Emmy Party List: Media Companies, Agencies Return As Volume Gets Closer To Pre-Covid Levels

streaming, the action-thriller (which Fox also produces) is a dystopian story set in a world where a disruption to the petroleum supply chain sparks a global crisis.Fox, 56, stars as Andy Yeats, an American chemist who lives in London with his wife Elena (Joanne Froggatt, “Downton Abbey”), their 8- year-old son Sam (Taylor Fay) — who’s losing his vision — and college-aged climate activist daughter Laura (Alyth Ross), who’s scornful of her dad’s work (since it involves the fossil fuel industry).When the family is about to go to Paris for Sam’s experimental eye surgery, Andy’s work calls him away him to deal with an oil-related emergency in Luzrah (a fictional place in the Middle East). This angers Elena — who thinks he’s prioritizing work over family — and Laura (because of her principles).As power grids shut down all over Europe and social unrest breaks out, the family scatters to the wind, with Andy in Luzrah, his wife and son in France and his daughter still in England.

Melanie Lynskey and Juno Temple brighten up the navy blue carpet in lime green looks at the 2022 Paramount Emmy Party held at Catch LA on Saturday night (September 10) in West Hollywood, Calif.

Nicolas Winding Refn says that the characters in his upcoming Netflix series Copenhagen Cowboy, are a “female evolution” of characters from previous projects such as Valhalla Rising, Drive and Only God Forgives.

K.J. Yossman TV production turnover in the U.K. has bounced back to nearly pre-Covid levels, new research revealed today. The latest figures show U.K. TV production generated £3.251 billion ($3.750 billion) in 2021 according to producers’ body Pact. In 2019, turnover was at £3.330 billion ($3.840 billion). Pact, which has collated a report on the U.K. TV sector every year since 2009, suggests the rebound is due to sector innovations and productions delayed from 2020 as well as the Government’s production re-start scheme, which provided Covid insurance for productions. However, that is set to end this fall.

Marc Malkin Senior Film Awards, Events & Lifestyle Editor Sept. 7, WednesdayTom Hanks, Cynthia Erivo and Luke Evans premiere “Pinocchio.”Walt Disney Studios lot, Burbank “Cobra Kai” Season 5 kicks off with Ralph Macchio, William Zabka, Xolo Maridueña and Tanner Buchanan.L.A. State Historic Park, Los Angeles Jimmy Kimmel hosts the premiere party for “Chef’s Table: Pizza.”Pizzeria Bianco, Los Angeles Peacock premieres “A Friend of the Family.”San Vicente Bungalows, West Hollywood

Leo Barraclough International Features Editor Berlin-based sales outfit M-Appeal has closed distribution deals for Italy and Greece following the film’s world premiere at the Venice Film Festival. The Israeli-Ukrainian co-production plays in Venice’s Horizons Extra section, and will have its North American premiere on Sept. 14 at Toronto Film Festival in the Contemporary World Cinema section. Rome-based P.F.A Films Srl will distribute the film in Italy, with a theatrical release planned for April 2023. The company’s recent titles include “Fabian – Going to the Dogs” by Dominik Graf, “The Audition” by Ina Weisse, and “Border” by Abbasi Ali.

Marta Balaga Venice Film Festival’s Final Cut, dedicated to films in post-production from African and Arab countries, wrapped its anniversary 10th edition on Sept. 5. As fest director Alberto Barbera welcomed the audience to “the final stage of the Final Cut,” La Biennale di Venezia Prize – and cash award of € 5,000 – went to “Inshallah a Boy,” directed by Amjad Al Rasheed. Jurors Claire Diao, Rasha Salti and Gaetano Maiorino praised it for “brilliant direction and performances, tackling a really dramatic social issue and for honoring the resilience of women in a conservative context.” The film, a co-production between Jordan, Egypt, Saudi Arabia and Qatar, is overseen by Rula Nasser for The Imaginarium Films.

Olivia Wilde is trying to play down endless rumors of the supposed rift between her and Don’t Worry Darling star Florence Pugh!

Elsa Keslassy International Correspondent On Sunday night, an hour before the hotly anticipated Sept. 5 world premiere of “Don’t Worry Darling” on the Lido, Variety celebrated director Olivia Wilde with a cocktail party hosted at the posh Danieli Hotel in Venice. Wilde, who is unveiling her second feature as a director out of competition at the festival, graces the cover of Variety’s Venice issue, on newsstands now. It marks the first dedicated Venice magazine issue that Variety has done, as the magazine’s co-editor-in-chief Ramin Setoodeh pointed out. “We couldn’t think of a better subject than Olivia,” Setoodeh said. Setoodeh praised Warner Bros., the studio behind “Don’t Worry Darling,” for championing theatrical releases.

The Whale” at the Venice Film Festival is any indication, Brendan Fraser’s return to Hollywood will be met with plenty of cheers — and even more tears. When the credits rolled on the Darren Aronofsky drama, in which Fraser plays a 600-pound gay man confined to a wheelchair, the actor was overcome with emotion.Fraser sobbed throughout the six-minute standing ovation for the film, which will likely put him at the forefront of this year’s best actor Oscars race.Among those spotted inside the Sala Grande Theatre were Pheoebe Waller-Bridge, Nick Kroll and Hillary Clinton staffer Huma Abedin, who was seated a few rows behind Fraser and shed as many tears as he did. Many others inside the theater also broke out a handkerchief during the film’s heartbreaking final scenes.

Timothée Chalamet is putting into words some of what we are all feeling after the last few unsettling years.

Ben Croll Some films spring from abundance, while others are born of a need. Premiering in competition in Venice, Rebecca Zlotowski’s “Other People’s Children” clearly falls into the latter camp. “I’ve often used cinema as a guide for living, only aspects of my own life hadn’t been told,” Zlotowski tells Variety. “I imagined a 40-year-old woman, nearing the end of her fertility, who is a stepmother to others, and thought, why hadn’t we seen that character before?”     Filling in the missing pieces, Zlotowski’s romantic drama follows Rachel (Virginie Efira), a Parisian high school teacher who feels pangs of maternity when she falls in love with a recent divorcé – and with him, his four-year-old daughter. Tinged in bittersweet tones, the film tracks the ecstasies of a new and all-enveloping love affair and the tradeoffs that arrive with mid-life relationships. Because in this particular love-triangle – as common in the real world as it is rare on screen – there are certain bonds a new partner cannot join.

Bardo” be Alejandro González Iñárritu’s third best director Oscar in a row following “Birdman” and “The Revenant” wins? It’s a question many were asking heading into the Venice Film Festival, where the Netflix-backed “Bardo” world premiered in competition. The three-hour-long drama, which wrapped at 12:15 a.m. Venice time, earned a standing ovation of just over four minutes at the Sala Grande. A number of audience members began leaving before the movie ended given the late hour, but the vast majority stayed to applaud the helmer.Iñárritu was visibly moved by the reception to his film, certainly one of his most personal efforts to date, and had tears in his eyes as he embraced his cast and producers.

Leo Barraclough International Features Editor Berlin-based sales outfit M-Appeal has debuted the trailer (below) for the Israeli-Ukrainian drama “Valeria Is Getting Married,” which will have its world premiere in Venice’s Horizons Extra Friday. The film will have its North American premiere at Toronto Film Festival on Sept. 14, where it is part of the Contemporary World Cinema lineup. The film, directed by Israeli female filmmaker Michal Vinik, is shot from the perspective of two Ukrainian sisters, and follows the tense emotional journey that unfolds over the course of one day. Valeria (Dasha Tvoronovich) arrives in Israel to meet the man she is supposed to marry, thanks to a deal made online. She is following in the footsteps of her older sister Christina (Lena Fraifeld), who is happy with her new life in Israel, but Valeria struggles with the decision.

The 49th Telluride Film Festival opens Friday in a much-awaited edition that is set to feature world premieres of Searchlight’s Oscar hopeful Empire of Light from director Sam Mendes, starring Olivia Coleman and Colin Firth; Women Talking from director Sarah Polley, starring Rooney Mara and Frances McDormand in the ensemble; Sebastian Lelio’s The Wonder, starring Florence Pugh; and Sony/Netflix’s sizzling new version of D.H. Lawrence’s Lady Chatterley’s Lover with Emma Corrin and Jack O’Connell; among other films.

Manori Ravindran International Editor “Tár” is going to get people talking, but its star Cate Blanchett has made clear that she’s “not interested in agitprop.” The Oscar winner is in Venice for the world premiere of the Todd Field-directed movie, and was in good spirits as she addressed journalists at a Thursday press conference. The Focus Features pic stars Blanchett as fictional Lydia Tár, a globally renowned, gay and sometimes tyrannical conductor of a German orchestra, who finds herself in the crosshairs of a perilous #MeToo scandal. The film is Field’s first movie in 16 years, following the acclaimed “Little Children” (2006) and his breakout “In the Bedroom” (2001).

Man, the 20th century really thought it was something, didn’t it? Thankfully, in the middle of the 1980s, just when Western (read: American) culture was fully losing the run of itself in a frenzy of gum-snapping consumerism and prescription narcotics, Don DeLillo‘s “White Noise” appeared — you might almost say manifested — as a mischievous, mindbending 326-page reminder to the century that it wasn’t, in fact, all that.

Welcome to Deadline’s International Disruptors, a feature where we shine a spotlight on key executives and companies outside of the U.S. shaking up the offshore marketplace. As the Venice Film Festival kicks off today, we’re speaking with RAI Cinema CEO Paolo Del Brocco about some of the company’s 24 titles featuring in the festival this year as well as his ongoing challenge to lure Italian audiences back into the cinema after a rocky post-pandemic period. 

is back with new castaways vying for the $1 million prize on season 43.The long-running CBS reality staple will introduce 18 new castaways who will attempt to outplay and outwit each other to earn the title of Sole Survivor. The upcoming edition, hosted by Jeff Probst, kicks off with a two-hour premiere Wednesday, Sept. 21 at 8 p.m.