One part of the Megalopolis distribution puzzle could be close to falling into place in France.
13.04.2024 - 01:15 / deadline.com
Eleanor Coppola, who won an Emmy for the Apocalypse Now documentary Hearts of Darkness, directed Paris Can Wait and Love Is Love Is Love and was married to Francis Ford Coppola for 61 years, diedFriday at her home in Rutherford, CA. She was 87.
She also is the mother of Oscar-winning filmmaker Sofia Coppola and American Zoetrope president Roman Coppola. Sofia missed Thursday’s news conference for the New York Film Festival’s centerpiece premiere screening of her new film Priscilla to be with her ailing mother.
Eleanor Coppola won an Emmy and a DGA Award for helming Hearts of Darkness: A Filmmaker’s Apocalypse, the 1991 documentary about the making of her husband’s seminal Vietnam War movie Apocalypse Now. The production of that 1979 classic – which won the Palme d’Or at Cannes and was nominated for the Best Picture Oscar – was plagued by problems related to budget, casting, script, the weather – a typhoon destroyed much of the set – and even an active insurgency in the Philippines, the battle with which pulled away helicopters on loan from the government.
Eleanor filmed Francis’ daily routine and captured remarkable behind-the-scenes footage, and Hearts of Darkness has become perhaps the definitive document of a major motion picture production.
The entire Coppola family had moved to the Philippines — Francis, Eleanor and their three children, Gian-Carlo, Roman and Sofia — and Eleanor had been tasked with gathering documentary footage of the shoot that could be used by the United Artists marketing department. “I don’t know if [Francis] is just trying to keep me busy or if he wants to avoid the addition of a professional crew,” she wrote at the time. “Maybe both.”
The resulting film Hearts of Darkness: A Filmmaker’s
One part of the Megalopolis distribution puzzle could be close to falling into place in France.
Elsa Keslassy International Correspondent In the run-up to its world premiere in competition at the Cannes Film Festival, Francis Ford Coppola‘s 135-minute epic “Megalopolis” is on track to sell to a French distributor, Le Pacte. The indie company, presided over by veteran French distributor Jean Labadie, is currently negotiating a deal. It seems like an odd match for such a pricey movie considering Le Pacte’s fairly modest size.
“The Outsiders” at Broadway’s Bernard B. Jacobs Theatre.Described as “breathtakingly visceral” by the New York Post’s critic Johnny Oleksinksi, other reviewers have singled the scene out as “one of the most impactful moments of this, or any, Broadway season” and (the Washington Post), “a spectacular ballet of violence” (New York Magazine).And if you want to see the stunning sequence in the buzzy new coming-of-age musical about rival gangs from different socioeconomic backgrounds in Tulsa — adapted from S.E.
To outsiders, Eleanor Coppola, who died Friday at age 87, presented as soft spoken and unassuming, yet as someone who always understood exactly what was going on. When I first met her she was playing the role of the perfect ’60s “hippie chick” who hung with young filmmakers, tolerated their ego trips but also had a keen sense of talent.
Few followers of cinema could dispute the influence of Francis Ford Coppola, the director of such cinematic masterworks as The Godfather and Apocalypse Now. But when Eleanor Coppola, who sadly passed away yesterday, set her camera on the action behind the scenes of Apocalypse Now, she would lay the foundation for a film that I believe has had just as much impact on the landscape of cinema in the 30+ years since its release. If Francis’s influence is bold and loud, Eleanor’s is quiet and subtle, but it is no less powerful.
Eleanor Coppola has sadly passed away.
J. Kim Murphy Eleanor Coppola, an American filmmaker who won an Emmy for chronicling her husband Francis Ford Coppola‘s taxing 238-day production of “Apocalypse Now” in her documentary “Hearts of Darkness: A Filmmaker’s Apocalypse,” died Friday at her home in Rutherford, Calif. She was 87.
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Thanks to early official announcements a number of the movies debuting at this year’s 77th edition of the Festival de Cannes are already known. Quentin Dupieux’s “The Second Act” will open the festival.
Naveen Kumar Tough guys with a soft side have long held a firm grip on the American imagination. S.E. Hinton’s novel “The Outsiders,” about a cadre of down-and-out boys, has been read by millions of restless adolescents since it was published in 1967, when the author herself was a teenager.
Elsa Keslassy International Correspondent Following the press conference unveiling the Cannes lineup, festival director Thierry Fremaux addressed a few hot topics, including Francis Ford Coppola’s 135-minute epic “Megalopolis,” which doesn’t yet have a distribution deal. While “Megalopolis,” Coppola’s self-produced $120 million opus starring Adam Driver, has been selected to compete at the Cannes Film Festival, it doesn’t have a distribution deal in France.
Immediately off the back of its inclusion in the Cannes competition line-up, Ali Abbasi‘s The Apprentice has dropped a first look of Sebastian Stan as Donald Trump and Jeremy Strong as Roy Cohn.
The Cannes Film Festival officially announced the selection of Francis Ford Coppola’s Megalopolis in Competition at its press conference in Paris on Thursday, confirming Deadline’s scoop from Mike Fleming earlier this week.
Thanks to early official announcements a number of the movies debuting at this year’s 77th edition of the Festival de Cannes are already known. Quentin Dupieux’s “The Second Act” will open the festival.
A man gave a group intel on a ‘friend’ before he was kidnapped and tortured, prosecutors allege.
Elsa Keslassy International Correspondent In what looks to be another robust year in the making, the 77th edition of the Cannes Film Festival will bring together several iconic filmmakers, including Francis Ford Coppola with “Megalopolis” starring Adam Driver, George Miller with “Furiosa” starring Anya Taylor-Joy, as well as George Lucas who will be feted with an honorary Palme d’Or. Kevin Costner will also be on hand with the first installment of his Western epic “Horizon, an American Saga.” Hollywood may have a lighter presence due to a combination of factors – including last year’s actors and writers strikes, which created production delays, as well as a tough economy — but this year’s festival will see no shortage of glamor and stars on the red carpet.
Matt Donnelly Senior Film Writer Warning: Minor spoilers ahead for “Megalopolis“ Francis Ford Coppola has made quite the return to directing. Industry chatter about his new film “Megalopolis,” a passion project more than 20 years in the making, has been churning since a late March screening for prospective buyers.
Oscar-nominated “Maestro” in New York last November.Turner, 69, wore a long black overcoat and used a cane as she walked downtown on Canal Street at the beginning of the week. Turner’s heyday at the movies was during the 1980s, when the actress was propelled to superstardom by the thriller “Body Heat.” She then made a slew of films over that decade, such as “Prizzi’s Honor” and “The Accidental Tourist.” But she’s perhaps best remembered for playing an adventuring novelist in 1984’s “Romancing the Stone,” directed by Robert Zemeckis, and its sequel “The Jewel of the Nile” a year later.
The Broadway musical The Outsiders will celebrate its official opening night this week and the production has released a stunning set of photos.
Rumored to be in the mix for several festivals, Francis Ford Coppola’s expensive, long-gestating “Megalopolis” is expected to premier at the Cannes Film Festival this May. According to Deadline’s The Dish, Coppola’s film, which he funded himself to the tune of over 100 million, will play in competition on the Croisette on May 17.