In a rare joint appearance, the heads of the organizations behind the Oscars, Emmys, Tonys and Grammys expressed optimism about strike talk progress and also tackled the task of producing live events.
20.09.2023 - 00:39 / variety.com
Naman Ramachandran The 67th BFI London Film Festival’s annual industry forum has assembled a lineup of heavyweights. The forum events, which take place through the festival, kick off with a conversation between Bill Kramer, CEO, the Academy of Motion Picture Arts and Sciences (AMPAS) and Jane Millichip, CEO of BAFTA (British Academy of Film and Television Arts) and Ben Roberts, BFI chief executive.
The first of the forum’s three spotlight conversations will see Jennifer Lee, chief creative officer of Walt Disney Animation Studios, speak with Tricia Tuttle, head of directing fiction at the National Film and Television School, to talk about her career, her time working at Disney and the creative vision behind the upcoming animated musical comedy adventure “Wish,” which Lee co-wrote and executive produced. In the second, Carole Baraton, co-founder and CEO of French sales company Charades will talking about making editorial choices, the relationship with talent, and the outfit’s vision of how to adapt to a market challenged by constant disruptions in a conversation with Isabel Davis, executive director of Screen Scotland.
And in the third, See-Saw Films’ Emile Sherman, Iain Canning and Helen Gregory will be in conversation with Clare Stewart, managing director, International Film Festival Rotterdam about their careers, their work with leading talent, their insights on the international market and a closer look at the three films they have in this year’s festival – “One Life,” “The Royal Hotel” and “Foe.” In addition, there are industry panels on emerging writers, AI and international co-productions. In association with Variety, a panel will feature Mahalia Belo whose feature directorial debut, supported by the BFI
.In a rare joint appearance, the heads of the organizations behind the Oscars, Emmys, Tonys and Grammys expressed optimism about strike talk progress and also tackled the task of producing live events.
Jaden Thompson The Newport Beach Film Festival, which will run from Oct. 12-19 this year, has announced their opening and closing night films. Marco Perego’s “The Absence of Eden,” which stars Zoë Saldana, will open the festival on Oct.
EXCLUSIVE: Everybody mingles at Telluride. I have this abiding memory of Bill Kramer, CEO of the Academy of Motion Picture Arts and Sciences, at the festival’s opening-day brunch set atop a mountain in the San Juan range of the Rockies, bounding over to Cannes Palme d’Or winner Justine Triet and Sandra Hüller, her sublime lead star in the prize-winning movie Anatomy of a Fall.
Maja Hoffmann has been officially confirmed as President of the Locarno Film Festival following a vote at an Extraordinary General Assembly on Wednesday.
The BFI London Film Festival has unveiled the full lineup for its revamped “Industry Forum,” which will feature keynote sessions with Jennifer Lee, chief creative officer of Disney Animation Studios, and Bill Kramer, CEO of the Academy of Motion Picture Arts (AMPAS).
‘The Madigan Chronicles’ Optioned By Particle6
A first-time filmmaker has claimed the top prize at the 19th Annual Camden Film Festival in Maine, one of the country’s foremost all-documentary festivals.
Organizers of the Camden International Film Festival in coastal Maine are moving ahead with regular programming today, as Hurricane Lee – downgraded to a post-tropical cyclone – aims further north towards Nova Scotia.
There’s a misconception that the British are a stoic people who just might get quite cross in the event of a zombie apocalypse. But the truth is rather different, as was shown in 2005, when six people were hospitalized and a man stabbed when an Ikea store in North London put 500 leather sofas on sale for less than 60 bucks each and a riot ensued.
Found, the NBC series from All American‘s Nkechi Okoro Carroll, is heading to the Boston Film Festival.
McKinley Franklin editor New York-based LGBTQ+ film festival NewFest has debuted the lineup for its 35th festival, which is set to run from Oct. 12 to Oct. 24.
Day Of The Fight, the directorial debut of actor Jack Huston, has been set as the opening film of the 31st edition of the Raindance Film Festival, running October 25 — November 4.
Oscars from 2024, inking a new deal to air the Academy Awards in the UK.For the last 20 years, the show has been broadcasted on Sky, with the operator having gained rights from the BBC in 2004.Now, the Oscars will come to ITV1 and ITVX from next year, with the 96th Academy Awards taking place on March 10, 2024.Darren Nartey of ITV said in a statement: “We are thrilled to be able to exclusively bring the Oscars to film fans all across the U.K., furthering and complementing our commitment to films across our network. We already have a fantastic collection of over 250 feature films available on ITVX at any one time and are looking forward to sharing the movie-event of the year with our viewers.”The Academy’s Bill Kramer added: “We could not be happier to partner with ITV in bringing the Oscars to viewers throughout the U.K..
ITV has become the new home of the Oscars awards ceremony in the UK.
The Burial is a not-so-great title; it sounds like a horror film. I hope it doesn’t keep people away from this highly entertaining, crowd-pleasing movie that otherwise is an example of what good old fashioned Hollywood filmmaking can still be all about in the right hands. It feels bigger than life, but it is based on some pretty big lives indeed.
Making a grand entrance into the world of directing, Billy Bryk and Finn Wolfhard present their feature debut, Hell of a Summer. With the vibes reminiscent of Friday the 13th and Sleep Away Camp, this film delivers nostalgia that captures the essence of the golden age of horror slasher cinema. Each character checks off the 1980s horror trope boxes, ensuring that every campy moment feels both authentic and delightfully over the top. Bryk and Wolfhard also star.
In a cinematic landscape built on tried-and-true formulas, Moritz Mohr’s Boy Kills World dares to be different, blurring the boundaries between absurdity and adrenaline-pumping action. Written by Tyler Burton Smith and Arend Remmers, this audacious venture is steeped in a dystopian backdrop plays by its own rules. Dive into a world where chaos meets comedy, and gory kills are an everyday thing. The film stars Bill Skarsgard, Famke Janssen, Yayan Ruhian, Sharlto Copley, Andrew Koji, and Brett Gelman.
It’s interesting how the Venice Film Festival has gone from one of the festivals of the fall festival season to arguably the best film festival in the world now, even overshadowing Cannes in recent years thanks to the fact that Netflix now avoids the Croisette for the most part because of France’s theatrical laws and save their Oscar contenders for the Lido. Venice has had an amazing run, arguably since 2017 when Guillermo del Toro’s “The Shape Of Water” won the top prize and then went on to win the Oscar for Best Picture, which has happened one more time since with “Nomadland” and several key Oscar contenders since).
For an hour, Finestkind is the kind of movie they don’t make any more, and just when you’re starting to adapt to its gentle, circadian rhythms (which is about halfway through), it becomes the kind of movie they make all the time. Though it just about works, it’s a curious hybrid of emotional felladrama and gangster realism, something writer Brian Helgeland has essayed before, notably with his script for Clint Eastwood’s Mystic River. A few years back, this could have been a Malpaso production too, and it’s not hard to imagine Eastwood in the role played here by Tommy Lee Jones, an awards-friendly supporting role that gives the veteran actor his very own mini-Gran Torino.
UPDATED with latest: The Toronto Film Festival began September 7 in Ontario with opening-night movie The Boy and the Heron, from Oscar-winning filmmaker Hayao Miyazaki. It kicks off a lineup for the fest’s 48th edition that includes world premieres of GameStop pic Dumb Money, Netflix’s Pain Hustlers, Taika Waititi’s Next Goal Wins, Kristin Scott Thomas’ Scarlett Johansson pic North Star, Chris Pine’s Poolman, Michael Keaton-directed Knox Goes Away, Anna Kendrick’s Woman of the Hour, Atom Egoyan’s Seven Veils, Michael Winterbottom’s Shoshana, Grant Singer’s Reptile, Viggo Mortensen’s The Dead Don’t Hurt, Lee Tamahori’s The Convert and Alex Gibney’s doc In Restless Dreams: The Music of Paul Simon.