, leaving Massee devastated and forcing him to take a lengthy sabbatical, the New York Times reported in a 2016 article about the character actor’s death from stomach cancer at age
While the Marvel Studios films seem to be the biggest franchise on the planet right now, able to wrangle some of the best filmmakers working today, the MCU can’t hold a candle to the James Bond franchise when it comes to the caliber of filmmaker absolutely desperate to join. We’ve heard from folks like Christopher Nolan and Denis Villeneuve, who have both made it abundantly clear they would jump at the chance to tackle 007.
It’s never healthy to be a jealous person. (I think “Ted Lasso” recently taught me that.
Sequels are usually highly anticipated, but not always necessarily worthy successors to the original – especially when it comes to the horror genre.