Edgar Wright has been directing scripted films, music videos and episodic television for over 25 years, but he had yet to make a documentary feature—until now.
02.11.2021 - 21:41 / theplaylist.net
Edgar Wright has made a career of mashing up genres and bringing an absurd level of energy and charm to his films like “Shaun of the Dead,” “Scott Pilgrim Vs. The World,” and “Baby Driver.” In this episode of The Discourse, Edgar Wright and writer Krysty Wilson-Cairns join host Mike DeAngelo to talk about doing a straight-up, wicked thriller in “Last Night in Soho,” which is in theaters now.
Edgar Wright has been directing scripted films, music videos and episodic television for over 25 years, but he had yet to make a documentary feature—until now.
Hello there!“Star Wars fans rejoiced around the galaxy Friday as a reunion between Ewan McGregor’s Obi-Wan and Hayden Christensen’s Darth Vader was guaranteed to happen in the show “Obi-Wan Kenobi,” out next year on Disney+.In a teaser released Friday, McGregor, 50, said that he and the fallen Skywalker will “have another swing at each other” in the highly speculated show, one that explores the legacy of the beloved Jedi knight.“There’s a hunger for (Kenobi) to come back,” McGregor said.
Disney+ Day is upon us. Along with the streaming premieres of “Shang-Chi And The Legend Of The Ten Rings” and “Jungle Cruise,” and Season 2 of “The World According To Jeff Goldblum,” the celebration also includes updates on many upcoming Marvel and ‘Star Wars‘ series.
Last Night In Soho co-writer Krysty Wilson-Cairns has defended the film’s twist ending, saying that it was an act of “female empowerment.”Wilson-Cairns wrote the screenplay for the film with director Edgar Wright, which includes a surprising reveal in the film’s final chapter.Ahead of the twist, Thomasin McKenzie’s character Eloise believes that she has seen a vision of Sandy – an abused cabaret singer who she occasionally embodies in her dreams – being murdered by her pimp in the very room that
There has sadly been a loss on the set of Indiana Jones 5.
LEGO Star Wars holiday special announced for November, now is the perfect time to strike with an excellent gift. Luckily, there is swag for every type of fan.To help you find the perfect gift for that special enthusiast in your life, we've rounded up collectibles, toys, clothing and accessories so you can give the gift of The Force.
Yes, a sequel for “Baby Driver” has already been announced. And Edgar Wright has said that he’s written a script.
Edgar Wright’s Last Night In Soho is an arthouse film that opened on 3,000 screens — a gamble in a theatrical market where multiplex-goers have been mostly turning out for big-budget, high-octane studio franchises. (Dune, Halloween Kills and No Time To Die took top spots this weekend, a soft one overall where Halloween parties may have dinged October’s stellar recovery.)
Focus Features presents Edgar Wright’s Last Night In Soho, a twisty psycho-thriller with a great soundtrack, as Wes Anderson’s The French Dispatch goes wider, testing the appeal of a director whose films have been called the arthouse equivalent of Marvel.
Apple TV+ sports drama “Swagger” brought back memories from his childhood. “My father coached me when I was playing basketball as a youth, and I went on to coach my little brother. So, I know the nervousness before you walk into a gym, the sound of the ball echoing off the walls and the layup lines.
EXCLUSIVE: Popcornflix, the streaming service owned by Crackle parent Chicken Soup for the Soul Entertainment, has acquired its first original documentary feature, Hollywood Bulldogs: The Rise and Falls of the Great British Stuntman.
Marvel film’s release. But a pair of specialty distributors will try to draw people looking to spend Halloween with a horror film this weekend as Focus Features releases Edgar Wright’s “Last Night in Soho” while Searchlight Pictures releases the Guillermo del Toro-produced “Antlers.” Neither film is expected to take the No.
Angelique Jackson Universal Pictures has signed a two-year overall film deal with Academy Award-nominated writer Krysty Wilson-Cairns and Jack Ivins’ Great Company.News of the pact comes ahead of the debut of “Last Night in Soho,” which Wilson-Cairns co-wrote alongside director Edgar Wright, as it bolsters the working relationship between Wilson-Cairns and Universal Filmed Entertainment Group. The Focus Features movie arrives in theaters on Friday, Oct.
In the days leading up to the opening of Last Night in Soho, a movie she co-wrote with Edgar Wright, Krysty Wilson-Cairns’ Great Company, which she runs with Jack Ivins, has pacted with Universal Pictures in a two-year overall deal.
Universal Pictures has signed a two-year film deal with Krysty Wilson-Cairns and her production banner Great Company, the studio announced Wednesday. Wilson-Cairns is the co-writer of Edgar Wright’s “Last Night in Soho,” which Universal’s subsidiary Focus Features is releasing in theaters this Friday.
Marc Malkin Senior Film Awards, Events & Lifestyle EditorAnya Taylor-Joy stars in Edgar Wright’s new “Last Night in Soho,” but it wasn’t the first time they could have worked together. “I had read the ‘Baby Driver’ script’ and auditioned for it,” Taylor-Joy told me Monday at the “Last Night in Soho” premiere at the Academy Museum of Motion Pictures.
Anya Taylor-Joy and Thomasin McKenzie are slaying the red carpet!
It’s easy to forget what a phenomenon Edgar Wright’s “Shaun Of The Dead” felt like when it emerged as one of the major sleeper hits of 2004, earning a whopping $30 million on an estimated $6 million budget. Wright’s anarchic, surprisingly sweet horror-comedy earned raves from genre heavyweights like Quentin Tarantino (who would go on to become a pal of Wright’s), Robert Rodriguez, Peter Jackson, and, naturally, the granddaddy of American zombie cinema, George A.