‘Dune’ Director Denis Villeneuve Wants to Direct a Bond Movie: ‘I’m One of the Biggest Bond Fans’

It seemed, that the idea that a third film, “Dune: Messiah” could be a good idea, “Dune” director Denis Villeneuve said, casually, in the press tour for “Dune” this fall. But now that “Dune” had an excellent box-office-topping weekend and Legendary Pictures and Warner Bros.

“Dune 2” is officially a go!

Rebecca Rubin Film and Media ReporterYears ago, filmmaker Denis Villeneuve had agreed to adapt “Dune,” Frank Herbert’s seminal sci-fi novel, under one condition: the sweeping saga about warring political dynasties that clash over access to a vital planet could not be confined to only one movie.“The story is so rich and complex that, in order to be faithful to the book, we’ll need to make at least two movies,” Villeneuve explained in 2020.

With “Blade Runner 2049” and definitely “Dune,” Denis Villeneuve has cemented himself in the minds of many as a master filmmaker when it comes to big screen spectacle. That is a description that has also been given to director Christopher Nolan.

With millions of people being exposed to the beauty and majesty of Frank Herbert’s sci-fi novel, “Dune,” thanks to the new film adaptation from director Denis Villeneuve, folks are learning about the characters that populate the world of Arrakis, including Duncan Idaho (and yes, people have thoughts about that name).

Angelique Jackson In “Dune,” Timothée Chalamet’s Paul Atreides is heard opining, “I must not fear.

Obviously, when you think of two of the biggest proponents of the theatrical experience, names like Denis Villeneuve and Christopher Nolan come to mind. And in a new interview as part of the Reelblend podcast, Villeneuve is quick to point out just how great Nolan is at the craft and why his films are a must-see on the big screen.

Dune (★★★☆☆), and succeeds on a massive scale. It’s the film’s scale, in beauty and grandeur and impeccable detail, that’s most impressive.

As you’ve likely heard by now, Denis Villeneuve’s “Dune” is an enthralling, visceral, immersive space opera. This dense saga also creates a rich contextual world of politics, culture, religion, and history (read our review here).

“Dune” is upon us, folks. After a long delay, Denis Villeneuve’s adapation of Frank Herbert’s iconic novel is hitting theaters (…and HBO Max, sigh) this week.

Rebecca Rubin Film and Media ReporterDirector Denis Villeneuve’s sci-fi epic “Dune” has collected promising ticket sales internationally, but will box office spice flow in North America?The Warner Bros. film, a big-screen adaptation of Frank Herbert’s 1965 sci-fi novel, opens in 4,100 theaters in the U.S.

Frank Herbert’s 1965 spacey odyssey, “Dune,” has long been one of the profoundly influential crucial crown jewels in the pantheon of science fiction. This means, of course, it’s been one of the great white whales for filmmakers to adapt.

A cool wind sweeps through the sands of “Dune,” Denis Villeneuve’s chilly, majestic adaptation of Frank Herbert’s classic 1965 science-fiction novel.Hot as it may be on Arrakis, the desert planet that draws the universe’s most powerful interests to its mineral-rich but inhospitable sands, Villeneuve’s film is a solemn slow burn.

Denis Villeneuve is that most uncommon of contemporary filmmakers, to the degree where he’s pretty much a unicorn in Hollywood terms. Put more plainly, Villeneuve is one of a handful of noteworthy studio directors capable of re-imagining venerated properties in ways that shouldn’t work – like say, for instance, a sequel to Ridley Scott’s beloved “Blade Runner” or an epic take on Frank Herbert’s long-thought-to-be-unfilmable “Dune” – and making them sing onscreen.

In 2019, I spoke with legendary composer Hans Zimmer about his music for the live-action reimagining of “The Lion King.” It was a conversation that spanned such topics as his collaborations with Christopher Nolan, live performances, and, most notably, his work on Denis Villeneuve‘s adaptation of Frank Herbert‘s iconic sci-fi novel “Dune.” Zimmer instantly fell in love with Herbert’s original novel during his teens relating heavily to the moodiness and angst of Paul Atreides and when I previously

environment, colonialism and giant space worms.“It became an obsession,” Villeneuve, 54, said.And it was just the beginning of a decade-spanning dream that is finally coming to fruition as his own version of “Dune” makes its way to North American theaters Friday.Villeneuve is not the first filmmaker who has dared to fantasize about making “Dune,” but he’s the first to see his vision realized in a way that might satisfy both fans and novices.

With the release of most Marvel Studios films, inevitably the filmmaker behind the feature is asked about any sort of cinematic inspirations that went into the making of the latest superhero epic. And for “Eternals,” director Chloé Zhao drew inspiration from some surprising films from some of the greatest filmmakers of all time.

It’s been several years since Denis Villeneuve released “Blade Runner 2049.” At the time, the film was going to be Villeneuve’s big blockbuster franchise breakout, coming off acclaimed, but decidedly more mid-budget fare. Well, ‘2049’ hit with some critical raves but the box office was far from a success, seemingly sending the ‘Blade Runner’ franchise back to the shelf to gather dust.

“Dune” director Denis Villeneuve (“Arrival,” “Blade Runner 2049”) hasn’t shied away from giving his opinions on superhero projects with both dinging Marvel Studios films for “cutting and pasting” while also completing them by calling their hiring of Chloé Zhao for “Eternals,” a brilliant move.

Denis Villeneuve told the audience at Contenders London today that embarking on an adaptation of Frank Herbert’s epic 1965 sci-fi book Dune was the “project of a lifetime” for him.